ALLEN & HEATH ZED Series User Manual Download Page 13 | Manualshive

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Allen & Heath 13 ZED Sixty 10FX & 14FX User Guide

Weight

ZED Sixty-10FX

ZED Sixty-14FX

Unpacked

3.8kg (8.4 lb)

6.2kg (13.6 lb)

Packed

4.4kg (9.7 lb)

6.8kg (15 lb)

336mm (13.2 inches)

DIMENSIONS

346mm (13.6 inches)

95

m

m

(

3.

7

inc

he

s)

Line

- 10 10

20

40

60

40

HPF

-15

HF

+15

-15

+15

650

200

120

4k

1k

MID

2k

-15

+15

f

LF

L

R

PAN

Right

Left

L

R

+16

-6
-9

-20
-30

-16

-12

-3

0

+3

+6

+9

Aux

Record

+10

LEVEL

Record

Bus

MAIN

MIX

+6

AUX

+6

+6

Mic

USB

Source

Aux-FX

Playback

Mix

+6

FX

PARAMETER (HOLD)

TAP

SEL

16

8

5

6

7

15

14

13

2

3

4

12

11

10

1

9

Dly+verb (level)

Dly+verb (size)

Dly+verb (regen)

PingPong(regen)

BeatDly (regen)

Ambient (echo)

SlapVerb (size)

DoubleZED(size)

Plate (decay)

Plate (predly)

Plate (colour)

Hall1 (size)

Hall2 (size)

Arena (size)

Flanger (dpth)

Chorus (dpth)

Bank 9-16

TAP

AUX

Phones

MAIN MIX

FX to

Hi Z

+6

Right

Left

Right

Left

OUT

AUX

PLAYBACK

AUX

PLAYBACK TO

+6

-15

+15

-15

+15

-15

+15

-15

+15

Record

Record

Record

Record

Record

Right

Left

Right

Left

OUT

FX

L R

PHON

ES

S

ELE

CT

0

L

M

0

0

- 10 10

20

40

60

40

-15

+15

-15

+15

3k

-15

+15

L

R

+6

+6

0

L

M

0

0

- 10 10

20

40

60

40

-15

+15

-15

+15

-15

+15

L

R

+6

+6

0

G

M

0

0

- 10 10

20

40

60

40

-15

+15

-15

+15

-15

+15

L

R

+6

+6

0

G

M

0

0

0

0

+6

0

0

0

GAIN

+15

0

5

L

R

+6

0

L

R

+6

0

USB IN L

USB IN R

500

650

200

120

4k

1k

2k

3k

500

650

200

120

4k

1k

2k

3k

500

650

200

120

4k

1k

2k

3k

500

Listen

Line

Mic

Mic

Mic

GTR 1

Hi Z

GTR 2

HPF

HPF

HPF

HF

MID

f

LF

PAN

AUX

FX

GAIN

HF

MID

f

LF

PAN

AUX

FX

GAIN

HF

MID

f

LF

PAN

AUX

FX

GAIN

BAL

BAL

AUX

FX

AUX

FX

LF

HF

HF

LF

LEVEL

AUX MIX

LEVEL

LEVEL

Record

+10

0

0

Monitor

Phones

-15

+15

0

5

-15

Left

Right

O/P Level

Switch

Record

MUTE

Listen

MUTE

Listen

MUTE

Listen

MUTE

Listen

MUTE

Listen

MUTE

Listen

MUTE

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

Line

- 10 10

20

40

60

40

HPF

-15

HF

+15

-15

+15

650

200

120

4k

1k

MID

2k

-15

+15

f

LF

L

R

PAN

Right

Left

L

R

+16

-6
-9

-20
-30

-16

-12

-3

0

+3

+6

+9

Aux

Record

+10

LEVEL

Record

Bus

MAIN

MIX

+6

AUX

+6

+6

Mic

USB

Source

Aux-FX

Playback

Mix

+6

FX

PARAMETER (HOLD)

