ALLEN & HEATH XB-14-2, User Manual

Page: 32 / 37

Allen & Heath 33 XB-14 MK2 User Guide
APPLICATION TIPS: OFF-AIR CALL RECORDING
ST2
-15 + 15
12kHz
HF
-15 + 15
80Hz
LF
L
+ 16
-6
-9
-20
-30
-16
-12
-3
0VU
+ 3
+ 6
+ 9
R
PFL ACTIVE
MIN MAX
PHONES
AUX
MIX B
EXT
CRM
SPEAKERS
1/2
ST5
USB
SEND
RETURN
-15 + 15
12kHz
HF
-15 + 15
80Hz
LF
ST3
-15 + 15
12kHz
HF
-15 + 15
80Hz
LF
ST1
O O + 6
AUX
PRE
L R
PAN
=
SIGNAL
PFL
-15 + 15
12kHz
HF
-15 + 15
80Hz
LF
ST7
ST3
L/M
R
ST5
L/M
R
L/M
R
L
R
48V
INSERT R
MAIN
ST2
L
R
ST4
L
R
MIX B OUT
L
R
CRM SPEAKERS
L
R
INSERT
M4
INSERT
M3
100Hz
12kHz
-15 + 15
HF
-15
MF
+ 15
100Hz
12kHz
-15 + 15
HF
-15
MF
+ 15
M1 M2 M3 M4 ST1 ST2 ST3 PGM
ALLE
N
H
EATH
LINE LINE
MIC MIC
ST7 ST1
L/M
R
AUX
INSERT L
-6 -10 63 26
GAIN
MIC
0
LINE
10
0
10
20
30
40
50
-6 -10 63 26
GAIN
MIC
0
LINE
10
0
10
20
30
40
50
-15 + 15
80Hz
LF
-15 + 15
80Hz
LF
120Hz 4k
200
2k
650
500 1k
3k
120Hz 4k
200
2k
650
500 1k
3k
+ 16
-6
-9
-20
-30
-16
-12
-3
0VU
+ 3
+ 6
+ 9
T2
PEAK
T1
CUT SPKS
DIM SPKS
L R
PAN
=
SIGNAL
PFL
PEAK
L R
PAN
=
SIGNAL
PFL
PEAK
L R
PAN
=
SIGNAL
PFL
PEAK
L R
PAN
=
SIGNAL
PFL
PEAK
L R
PAN
=
SIGNAL
PFL
PEAK
L R
BAL
=
SIGNAL
PFL
PEAK
SIGNAL
PFL
PEAK
L R
BAL
=
SIGNAL
PFL
PEAK
L R
BAL
=
SIGNAL
PFL
PEAK
PFL ENABLE
TO GUEST
INSERT
M2
INSERT
M1
LINE LINE
MIC MIC
100Hz
12kHz
-15 + 15
HF
-15
MF
+ 15
12kHz
-15 + 15
HF
-15
MF
+ 15
-6 -10 63 26
GAIN
MIC
0
LINE
10
0
10
20
30
40
50
-6 -10 63 26
GAIN
MIC
0
LINE
10
0
10
20
30
40
50
-15 + 15
80Hz
LF
-15 + 15
80Hz
LF
120Hz 4k
200
2k
650
500 1k
3k
120Hz 4k
200
650
500 1k
3k
CLF OUT
TELCO 1
TEL IN
CLF OUT
TELCO 2
TEL IN
TALK TALK
O O + 6
PRE
O O + 6
PRE
O O + 6
PRE
O O + 6
PRE
O O + 6
PRE
O O + 6
PRE
O O + 6
PRE
O O + 6
PRE
O O + 6
PRE
CLF SCE
3/4 5/USB
GUEST PHONES 1 GUEST PHONES 2 CRM PHONES
EXT MON IN
L
R
ST1
ST2
ST4
ST3
ST6 (USB)
ST5
0
5
10
15
20
30
40
50
OO
MIN MAX
CRM
TALK
TO GUEST
L R
BAL
=
PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR
MIX B
BUS
BUS BUS BUS BUS BUS BUS BUS BUS BUS
MIX B
POWER
AUD OUT
L
R
ST4
MIN MAX
EX MON
PGM MIX
FADER
AUX AUX AUX AUX AUX AUX AUX AUX AUX
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
U
SB SO
U
R
C
E
S
E
L
E
C
T
CRM+ PHONES
SELECTION
MIX B MIX B MIX B MIX B MIX B MIX B MIX B MIX B MIX B
PGM MIX
USB
PHONES
MIN MAX
GUEST
GUEST PHONES
SELECTION
MIC FADER UP
= CUT SPKS
+ START/CUE + START/CUE + START/CUE + START/CUE
REM MUTE REM MUTE REM MUTE REM MUTE
MONO
OUT
100Hz
IN
MON
OUT
&
-1O 26
-5
5
10
20
0
-1O 26
-5
5
10
20
0 GAIN GAIN
M1 M2 M3 M4 T1 T2
PGM
+ 15
0
5
-15
+ 15
0
5
-15
+ 15
0
5
-15
+ 15
0
5
-15
+ 15
0
5
-15
+ 15
0
5
-15
+ 15
0
5
-15
ST6
AUDITION
CLF SCE
AUDITION
REM MUTE REM MUTE
AUD AUD AUD AUD AUD AUD AUD AUD AUD AUD
AUD
ON
AUDITION
AUX+ MONO
2k
MIN MAX
AUD MIX B LEV
MIN MAX
PGM PGM
700Hz 20k
3k
LPF
HPF
20Hz 6kHz
120Hz
700Hz 20k
3k
LPF
HPF
20Hz 6kHz
120Hz
AUX AUX
ST4
CD
This diagram shows the basic mixer setup using the Audition bus to rec-
ord an interview with a telephone caller off-air, whilst playing music
through stereo channel ST1. The interview could be recorded from the
Audition out phono connectors or via the USB port as shown here.
Notes:
Ensure Audition buttons
are pressed and audition
lights are on for the off-
air channels
Switch the CLF source for
the caller to Audition.
Select Audition to USB if
recording to computer.
The producer can monitor
either the live program or
the off-air interview using
the CRM selection switch-
es.