ALLEN & HEATH MixWizard WZ4 14:4:2 User Manual Download Page 7

 

Allen & Heath 

WZ

14:4:2 User Guide 

Introducing the MixWizard WZ

4

 14:4:2 

The Allen & Heath MixWizard series of consoles includes several models.  This user guide de-
scribes the 

WZ

4

14:4:2

 4 group model.  The 2 bus 

WZ

4

12:2

 and 

WZ

4

16:2

 consoles are de-

scribed in separate publications.  For further information on the MixWizard series please refer 
to the Allen & Heath web site. 

The  MixWizard  is  a  compact  console  designed 
for  professional  sound  mixing.    It  is  built  to  the 
same high standards as our top of the range con-
soles,  with  individual  circuit  cards,  potentiome-
ters  nutted  to  the  panel  for  absolute  strength, 
steel  chassis,  and  no  compromise  circuit  design 
ensuring the finest sonic performance. 

The console can be operated free standing or in 
a 19” rack or flightcase.  It is supplied with pro-
tective side trims fitted.  These can be removed 
for rack mounting.  The rear connector pod can 
be  easily  rotated  for  rear  facing  or  underside 
connectors when rack mounted. 

With its 4 band semi-parametric EQ, 4 groups, 6 
auxes and stereo main output the 

WZ

4

14:4:2

 is 

equally  at  home  mixing  live  shows,  recordings 
and  corporate  events.    Tamperproof  recessed 
switches configure the console for optimum FOH 
or stage monitor operation.  This ‘dual function-
ality’, pioneered by Allen & Heath, gives the con-
sole  its  unique  ability  to  properly  function  as 
Front-of-House or stage monitor, or handle both 
at  the  same  time,  ideal  as  a  hard  working  work 
horse for hire stock, touring and installed sound. 

The

  WZ

4

14:4:2

  has  10  mono  mic/line  inputs,  2 

fully featured dual input stereo channels and a 2-
track replay input, a total of 20 inputs to the mix.  
Of  special  note  is  the  addition  of  a  2  x  6  way 
matrix  providing  a  useful  multi-purpose  output 
for those special demands such as recording and 
broadcast feeds, delay fills, zone feeds and so on.  
A host of top end features are provided including 
oscillator  and  pink  noise  generator,  individual 
talkback to all outputs, comprehensive engineer’s 
metering and monitoring and a lamp socket. 

The  base  of  the  console  can  be  removed  to  ac-
cess internal user selectable options.  These con-
figure  user  preference  for  the  aux  sends,  direct 
outputs and talkback mic phantom power.   

The  aux  and  matrix  outputs  are  impedance  bal-
anced  but  may  be  electronically  balanced  if  re-
quired  by  fitting  an  optional  part.    A  kit  is  also 
available  to  fit  an  optional  USB2  output  card 
which allows the console to be linked to a com-
puter for multitrack recording. 

An Allen & Heath LEDlamp gooseneck lamp with 
built-in dimmer can also be added for lighting the 
console in low light conditions. 

9

A

9

10

G4

B

AUX 6

R

R

L

SENDS

G2

G3

G1

AUX

REVERSE

GRP/AUX

INSERT

INSERT

3

A3

OUT

4

OUT

A4

LISTEN WEDGE

MATRIX OUT

RETURN

R

L

MONITOR OUT

OUT

L

M

R

2-TRACK

L

SEND

A5

INSERT

R

OUT

A6

OUT

INSERT

L

13-14

A1

INSERT

2

OUT

A2

OUT

INSERT

1

ST4

ST3

L/M

R

R

L/M

MIC

LINE IN

OUT

DIRECT

10

INSERT

L/M

ST2

R

R

ST1

11-12

L/M

OUT

DIRECT

MIC

LINE IN

9

10

INSERT

1

2

3

4

5

6

7

8

MIC

LINE IN

OUT

DIRECT

INSERT

MIC

LINE IN

OUT

DIRECT

8

INSERT

8

OUT

DIRECT

MIC

LINE IN

7

6

7

INSERT

OUT

DIRECT

MIC

LINE IN

5

6

INSERT

5

LINE IN

OUT

DIRECT

MIC

4

INSERT

4

LINE IN

DIRECT

INSERT

OUT

DIRECT

LINE IN

MIC

3

OUT

MIC

2

INSERT

3

DIRECT

OUT

LINE IN

MIC

1

2

INSERT

1

- IN

+IN

3

INPUT

2

1

RING -IN

RING

TIP  +IN

TIP

LINE

MIC

TIP

RING

SEND

RETURN

XLR OUT

- OUT

3

2

1

INSERT

+OUT

MixWizard WZ

4

14:4:2

AUX 5

AUX 4

AUX 3

AUX 2

AUX 1

ALLEN&HEATH

WARNING:  THIS APPARATUS MUST BE EARTHED

AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.