TAP

SEL

16

8

5

6

7

15

14

13

2

3

4

12

11

10

1

9

Dly+verb (level)

Dly+verb (size)

Dly+verb (regen)

PingPong(regen)

BeatDly (regen)

Ambient (echo)

SlapVerb (size)

DoubleZED(size)

Plate (decay)

Plate (predly)

Plate (colour)

Hall1 (size)

Hall2 (size)

Arena (size)

Flanger (dpth)

Chorus (dpth)

Bank 9-16

TAP

AUX

Phones

MAIN MIX

FX to

Hi Z

+6

Right

Left

Right

Left

OUT

AUX

PLAYBACK

AUX

PLAYBACK TO

+6

-15

+15

-15

+15

-15

+15

-15

+15

Record

Record

Record

Record

Record

Right

Left

Right

Left

OUT

FX

L R

PHON

ES

S

ELE

CT

0

L

M

0

0

- 10 10

20

40

60

40

-15

+15

-15

+15

3k

-15

+15

L

R

+6

+6

0

L

M

0

0

- 10 10

20

40

60

40

-15

+15

-15

+15

-15

+15

L

R

+6

+6

0

G

M

0

0

- 10 10

20

40

60

40

-15

+15

-15

+15

-15

+15

L

R

+6

+6

0

G

M

0

0

0

0

+6

0

0

0

GAIN

+15

0

5

L

R

+6

0

L

R

+6

0

USB IN L

USB IN R

500

650

200

120

4k

1k

2k

3k

500

650

200

120

4k

1k

2k

3k

500

650

200

120

4k

1k

2k

3k

500

Listen

Line

Mic

Mic

Mic

GTR 1

Hi Z

GTR 2

HPF

HPF

HPF

HF

MID

f

LF

PAN

AUX

FX

GAIN

HF

MID

f

LF

PAN

AUX

FX

GAIN

HF

MID

f

LF

PAN

AUX

FX

GAIN

BAL

BAL

AUX

FX

AUX

FX

LF

HF

HF

LF

LEVEL

AUX MIX

LEVEL

LEVEL

Record

+10

0

0

Monitor

Phones

-15

+15

0

5

-15

Left

Right

O/P Level

Switch

Record

MUTE

Listen

MUTE

Listen

MUTE

Listen

MUTE

Listen

MUTE

Listen

MUTE

Listen

MUTE

Line

- 10 10

20

40

60

40

HPF

-15

HF

+15

-15

+15

650

200

120

4k

1k

MID

2k

-15

+15

f

LF

L

R

PAN

Record

+6

AUX

Mic

+6

FX

0

L

M

0

0

3k

GAIN

500

Listen

MUTE

Line

- 10 10

20

40

60

40

HPF

-15

HF

+15

-15

+15

650

200

120

4k

1k

MID

2k

-15

+15

f

LF

L

R

PAN

Record

+6

AUX

Mic

+6

FX

0

L

M

0

0

3k

GAIN

500

Listen

MUTE

Line

- 10 10

20

40

60

40

HPF

-15

HF

+15

-15

+15

650

200

120

4k

1k

MID

2k

-15

+15

f

LF

L

R

PAN

Record

+6

AUX

Mic

+6

FX

0

L

M

0

0

3k

GAIN

500

Listen

MUTE

Line

- 10 10

20

40

60

40

HPF

-15

HF

+15

-15

+15

650

200

120

4k

1k

MID

2k

-15

+15

f

LF

L

R

PAN

Record

+6

AUX

Mic

+6

FX

0

L

M

0

0

3k

GAIN

500

Listen

5

5

0

10

10

MUTE

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

0

10

10

20

5

5

5

5

5

5

5

5

5

5

5

5

ZED Sixty-10FX

ZED Sixty-14FX

440mm (17.3 inches)

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Summary of Contents for ZED Series

Page 1: ...Publication AP8765 ZED SIXTY 10FX ZED SIXTY 14FX USER GUIDE...

