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   -   www.americanaudio.us   -   Q-SPAND PRO Instruction Manual Page 11

 

Q-SPAND PRO             

FRONT PANEL - CONTROLS AND FUNCTIONS CONT.

19. HEADPHONE JACK - 

This jack is used to connect your headphones to the mixer allowing you to 

monitor the cue source. Use headphones only rated at 8 ohms to 32 ohms. Most DJ headphones are 
rated at 16 ohm, these are highly recommended. Always be sure the 

CUE LEVEL VOLUME (23) 

is set 

to minimum before you put the headphones on.

20. ZONE LEVEL VOLUME OUTPUT CONTROL -

 This rotary knob is used to control the zone level 

volume. The zone level is not PFL, it is essentially a second master output volume with separate out-
put volume control.

21. SPLIT CUE - 

This button will activate the "Split Cue" function. When used with a set of stereo 

headphones, the Split Cue function will assign the Cue signal to the left channel of the headphones 
and the Program (main output) signal to the right channel of the headphones. Essentially splitting the 
cue signal in half. This process will allow for headphones mixing. The 

CUE MIXING CONTROL (24) 

will 

also work in conjunction with function. Please note that this function will only work with a set of stereo 
headphones. 

22.  MASTER  VOLUME  CONTROL  - 

This  slider  is  used  to  control  the  master  output  level  (main 

volume). To avoid distorted output try to maintain an average output signal level no greater than +4 
dB. To avoid speaker damage that may be caused by excessive volume, be sure this slider is always 
set to zero (completely down) before turning the unit on.

23.  CUE LEVEL VOLUME CONTROL - 

This knob is used to adjusts the headphone volume output 

level. Turn the knob in a clockwise direction to increase the headphone volume.

24.  CUE  MIXING  CONTROL  - 

This  functions  allows  you  to  monitor  the  Cue  level  as  well  as  the 

Program (main output) level in your headphones. A channels Cue Level may only be monitored if the 
channels 

CUE (27) 

function is selected. To select a channels cue function press the 

CUE BUTTON 

(27) 

that is directly associated with the specific channel you wish to monitor. You may use the mixing 

function to blend both the Cue level and the Program level together. You can vary the output level 
to either hear more or less of either of the two levels. Sliding the Cue Mixing fader to the CUE posi-
tion (left) will allow you to hear more of the Cue level. Sliding the knob to the PGM position (right) will 
allow you to hear more of the Program level (main output). You may also use the Cue Mixing Control 
to hear either the Cue level or the Program level exclusively. If the fader is in the full CUE position you 
will only hear the cue level, if the fader is in the full PGM position you will only hear the main output. 
This function is especially useful when mixing without an monitor.  

25. CHANNEL VOLUME FADER - 

These faders are used to control the output signal of any source 

assigned to its particular channel. However, master volume is controlled by the

 MASTER VOLUME 

CONTROL (22).

26. FADER ASSIGN SWITCH -

 This is a five position switch that assigns a channel to the 

CROSS-

FADER  (28)

.  When  a  channel  is  assigned  to  the  left  side  of  the 

CROSSFADER  (28) 

that  channels 

output level is routed to and controlled by the 

CROSSFADER (28)

. Sliding the 

CROSSFADER (28)

 to 

left position will send the volume output of the assigned channel to the 

MASTER VOLUME LEVEL (22)

siding the 

CROSSFADER (28) 

to right position will cut that channels volume to 

MASTER VOLUME 

LEVEL (22)

. The reverse is true for the right channel fader assign switch. When the assign switch is set 

to the "OFF" position the crossfader will have no function.

27. CUE BUTTON - 

These buttons are used to activate a channels “CUE” mode. A red LED around 

the Cue button will glow when a channels cue mode is activated. The Cue function sends a channels 
incoming signal to the headphones. The cue level is adjusted by the 

CUE LEVEL KNOB (23).

 Be sure 

the 

CUE MIXING KNOB (24) 

is set to the “CUE” position to hear a selected channel source.

Summary of Contents for Q-Spand Pro

Page 1: ...Q SPAND PRO Featuring 4295 Charter Street Los Angeles Ca 90058 www AmericanAudio us User Guide and Reference Manual 12 06...

Page 2: ...tion Single Voltage or Dual Voltage 3 Phono 4 Aux 4 Line 3 Mic Inputs Q Start Compatible for use with American Audio CD Players with Fader Q Start Fader Q Start on channels 1 2 Separate gain control f...