RISK OF ELECTRIC SHOCK

CAUTION

DO NOT OPEN

ATTENTION: REMPLACER PAR UN FUSIBLE STRICTEMENT IDENTIQUE EN VALEURS.

CAUTION:   FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING.

100 - 240V~  47-63Hz  45W MAX

AC MAINS IN ~

FUSE

T630mA L 250V 20mm

ON

I

0

OFF

Serial No.

ENGINEERED IN ENGLAND BY ALLEN & HEATH LIMITED

(1) this device may not cause harmful interference, and

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(2) this device must accept any interference received, including interference that may cause undesired operation.

MADE IN CHINA

CONFORMS TO ANSI/UL STD. 60065-2003

CERTIFICATED  TO CAN/CSA STD.60065-03

Laite on liitettävä suojamaadoituskoskettimilla varustettuun pistorasiaan 
Apparatet må tilkoples jordet stikkontakt
Apparaten skall anslutas till jordat uttag

CET APPAREIL DOIT ETRE MIS A LA TERRE

MULTICHANNEL AUDIO

USB 2.0

2 TRK SOURCE

SENDS 15/16

LR INSERTS
MATRIX

2 TRK RETURN
USB RETURN

EQ IN

EQ IN

EQ IN

EQ IN

EQ IN

EQ IN

EQ IN

EQ IN

EQ IN

EQ IN

EQ IN

EQ IN

AFL

POWER

PFL

0

16

10

5

-20

-10

GAIN

-5

0

16

10

5

-20

-10

GAIN

-5

0

16

10

5

-20

-10

GAIN

-5

+10

+10

20

30

10

5

10

20

30

10

5

10

20

30

10

5

10

20

30

10

5

10

20

30

10

5

10

1-2

L-R

3-4

1-2

L-R

3-4

5

0

10

5

20

5

0

10

5

20

5

0

10

5

1-2

L-R

20

3-4

5

0

10

5

1-2

L-R

20

3-4

5

0

10

5

1-2

L-R

20

3-4

5

0

10

5

1-2

L-R

20

3-4

5

0

10

5

1-2

L-R

20

3-4

5

0

10

5

1-2

L-R

20

3-4

5

0

10

5

1-2

L-R

20

3-4

5

0

10

5

1-2

L-R

20

3-4

5

0

10

5

1-2

L-R

20

3-4

MATRIX

TB SELECT

20

30

10

5

0

10

30

5

0

30

PAD

+48V

40

50

HPF

60 40

0

20

GAIN

- 10 10

(LINE)

30

PAD

+48V

40

50

HPF

60 40

0

20

GAIN

- 10 10

(LINE)

30

PAD

+48V

40

50

HPF

60 40

0

20

GAIN

- 10 10

(LINE)

30

PAD

+48V

40

50

HPF

60 40

0

20

GAIN

- 10 10

(LINE)

30

PAD

+48V

40

50

HPF

60 40

0

20

GAIN

- 10 10

(LINE)

30

PAD

+48V

40

50

HPF

60 40

0

20

GAIN

- 10 10

(LINE)

30

PAD

+48V

40

50

HPF

60 40

0

20

GAIN

- 10 10

(LINE)

30

PAD

+48V

40

50

HPF

60 40

0

20

GAIN

- 10 10

(LINE)

30

PAD

+48V

40

50

HPF

60 40

0

20

GAIN

- 10 10

(LINE)

30

PAD

+48V

40

50

HPF

60 40

0

20

GAIN

- 10 10

4k

15k

6k

1k

500Hz

700

3k

(LINE)

250

1k

400

70

35Hz

45

180

MixWizard WZ

4

14:4:2

PHONES

2TRK

R

TO LR

MIC

IN

2TRK/USB

MAX

MIN

MAX

L

MIN

ON

TALKBACK

TRIM

PINK NOISE

1kHz OSC

OSC/NOISE

TRIM

LAMP

+6

GRP

GRP

+6

1

+6

+6

GRP

+6

GRP

4

+6

3

2

GRP

GRP

1

TO

LR

GRP

4

GRP

3

2

0

16

10

5

-20

-10

GAIN

-5

13-14

TO

TO

LR

(ST1+ST2)