Page 2: ......

Page 3: ...Channel 1 2 10FX 1 6 14FX 15 Mono Input Channel 3 4 10FX 7 8 14FX 18 Stereo Input Channel 1 19 Stereo Input Channel 2 21 ZED FX Digital Effects Processor 22 Master Section 24 USB Connection 26 Connec...

Page 4: ...conditions Conditions Of Warranty The equipment has been installed and operated in accordance with the instructions in this User Guide The equipment has not been subject to misuse either intended or...

Page 5: ...trate compliance with the protection requirements in the European EMC directive 2004 108 EC During some tests the specified performance figures of the product were affected This is considered permissi...

Page 6: ...ide Do not remove cover Operate the console with its covers correctly fitted Power sources Connect the console to a mains power unit only of the type described in this User Guide and marked on the rea...

Page 7: ...allow ade quate ventilation Heat and vibration Do not locate the console in a place subject to exces sive heat or direct sunlight as this could be a fire haz ard Locate the console away from any equi...

Page 8: ...or solvents The control panel is best cleaned with a soft brush and dry lint free cloth The faders switches and potentiometers are lubricated for life The use of electrical lubricants on these parts i...

Page 9: ...9 20 30 16 12 3 0 3 6 9 Aux Record 10 LEVEL Record Bus MAIN MIX 6 AUX 6 6 Mic USB Source Aux FX Playback Mix 6 FX PARAMETER HOLD TAP SEL 16 8 5 6 7 15 14 13 2 3 4 12 11 10 1 9 Dly verb level Dly verb...

Page 10: ...by track using the USB digital audio interface The flexi bility and quality of these mixers make them stand out from the crowd You can plug your guitars or instruments straight into the class A discr...

Page 11: ...ng flanger chorus ef fects The different effects types are selected with a simple up down button interface and the tempo of the delay settings can be set using the TAP button Holding the TAP button al...

Page 12: ...n 0 5 1dB 10Hz to 25kHz Stereo in to Mix L R out 0 5 1dB 10Hz to 30kHz THD n Mic in to Mix L R Out 10dB gain 1kHz 10dBu out 0 002 Mic in to Mix L R Out 30dB gain 1kHz 0 01 Line in to Mix L R out 0dB g...

Page 13: ...LEVEL Record Bus MAIN MIX 6 AUX 6 6 Mic USB Source Aux FX Playback Mix 6 FX PARAMETER HOLD TAP SEL 16 8 5 6 7 15 14 13 2 3 4 12 11 10 1 9 Dly verb level Dly verb size Dly verb regen PingPong regen Be...

Page 14: ...ACK 1 6 14FX 7 8 14FX FADER Listen MUTE Default Pre Mute FADER Listen MUTE FADER EFFECTS MIX DSP EFFECT TYPE BANK SEL UP SEL DOWN TAP PARAMETER EFFECTS PROCESSOR TO MIX EFFECTS FX TO AUX RECORD ZED Si...

Page 15: ...n 1 Chassis Pin 2 hot Pin 3 Cold Line Input Jack Socket Standard 1 4 6 25mm Jack socket for balanced or unbalanced line level signals Wired Tip Hot Ring cold Sleeve Chassis The Line input connects to...

Page 16: ...uencies of the EQ The range has been carefully chosen to cover boomy frequen cies around 120Hz to 250Hz which may need cutting back or a lift at 2 to 3kHz may be required for microphone intelligibil i...

Page 17: ...has 6dB gain fully clockwise There is no master level control for the FX bus PAN The pan control adjusts how the signal from the mono input channel is shared between the left and right stereo buses a...

Page 18: ...ETRE MIS A LA TERRE Guitar input gain switches Unity gain High gain 26dB Main Output Level 0dBu 30dBu 60065 2003 CERTIFICATED TO CAN CSA STD CONFORMS TO 60065 03 ANSI UL STD ZED60 10FX Hi Z input The...