Page 3: ...ANT OU UNE AUTRE SORTIE DE COURANT SAUF SI LES LAMES PEUVENT ETRE INSEREES A FOND SANS EN LAISSER AUCUNE PARTIE A DECOUVERT Q SPAND PRO ELECTRICAL SAFETY PRECAUTIONS VOLTAGE SELECTOR SWITCH LINE VOLTA...

Page 4: ...ords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them paying particular attention to cords at plugs conveniencereceptacles andthepointwhere...

Page 5: ...nce 7 Never disassemble or modify your unit in any way doing so will void your manufactures warranty Q SPAND PRO SAFETY PRECAUTIONS 8 Never plug this mixer in to a dimmer pack 9 Do not let insecticide...

Page 6: ...ty In the unlikely event your mixer may require service please contact American Audio customer support Do not discard the packing carton in the trash Please recycle when ever possible Q SPAND PRO INTR...

Page 7: ...DPHONES To avoid damaging your headphones always be sure the headphone volume level 31 is set to minimum before plugging them in To avoid sever hearing damage never put the head phone on without makin...

Page 8: ...ob in a counter clockwise direction will decrease the amount of bass applied to the microphone signal turning the knob in a clockwise direction will increase the amount of bass applied to micro phone...

Page 9: ...IS NOT LIT to disengaged Q Start function and resume to a normal fader 7 CHANNEL EQ SECTION CHANNEL TREBLE CONTROL This knob is used to adjust the treble levels of a channel allowing for a maximum tre...

Page 10: ...CONTROL This button is used to activate the SRS Sound Retrieval System TRU BASS Process TruBass circuity actively monitors the low frequency content of an audio signal and optimizes the frequency and...

Page 11: ...he channels CUE 27 function is selected To select a channels cue function press the CUE BUTTON 27 that is directly associated with the specific channel you wish to monitor You may use the mixing funct...

Page 12: ...ter position the output signals of both the channels one and channels two will be even 29 CROSSFADER CURVE ADJUSTMENT This rotary knob is used to change the way the cross fader will operate The crossf...

Page 13: ...off before change the position of the Line Level Selector Switch 37 CHANNEL 1 PHONO 1 AUX 1 INPUT The type of input must directly re ect the selected mode of the LINE LEVEL SELECTOR SWITCH 36 Turntab...

Page 14: ...X 3 position Never connect line level instruments CD players tape decks etc to these jacks when the LINE LEVEL SELECTOR SWITCH 36 is in the PHONO 3 position THIS MAY SERIOUSLY DAMAGE YOUR MIXER The re...

Page 15: ...t the maximum siganl output level 46 BALANCED XLR MASTER OUTPUTS JACKS The Master Output includes a pair of XLR Balanced jacks as well as a pair of RCA UNBALANCED JACKS 43 The 3 pin XLR jacks send a h...

Page 16: ...RNTABLE This image details a typical DJ Set Up consisting of a microphone turn tables CD players and a tape deck Note Turntables can only be connected to the PHONO LEVEL RCA JACKS Be sure the LINE LEV...

Page 17: ...is image details a typical stereo output layout Note the use of the Balanced XLR Jacks on both the mixer and the ampli er Always use the balanced output jacks whenever possible The balanced output jac...

Page 18: ...h means it may be replaced at any time even when power is applied Only replace with American Audio Part Feather Fader Plus Replacing with any other model fader may seriously damage your mixer Replacin...

Page 19: ...d 1 Check the input selector switch Make sure it is set to the device that is currently playing 2 Check to see if the connection cables are connected properly 3 Check the Trim Output level control on...

Page 20: ...warranty shall be limited to the repair of the product or replacement thereof including parts at the sole discretion of American Audio All products covered by this warranty were manufactured after Ja...

Page 21: ...Impedence Note 0dBV output load 100K OHM LINE 10K OHM 14dBV 200mV 2dB AUX 47K OHM 14dBV 200mV 2dB PHONO 47K OHM 54dBV 2mV 2dB MICROPHONE 1 3 2 2K OHM 54dBV 2mV 2dB MICROPHONE 2 2 2K OHM 60dBV 1mV 2dB...

Page 22: ...at 10KHz 15 3dB at 10KHz TALKOVER 14 dB 2dB SRS Gain Line 24dBV input maximum gain trubass and width at maximum position TRUBASS 14 5 4dB at 100Hz 3D ST 8 5 4dB at 100Hz Single L or R input WoW 15 5 4...

Page 23: ...SRS Labs Inc SRS technology is incorporated under license from SRS Labs Inc American Audio World Headquarters 4295 Charter Street Los Angeles CA 90058 USA Tel 323 582 3322 Fax 323 582 3311 Web www ame...

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