ON

HF

TO

ON

HF

11-12

ON

ON

(ST3+ST4)

+9
+6
+3

0

-3

-12
-16

-30

-20

-9

-6

2TRK

L-R

AFL

+10

REV

REVE RSE

G RP/AUX

L-R

GRP 1-4

AUX 1-2

AUX 3-4

AUX 5-6

6

AUX

5

AUX

+10

AFL

REV

AUX

4

REV

+10

AFL

REV

+10

AFL

PRESS TO TALK

MONITOR

STAGE MONITOR

FRONT-OF-HOUSE

+10

0

+6

SIG

R

6

MUTE

PK!

AFL

M

LISTEN WEDGE

MONO

AFL/PFL

5

MUTE

0

+6

SIG

L

PK!

PAN

L

TO LR

R

L

0

+6

SIG

4

0

+6

SIG

3

MUTE

PK!

PK!

R

TO LR

MUTE

AFL

AFL

AFL

GRP3

GRP4

LR SUM

+6

+6

L

+6

R

+6

+6

+6

MUTE

+6

+6

MUTE

LEVEL

L

R

LEVEL

AFL

AFL

AUX

2

+10

AFL

REV

AFL

+10

REV

1

AUX

+6

+6

+6

+6

POST

HM

LM

LF

HM

LM

LF

1

2

AUX

+6

+6

AUX

3

4

+6

+6

POST

AUX

1

+6

2

+6

AUX

1

2

AUX

AUX

3

+6

+6

POST

4

AUX

3

4

AUX

AUX

AUX

AUX

AUX

TO LR

R

L

PAN

TO LR

R

0

+6

SIG

2

MUTE

SIG

0

+6

1

MUTE

PK!

PK!

PAN

L

+6

PRE

POST

EVEN

R

+6

PFL

MUTE

AFL

AFL

AUX

5

AUX

6

+6

BAL

ODD

L

PRE

POST

R

EVEN

L

+6

5

AUX

AUX
6

+6

AUX
5

6

AUX

BAL

PRE

POST

R

PAN

ODD

L

EVEN

+6

ODD

PK!

SIG

PFL

PK!

SIG

PFL

PK!

SIG

MUTE

MUTE

GRP1

GRP2

PRE

PRE

PRE

AUX

3

PAN

+16

6

5

+6

+6

1

+6

2

+6

AUX

+6

+6

POST

3

+6

+6

POST

4

AUX

AUX

1

2

AUX

1

2

+6

+6

3

AUX

4

3

4

+6

+6

POST

AUX

AUX

AUX

+6

+6

1

+6

2

+6

AUX

+6

+6

POST

AUX

3

+6

+6

POST

4

AUX

1

2

AUX

+6

+6

AUX

3

4

+6

+6

POST

AUX

AUX

AUX

AUX

AUX

AUX

AUX

+6

5

6

+6

AUX

AUX

PRE

POST

R

EVEN

L

PRE

POST

R

EVEN

PAN

ODD

+6

+6

5

AUX

6

AUX

5

6

+6

PAN

ODD

L

R

ODD

L

EVEN

PRE

POST

+6

PFL

PK!

SIG

PK!

SIG

PFL

PK!

SIG

PFL

MUTE

MUTE

MUTE

+6

AUX
5

6

AUX

+6

PRE

POST

R

E VEN

PAN

PRE

POST

L

R

E VEN

ODD

+6

+6

AUX
5

6

AUX

+6

PAN

L

ODD

PRE

R

EVEN

ODD

L

POST

+6

PFL

PK!

SIG

PK!

SIG

PFL

PFL

MUTE

MUTE

MUTE

PAN

AUX

AUX

PRE

PRE

PRE

PRE

PRE

PRE

1

+6

2

+6

1

2

AUX

3

+6

+6

POST

4

AUX

3

4

AUX

1

2

AUX

+6

+6

AUX

3

4

+6

POST

+6

AUX

+6

+6

+6

+6

POST

AUX

AUX

1

2

AUX

AUX

3

4

AUX

AUX

5

6

+6

AUX
5

6

AUX

PRE

POST

R

EVEN

PAN

ODD

L

R

+6

AUX
5

6

AUX

+6

PAN

L

ODD

POST
PRE

R

EVEN

L

+6

+6

+6

EVEN

PRE

POST

PFL

PK!

SIG

PFL

PK!

