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GL3000 U

SER

 G

UIDE

  

ISS

.1

5

EARTHING THE AUDIO SYSTEM

The console chassis is connected to mains earth via the DC power cable.  Audio 0V is connected to the
chassis and hence mains earth internally.  In this way all signal returns and connector shields are connected
to mains earth at the console.

To ensure operator safety do not remove the earth connection
from the power supply mains plug.

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For best performance it is important that the earth system is solid, clean and noise-free.  To prevent mains
born and external interference pickup from lighting equipment, motors and other mains powered equipment
it is recommended that a separate 'clean' mains distribution outlet is used for the audio system.

All signal cables should have their screens connected to earth at the connector.  If earth (ground) loop
problems result in audible hum or buzz then disconnect the cable screen connection at one end, usually the
destination end.  This may be done within the cable plug or by operating the 'ground lift' switch if available
on the connected equipment.  Many DI boxes and power amplifiers include this facility.

PLUGGING UP THE CABLES

Where possible use balanced connections to prevent noise and interference pickup especially on long
microphone cable runs.  Avoid running audio cables next to mains, computer or lighting cables, or near
thyristor dimmer units, power supplies etc.  The use of low impedance sources such as good quality
microphones of 200 ohms or less significantly reduces interference pickup.  Many problems can be avoided
by taking time to check that all cables are correctly wired (in-phase) with professional quality cable and
carefully soldered joints.  The following wiring convention is used:

      XLR

pin 1 =  0V earth shield

1/4" jack

tip =  hot / signal / left / send

pin 2 =  hot (in phase signal)

ring = cold / 0V / right / return

pin 3 =  cold (out of phase signal)

sleeve = 0V earth shield

To connect an unbalanced source to a balanced console input, link the cold input (XLR pin 3 or jack ring)
to 0V earth (pin 1 or jack sleeve) at the console.  To connect a balanced console output to an unbalanced
destination link the cold output to 0V earth at the console.

Switch off c48V when the inputs are connected to non-
phantom powered, line or unbalanced sources.

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ADJUSTING THE LEVELS

For best performance it is important that the connected source signals are matched to the "normal operating
level" of the console.  Similarly the console outputs should be correctly matched to the operating levels of
the connected amplifiers and destination equipment.  If too high the signal peaks will be clipped resulting
in a harsh distorted sound, and if too low the signal-to-noise ratio is reduced resulting in excessive
background hiss.

For best results operate the console with the meters averaging '0' or just below and allowing the loudest
passages and occassional peaks into the 'yellow'.  Reduce the gain if the peak indicators flash (red).  The

GL3000 

produces a standard XLR output level of +4dBu for a meter reading of 0VU.  It is advisable to

adjust the power amplifier input gain or fit an attenuator pad if normal console operation results in an output
level too high for the connected amplifier.  Normal operation should result in fader levels around the '0' mark.

The 

GL3000

 has an advanced PFL (pre-fade listen) / AFL (after-fader listen) and channel metering

system to let you listen to and check the level of signals at different points in the signal path without affecting
the main outputs.  Use the channel 

PFL

 switches to set up the input 

GAIN

 controls to read an average

'0' (yellow LED).  Signal activity is always shown on the channel meters regardless of fader position.  The
green 'SIG' LED lights at -20dBu to indicate signal presence, the green '0' LED indicates normal level, and
the red 'PEAK' LED warns of potential overload 5dB before clipping.

Summary of Contents for GL3000

Page 1: ...PUBLICATION AP2366 AUDIO MIXING CONSOLE USER GUIDE ...

Page 2: ...The equipment has not been subject to misuse either intended or accidental neglect or alteration other than as described in the User Guide or Service Manual or approved by ALLEN HEATH 3 Anynecessaryadjustment alteration orrepairhasbeenmadebyALLEN HEATHoritsauthorised agent 4 ThedefectiveunitistobereturnedcarriageprepaidtoALLEN HEATHoritsauthorisedagentwith proof of purchase 5 Units to be returned ...