Page 19: ...to 15dB gain For low level inputs from MP3 players turn it fully clockwise 10 00 Hz 100 00 1000 00 10000 00 30000 00 20 00 15 00 10 00 5 00 0 00 5 00 10 00 15 00 20 00 dBr Stereo EQ High frequency an...

Page 20: ...al amounts of signal are fed to left and right with Bal set to L none is sent to the Right bus Record Switches the channel signal to a separate stereo bus called Record The Bal and fader affect the Re...

Page 21: ...RCA phono sockets for the stereo line level Record outputs sourced from the USB out selector switches Useful for connecting to stereo recording devices stereo mix feeds or where se lective channels a...

Page 22: ...he level of the parameter adjustment when the TAP button is held down The more LED s that illumi nate the more the parameter is increased in value or intensity Bank LED The Bank LED illuminates when o...

Page 23: ...with Reverb Delay feeds reverb Classic Plate TAP for delay time Min 70mS Max 1 35S PARAMETER adjusts the regeneration of the delay 4 PingPong regen Ping Pong delay left then right in parallel with Pl...

Page 24: ...splitting the functions of the stereo monitor outputs from the headphones Aux Mix Level control The master volume control for the Aux mix bus Adjusts the level from off fully attenuated to 6dB gain Ma...

Page 25: ...und system at excessively high volume Continued exposure to high volume sound can cause frequency selective or wide range hearing loss Phones Source Selector switches These switches allow you to choos...

Page 26: ...N HF MID f LF PAN AUX FX GAIN BAL BAL AUX FX AUX FX LF HF HF LF LEVEL AUX MIX LEVEL LEVEL Record 10 0 0 Monitor Phones 15 15 0 5 15 Left Right O P Level Switch Record MUTE Listen MUTE Listen MUTE List...

Page 27: ...0 0 0 6 0 0 0 GAIN 15 0 5 L R 6 0 L R 6 0 USB IN L USB IN R 500 650 200 120 4k 1k 2k 3k 500 650 200 120 4k 1k 2k 3k 500 650 200 120 4k 1k 2k 3k 500 Listen Line Mic Mic Mic GTR 1 Hi Z GTR 2 HPF HPF HPF...

Page 28: ...0 650 200 120 4k 1k 2k 3k 500 Listen Line Mic Mic Mic GTR 1 Hi Z GTR 2 HPF HPF HPF HF MID f LF PAN AUX FX GAIN HF MID f LF PAN AUX FX GAIN HF MID f LF PAN AUX FX GAIN BAL BAL AUX FX AUX FX LF HF HF LF...

Page 29: ...er bus in Pro Tools and then to the ZED Be wary of possible feedback loops when setting the routing to the tracks and then back to the ZED 5 In I O Setup click the Input tab The input sources appear f...

Page 30: ...Setup Hardware and click the Launch Setup App button The ASIO4ALL control panel is dis played ASIO4ALL will default to the USB Audio CODEC any time a ZED mixer is connected to the computer The device...

Page 31: ...useful to use the EQ with frequency sweep with boost first to hone in and highlight a possible problem frequency then use the EQ to reduce or cut that frequency Step 3 Create your stereo mix Set the...

Page 32: ...lly Step 5 Using the AUX bus for feeding a stage monitor The Auxiliary bus can be used to create an independent mono mix of audio signals There are many uses for Aux buses but a common one is for arti...

Page 33: ...g cold Tip hot BALANCED 1 ground 2 hot 3 cold 2 hot 1 ground 3 cold Sleeve ground Ring cold Tip hot BALANCED BALANCED BALANCED XLR FEMALE XLR MALE BALANCED UNBALANCED Sleeve ground Ring cold Tip hot B...

Page 34: ...coming an official Registered User you will ensure that any warranty claim you might make is actioned quickly and with the minimum delay Alternatively you may either copy or cut off this section of th...

Page 35: ......

Page 36: ......

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