SIG

PFL

10

5

MUTE

MUTE

MUTE

5

AUX

AUX
6

PAN

PK!

SIG

1-2

L-R

ODD

PRE

PRE

PRE

SIG

PK!

PAN

AUX

AUX

AUX

AUX

AUX

AUX

ALLEN&HEATH

20

3-4

30

30

30

30

30

30

30

30

30

30

30

5

0

5

0

5

0

5

0

5

0

5

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

HM

LM

LF

HF

4k

15k

6k

1k

500Hz

700

3k

250

1k

400

70

35Hz

45

180

HM

LM

LF

HF

4k

15k

6k

1k

500Hz

700

3k

250

1k

400

70

35Hz

45

180

HM

LM

LF

HF

4k

15k

6k

1k

500Hz

700

3k

250

1k

400

70

35Hz

45

180

HM

LM

LF

HF

4k

15k

6k

1k

500Hz

700

3k

250

1k

400

70

35Hz

45

180

HM

LM

LF

HF

4k

15k

6k

1k

500Hz

700

3k

250

1k

400

70

35Hz

45

180

HM

LM

LF

HF

4k

15k

6k

1k

500Hz

700

3k

250

1k

400

70

35Hz

45

180

HM

LM

LF

HF

4k

15k

6k

1k

500Hz

700

3k

250

1k

400

70

35Hz

45

180

HM

LM

LF

HF

4k

15k

6k

1k

500Hz

700

3k

250

1k

400

70

35Hz

45

180

HM

LM

LF

HF

4k

15k

6k

1k

500Hz

700

3k

250

1k

400

70

35Hz

45

180

HM

LM

LF

HF

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

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O

O

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O

Summary of Contents for MixWizard WZ4 14:4:2

Page 1: ...USER GUIDE Publication AP8666 MixWizard WZ4 14 4 2 ...

Page 2: ...thorised agent with proof of purchase Units returned should be packed to avoid transit damage In certain territories the terms may vary Check with your ALLEN HEATH agent for any additional warranty which may apply This product has been tested to EN55103 Parts 1 2 2009 for use in Environments E1 E2 E3 and E4 to demonstrate compliance with the protection requirements in the European EMC directive 20...

Page 3: ... with the ground connection in the power cord Water and moisture To reduce the risk of fire or electric shock do not expose the console to rain or moisture or use it in damp or wet conditions Do not place containers of liquids on it which might spill into any openings Ventilation Do not obstruct the ventilation slots or position the console where the air flow required for ventilation is impeded If...

Page 4: ...otentiometers are lubricated for life The use of electrical lubricants on these parts is not recommend ed The fader and potentiometer knobs may be removed for cleaning with a warm soapy solution Rinse and allow to dry fully before refitting them Transporting The console may be transported as a free standing unit or mounted in a rack or flightcase Protect the controls from damage during transit Use...

Page 5: ... development We are able to offer further product support through our world wide network of ap proved dealers and service agents You can also access our Web site on the In ternet for information on our full product range our company pedigree assistance with your technical queries our contact details or simply to chat about matters au dio www allen heath com To help us provide the most efficient se...

Page 6: ...E MONITOR FRONT OF HOUSE 10 0 6 SIG R6 MUTE PK AFL M LISTEN WEDGE MONO AFL PFL 5 MUTE 0 6 SIG L PK PAN L TO LR R L 0 6 SIG 4 0 6 SIG 3 MUTE PK PK R TO LR MUTE AFL AFL AFL GRP3 GRP4 LR SUM 6 6 L 6 R 6 6 6 MUTE 6 6 MUTE LEVEL L R LEVEL AFL AFL AUX 2 10 AFL REV AFL 10 REV 1 AUX 6 6 6 6 POST HM LM LF HM LM LF 1 2 AUX 6 6 AUX 3 4 6 6 POST AUX 1 6 2 6 AUX 1 2 AUX AUX 3 6 6 POST 4 AUX 3 4 AUX AUX AUX AUX...

Page 7: ...en skall anslutas till jordat uttag CET APPAREIL DOIT ETRE MIS A LA TERRE MULTICHANNEL AUDIO USB 2 0 2 TRK SOURCE SENDS 15 16 LR INSERTS MATRIX 2 TRK RETURN USB RETURN EQ IN EQ IN EQ IN EQ IN EQ IN EQ IN EQ IN EQ IN EQ IN EQ IN EQ IN EQ IN AFL POWER PFL 0 16 10 5 20 10 GAIN 5 0 16 10 5 20 10 GAIN 5 0 16 10 5 20 10 GAIN 5 10 10 20 30 10 5 10 20 30 10 5 10 20 30 10 5 10 20 30 10 5 10 20 30 10 5 10 1...

