A. INPUT CHANNEL SECTION
1
2
3
4
5
6
7
8. STEREO LINE INPUTS
These 1/4” jacks may be driven by stereo or mono, balanced or unbalanced
sources.
7. MONO LINE INPUTS
These 1/4” jacks share circuitry(but not phantom power) with the mice
preams and may be driven by balanced or unbalanced sources.
5. GAIN
For setting preamplifier gain of corresponding channel to present the
overdrive/distortion at high level inputs or unwanted back ground noise
because of low input drive.
6. LOW CUT
Each channel with a mic input has a low cut switch that cuts the bass
frequency below 100Hz,at a rate of 18dB per octave. All mic inputs are
affected, as well as the line inputs of the mono channels.
3. LINE INPUT
The unbalanced Mic input is provided for the use of an unbalance mic and
is designed to accept an unbalanced high impedance input signal.
(This use for connection Deck, Turntable, Keyboard etc..)
1. MIC INPUTS
You can plug in almost any kind of mic that has a standard XLR male mic
connector.
4. INSERT
The INSERT is a break point in the input channel signal path. It allows
the signal to be taken out from the mixer, through an external equipment
such as a compressor, and then back to the mixer to continue the final
mix output.
8
2. LINE/HI-Z SWITCH
To connect a guitar directly to the mixer without using a DI Box, press this
switch in first;then connect the output from the guitar to channel I’s 1/4 TRS
input..
AMX Series - 2 -
User Manual / Manual de uso
