Angry Audio 991001 User Manual Download Page 7

11   Unbalanced Connections

Balanced Connections   12

Understanding unbalanced audio.

An unbalanced connection or cable is made up of two conductors (wires). One 
wire carries the audio signal, while the other serves as the shield. The most 
common example of this is the RCA or phono cable, where the center conductor 
carries the signal and the outer ring is the shield and signal 
return.

Unbalanced audio is most often encountered in consumer 
electronics equipment.  It is suitable for very short 
interconnections, especially when the source and destination 
are plugged into the same power source. Unfortunately, when 
used to connect more distant equipment, its limitations can 
become quite bothersome.

If the source equipment and the destination equipment are plugged into different 
power outlets, any ground differential between the outlets will appear as a 
common-mode voltage, present on both the signal and the shield. This is often 
referred to as a ground loop and may result in hum, buzz, hiss, or RF interference. 

Additionally, the level of unbalanced audio is typically fairly low, with the majority 
of consumer (non-pro) gear having an output of -10dBV, which means even small 
induced noise is more apparent. 

Understanding balanced audio.

A balanced connection uses three wires, one for shield and two for signal.  Most 
professional gear uses XLR connectors to convey balanced 
signals. The two signal wires are twisted together and 
surrounded by the shield in a balanced cable.

Balanced audio, by definition, means the two signal 
wires have the same impedance. A balanced audio 
receiving device will employ a transformer or differential 
amplifier input which will cancel any noise that is 
common to both signals and pass only the signal which 
is different. 

Often, one signal line will carry the audio and the other will carry the same audio 
with opposite polarity. This is not strictly necessary, however.  The same principle 
works if the audio return is grounded at the source. The only absolute requirement 
in balanced audio is that the two signal lines are impedance matched. The shield 
is never used as an audio return.

The audio levels on a balanced signal are typ4dBu which further improves 
the noise suppression performance of the interconnect. These features are why 
balanced audio can be used for very long distances. 

Summary of Contents for 991001

Page 1: ...gryaudio com ADDRESS 2000 Mallory Lane Suite 130 42 Franklin TN 37067 USA USER GUIDE Balancing Gadgets P N 991001 991001E Stereo Balancing Gadget P N 991002 991002E Dual Stereo Balancing Gadget P N 99...

Page 2: ...order to create a built for broadcast product All audio gadgets are over engineered to provide long term reliability and guaranteed RFI immunity Some of this is apparent such as the rugged powder coa...

Page 3: ...your Balancing Gadget If you prefer to secure your gadget to the inside of a rack cabinet or other flat surface the optional Wall Mount kit comes in handy Each Wall Mount Kit includes two brackets fo...

Page 4: ...notch facing outwards Use the panhead screws B removed from the rubber feet to secure the brackets to the gadget Use the four provided No 6 screws E and cup washers F as shown in the diagram above to...

Page 5: ...d outputs on two XLR connectors making it possible to feed professional gear with consumer audio devices The Dual Stereo Balancing Gadget is identical to the Stereo Balancing Gadget but as you may hav...

Page 6: ...entical to the Stereo Balancing Gadget but with two inputs and outputs Rear Panel Front Panel The Bidirectional Balancing Gadget is somewhat different in that it converts one stereo unbalanced pair fr...

Page 7: ...ically fairly low with the majority of consumer non pro gear having an output of 10dBV which means even small induced noise is more apparent Understanding balanced audio A balanced connection uses thr...

Page 8: ...on unbalanced sources Or where does my gadget fit in Whether you re doing live sound setting up a casual computer based home studio to work on your own personal projects building a dedicated recording...

Page 9: ...1 ESD CLAMP DIF AMP IHF 1R INPUT PRO 1R OUTPUT RFI FILTER PWR AMP 2 3 1 ESD CLAMP DIF AMP IHF 2L INPUT PRO 2L OUTPUT RFI FILTER PWR AMP 2 3 1 ESD CLAMP DIF AMP IHF 2R INPUT PRO 2R OUTPUT RFI FILTER PW...

Page 10: ...ower plug European Config Suffix E 230VAC 50Hz CEE 7 7 power plug Power Consumption 5VA Operating Temperature 0 to 40 C 32 to 104 F Storage Temperature 20 to 45 C 4 to 113 F Relative Humidity 0 to 90...

Page 11: ...19 Schematics Schematics 20 A peek deep inside the Stereo Balancing Gadget...

Page 12: ...21 Schematics Schematics 22 Dual Stereo Balancing Gadget...

Page 13: ...23 Schematics Schematics 24 Bidirectional Balancing Gadget...

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