Page 8: ...unt For rack mounting remove the two side trims and rotate the pod into the connector position preferred Allow enough space for the cables and connectors behind the console Do not transport the console with its connector pod securing screws removed Do not attempt to re move the connector pod from the console Do not obstruct the ventilation slots Allow adequate space around the console for air flow...

Page 9: ... metalwork and so on Switching the console on and off It is good practice to turn power amplifiers off before switching the console and any other con nected equipment on or off This prevents any unexpected clicks or thumps when the equip ment is powered up Turn amplifiers and powered speakers on last and off first To turn the console on press the ON OFF switch next to the IEC mains input socket To...

Page 10: ...ALANCED INSERT INPUT OUTPUT 1 ground 2 hot 3 cold BALANCED XLR FEMALE RCA phono jacks XLR MALE 2 hot 1 ground 3 cold RCA PHONO CABLE Sleeve ground Ring cold Tip hot BALANCED 1 ground 2 hot 3 cold 2 hot 1 ground 3 cold Sleeve ground Ring cold Tip hot BALANCED BALANCED BALANCED XLR FEMALE XLR MALE BALANCED UNBALANCED Sleeve ground Ring cold Tip hot BALANCED Sleeve ground Ring cold Tip hot BALANCED U...

Page 11: ...only This breaks the of fending loop while keeping the signal shielding down the length of cable WARNING For operator safety do not remove the ground earth connection in the power lead of the console or connected equipment To avoid interference pickup keep audio cables away from mains power units and cables thyristor dimmer units computer equipment and mobile phones Where this cannot be avoided cr...

Page 12: ...HIS APPARATUS MUST BE EARTHED AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR RISK OF ELECTRIC SHOCK CAUTION DO NOT OPEN ATTENTION REMPLACER PAR UN FUSIBLE STRICTEMENT IDENTIQUE EN VALEURS CAUTION FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING 100 240V 47 63Hz 45W MAX AC MAINS IN FUSE T630mA L 250V 20mm ON I 0 OFF Serial No ENGINEERED IN ENGLAND BY ALLEN HEATH LI...

Page 13: ...balanced insert signal Tip send Ring return Sleeve common ground The channel inserts are post HPF pre EQ and operate at 0dBu The group aux and LR mix inserts are pre fader and operate at 2dBu These should work fine with line level signal processing equipment such as compressors outboard EQ delay units and so on An example of a suitable cable is shown here DIRECT OUTPUT The mic line channel direct ...

Page 14: ...when feeding balanced equipment inputs The aux sends are typically used to feed monitors effects devices such as re verb and delay and for special mix requirements In monitor mode these out puts reverse with the groups and LR connections MATRIX OUT A B Each matrix output is available on an impedance balanced TRS jack operating at 2dBu line level An internal option is available to fit a balanced li...

Page 15: ...ugh each channel Use the faders to balance each signal in the mix We do not recommend setting the faders to 0 and mixing using the GAIN controls HPF Switches in the channel high pass filter This attenuates frequen cies below 80Hz by 12dB per octave The filter is pre insert pre EQ Select the HPF to reduce low frequency noise such as microphone pop ping stage noise and tape transport rumble EQ A 4 b...

Page 16: ...ting MUTE When pressed the channel signal is turned off This af fects the feed to the LR mix pre and post fade aux sends and direct output but does not affect the insert send The red indicator lights when the channel is muted PFL Press PFL to listen to the pre fade channel signal in the head phones and local monitor without affecting the main outputs The console main LR meters are interrupted with...

Page 17: ...ll shaped peak dip filters which affect fre quencies centred around 2 5kHz and 250Hz respectively These have a width Q of 1 8 All bands can be boosted or cut by up to 15dB and have a centre detented 0dB position AUX SENDS These work as described for the mono channel The L and R sides of the stereo signal sum together to feed each aux in mono This can be changed using an internal jumper so that L f...

Page 18: ...r mode for example just 3 4 giving you two fader subgroups two monitor sends on faders and main LR mix Note The groups always feed the matrix and the subgroup controls PAN and GRP TO LR regardless of mode This means the group mix can still perform a useful function when the console is configured in moni tor mode PAN Positions the group signal between L an R in the stereo mix when the GRP TO LR swi...

