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Modifications: 

From time to time, AMpT will release inside ideas for custom modifying 
our pedals. These modifications should only be attempted by experienced 
users with good technical SMT chops. Any damage to your ADG-1 based 
on workmanship in modifications will not be covered by your warranty. 

Perform at your own risk!

 

 

Secret Limiter Modification: 

Shhh... Don’t tell anyone. And whatever you do, don’t let classic ADG-1 
owners know they can do the same trick. The ADG-1 SE contains two 
limiters that add compression to your signal. One limiter is on the wet 
signal the other is on the dry signal. A resistor and a solder blob sets the 
amount of limiting. The resistors here are SMT 0805 package, 1% tol. 

 

Wet signal Limiting: 

The mix amp combines the post drive and 
feedback signals and contains an aggressive 
limiter. This limiter helps to prevent the input 
signal from overdriving the buckets and 
compandor. It also enables you to play over 
infinite repeats without the feedback 
overwhelming your playing. If you do not use a 
lot of drive or feedback you may prefer less 
limiting. To remove limiting all together remove 
the “solder blob” from JP1 on the right middle 
side of the PCB. Or to reduce it change R1 from 3.92k stock to a larger 
value. Try 5-50k for starters.

 

 

 

Dry signal Limiting: 

The dry signal contains a limiter that keeps 
highly driven signals at a more similar volume 
level to the wet signal. To reduce the limiting 
change R11 (located in the middle left side of 
the PCB) from 4.75k to a larger value. Try 10-
100k for starters.

 

Summary of Contents for Analoger ADG-1 SE

Page 1: ...Analoger ADG 1 Special Edition 100 Analog Bucket Brigade Delay User Manual Addendum Revision B Supplement to the ADG 1 Rev C user Manual Last Revision 3 18 2022 ...

Page 2: ...r regular ADG 1 700ms analog delay we have added some additional special features A 3rd analog delay bucket has been added allowing you to switch between a single bucket for delay times of 16ms 350ms or 3 buckets for delay times of 50ms 1 06s The addition of a TRS Delay Loop Insert enabling injecting effects such as an EQ or octave pedals into the delay loop chain to successively affect each repea...

Page 3: ... clock wise for massive dive bombs Note Longer delay times will change the high frequency roll off In addition very short or long delay times will reduce the level Therefore the tone or feedback levels may be different in 1 or 3 bucket mode or the standard ADG 1 in 2 bucket mode even if the delay time is the same BUCKET SWITCH selects whether the sound you are hearing travels through 1 or 3 BBDs 4...

Page 4: ...Delay insert will affect the first repeat and every one after that Try inserting an EQ or Phaser into the chain for some great tonal changes An octave up or down effect is also a great trick as each repeat will shift up or down octave as they degrade Lastly you may wish to simply have a gain control for some wild self oscillating feedback ability You may wish to add more complex EQ or Tone control...

Page 5: ...rs here are SMT 0805 package 1 tol Wet signal Limiting The mix amp combines the post drive and feedback signals and contains an aggressive limiter This limiter helps to prevent the input signal from overdriving the buckets and compandor It also enables you to play over infinite repeats without the feedback overwhelming your playing If you do not use a lot of drive or feedback you may prefer less l...

Page 6: ...B dry Tone 605Hz center tilt like filter Center Flat to 0 25dB High 5dB to 12dB Low 4dB to 7dB Bucket Toggle 1 or 3 BBDs 4096 or 12288 buckets LFO toggle Rounded triangle slewed square wave or OFF Bypass Footswitch effect on off user selectable True Bypass or JFET Buffered Tails Mod Footswitch User selectable modulation kill or engage tails bypass sometimes called Spillover Expression Switch 4 pos...

Page 7: ...ut on Tip Feeback Insert TRS input with send and return on jack Attenuated to 6dB below post drive level Level dependent on drive control Delay Time 35ms 1060ms Triple BBD mode 17ms 350ms single bucket mode 13ms 1350ms with LFO or Control Voltages Input impedance 1MΩ Output impedance 1KΩ Max 5k max for buffered bypass Max input level 15dBµ 4 3V RMS Max output level 14dBµ 3 9V RMS Maximum drive 23d...

Page 8: ...e DRIVE for an even more aggressive sound or dial it back and try it with arpeggios Cavernous Hallway Hello Hello Hello Is there anybody in there Do we have an echo in here Reverberant echoes Try dialing up some modulation for more fun Modulation off Fold Under low pass Delay Long repeat delay where each echo slowly becomes less and pronounced as it fades out Each repeat loses detail and folds und...

Page 9: ... your parents about 16mm school projectors Faux Flanger Phased hollow delay with peaky and present movement It is similar to a flanger yet with longer delay times Adjust the FEEDBACK to find that sweet spot right before oscillation and the AMOUNT to bring out the tone the best Wet Pseudo Chorus A long drippy lush chorused sound with longer than average delay times Dial in RATE and AMOUNT until you...

Page 10: ...end of a tunnel talking through an old telephone Modulation off Square Jumps Tune this by ear using AMOUNT and TIME controls for a bouncy whimsical octave echo or a chaotic atonal warble Tape Wash Bright repeats fade away into the ether No motor repair necessary Wow others with the flutter Modulation off ...

Page 11: ... off Alternatively try a hair of modulation with RATE around 12 00 and just a hair on the AMOUNT knob Lofi Vibes Take advantage of the ADG 1 s lush filter to construct a lo fi vibrato evocative of vintage recordings Slap Back Delay Short delay doubling Chicken Pickin and finger licken good Modulation off ...

Page 12: ...ins of Western North Carolina Changelog Revision Date Notes Rev B 03 18 2022 2022 Logo and Art updates Rev A1 10 18 2021 Production Release Rev A 09 26 2021 Production Pre Release Rev 1 08 29 2021 Prototype Manual Visit our website for more information mods hacks and presets www AshevilleMusicTools com ...

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