Page 19: ... mix swaps on to the Aux TRS jack outputs Note that the LR mix always feeds the matrix regardless of mode selected M Master A rotary control adjusts the level of the signal to the M output XLR The source is selected using the mode switch above the control This is recessed to prevent accidental operation Use a pen or pointed object to set the position In the up position flush with the panel the pos...

Page 20: ...speaker system and line up connected equipment Pink noise is useful for quickly testing the full range frequency operation and phasing polarity of loud speakers The 1kHz tone is better suited to lining up equipment with its steady reading on the meters WARNING We recommend you turn off the signal generator once you have finished using it to test and line up your system This will prevent accidental...

Page 21: ...utput noise 96dBu 100dB S N LR unity fader mix noise 84dBu 88dB S N Group unity fader noise 90dBu 94dB S N Channel HPF 12dB octave below 80Hz Mono EQ HF Shelving 15dB 12kHz HM Peak dip 15dB 500Hz to 15kHz Q 1 8 LM Peak dip 15dB 35Hz to 1kHz Q 1 8 LF Shelving 15dB 80Hz Stereo EQ HF Shelving 15dB 12kHz HM Peak dip 15dB 2 5kHz Q 1 8 LM Peak dip 15dB 250Hz Q 1 8 LF Shelving 15dB 80Hz Power supply 100 ...

Page 22: ...ax Group aux out XLR balanced pin 2 hot 75 ohm 4dBu 26dBu max Aux 1 6 output TRS impedance balanced 75 ohm 2dBu 21dBu max Electronic balance option 75 ohm 4dBu 26dBu max Direct out TRS impedance balanced 75 ohm 0dBu 21dBu max Matrix out TRS impedance balanced 75 ohm 2dBu 21dBu max Electronic balance option 75 ohm 4dBu 26dBu max Headphones TRS tip L ring R 30 to 600 ohm headphones recom mended Moni...

Page 23: ...10dB boost TO MATRIX L R MIX AUX MIX 4dBu IMPEDANCE BALANCED AFL FADER 2dBu INSERT 10dB boost 10dB boost AUX LR AUX REV MUTE TO MATRIX MONO MONITOR 2TRK L R OUT 2 BAL 4dBu BAL OPTION METER 2dBu TIP AUX OUT L R AUX 5 6 AFL GRP1 GRP2 GRP3 GRP4 L R FROM GRP L R MATRIX MIX LEVEL 2TRK TO LR IMPEDANCE BALANCED 4dBu BAL OPTION 2dBu TIP MATRIX OUT AFL 4dBu M OUT 2 BAL SUM FROM PFL AFL WEDGE MODE FROM L R ...

Page 24: ...ording to their instructions Make sure that no debris or parts are left loose inside the console Solder Options Solder options require some ability with a soldering iron if you have any res ervations then please contact your local service centre to carry out this pro cedure for you See page opposite for details on how to modify the solder options Refit the base Carefully reposition the base Refit ...

Page 25: ...re Stereo Channel Aux pre post settings Factory default is Aux 1 2 switched Aux 3 4 switched Aux 5 6 switched Configure as mono channel but connections are using jump ers instead of solder links Stereo Mono aux source The stereo channels can feed the auxes with a mono sum of L R or be configured so that L feeds the odd numbered auxes and R the even This is preferred when using odd even auxes as st...

Page 26: ...ligned with the socket Test the output once the work is complete You should measure the same level but opposite polarity signal between hot and ground and cold and ground NOTE This procedure will require the use of a soldering iron If you have any doubts please contact Allen Heath and we will put you in touch with your nearest service centre USB OPTION A blanking plate is fitted over the rear USB ...

Page 27: ... R EVEN L 6 5 AUX AUX 6 6 AUX 5 6 AUX BAL PRE POST R PAN ODD L EVEN 6 ODD PK SIG PFL PK SIG PFL PK SIG MUTE MUTE GRP1 GRP2 PRE PRE PRE AUX 3 PAN 16 6 5 6 6 1 6 2 6 AUX 6 6 POST 3 6 6 POST 4 AUX AUX 1 2 AUX 1 2 6 6 3 AUX 4 3 4 6 6 POST AUX AUX AUX 6 6 1 6 2 6 AUX 6 6 POST AUX 3 6 6 POST 4 AUX 1 2 AUX 6 6 AUX 3 4 6 6 POST AUX AUX AUX AUX AUX AUX AUX 6 5 6 6 AUX AUX PRE POST R EVEN L PRE POST R EVEN ...

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