Page 3: ...n application and installation of the GL3000 For further information on the basic principles of audio system engineering please refer to one of the specialist publications available from bookshops and audio equipment dealers Whilst we believe the information in this guide to be reliable we do not assume responsibility for inaccuracies We also reserve the right to make changes in the interest of fu...

Page 4: ... 15A 20mm fuse AC mains supply 110 to 125 V AC 120 T 3 15A 20mm fuse AC mains supply 210 to 230 V AC 230 T 1A 20mm fuse AC mains supply 235 to 260 V AC 240 T 1A 20mm fuse Check that the voltage indicated in the fuseholder window is the same as the mains supply in your area To avoid the risk of fire replace the fuse only with the correct type and value as specified on the unit It is normal for the ...

Page 5: ...nal ring cold 0V right return pin 3 cold out of phase signal sleeve 0V earth shield To connect an unbalanced source to a balanced console input link the cold input XLR pin 3 or jack ring to 0V earth pin 1 or jack sleeve at the console To connect a balanced console output to an unbalanced destination link the cold output to 0V earth at the console Switch off channel 48V when the inputs are connecte...

Page 6: ...ncluding 48V phase switch lo cut filter meter and insert 9 4 band 2 sweep EQ with wide ranging frequency sweep and 15dB boost cut 9 Pre post aux switching with additional internal link options 9 Pan and LR on switch on each subgroup 9 High performance circuitry used for low noise and sonic purity 9 High quality proven reliable parts used throughout 9 Rear mounted connectors comfortable soft armres...

Page 7: ...GL3000USER GUIDE ISS 1 7 FRONT PANEL LAYOUT ...

Page 8: ...stereo 8 groups 8 aux 2 stereo returns 2 matrix L R Mono sum GL3000 840S 36 mono 4 stereo 8 groups 8 aux 2 stereo returns 2 matrix L R Mono sum With separate RPS9 rack mount power supply unit Can work with RPSD dual supply combiner monitor 8 channel bolt on expander to extend any size console to a maximum 40 channels GL3000 8M 8monoinputs GL3000 4SM 4 mono 4 stereo mic line inputs Optional VU mete...

Page 9: ...R pin 2 hot 3 cold balanced 75 ohms 4 dBu 27 dBu max AUX OUT 1 4 XLR pin 2 hot 3 cold balanced 75 ohms 4 dBu 27 dBu max AUX OUT 5 8 1 4 JACK tip hot ring cold ground comp 75 ohms variable 21 dBu max MATRIX OUT A B 1 4 JACK tip hot ring cold ground comp 75 ohms 2 dBu 21 dBu max balance option 1 4 JACK tip hot ring cold balanced 75 ohms 4 dBu 27 dBu max 2 TRACKSEND 1 4 JACK tip hot ring cold ground ...

Page 10: ...f the input source to thenormaloperatingleveloftheconsole Adjust this to read an average 0dB on the channel meter yellow LED Use the PFL system to listen to the signal and fine tune the gain 100Hzlo cutfilterremoveslowfrequencynoise such as microphone pops stage noise and transportrumblebeforethepre ampstage The lo cut filter is independent of the equaliser The 4 band EQ lets you adjust the tonal ...

Page 11: ...eset to be pre EQ pre mute or post EQ pre mute Eachauxmaybeinternally set to pre or post fade permanently rather than follow the panel switch 8AUXSENDS provideample feeds for foldback monitors and effects These are in two groups of four each with a POST PRE switch to source the sends either pre fader or post fader 8 AUX SENDS Pressing PFL automatically interrupts the headphone monitor signal to le...

Page 12: ...andthefrontrowsofthe audience may be confused by a full stereo image The subgrouping is always fed from the group mix regardlessofGRP AUXREVERSE AUX 5 8 jack outputs to send to selected signals to external effects devices A nominal control setting of 7 allows 10dB boost above normal line level MODE SWITCHES AUX 1 4 balanced outputs to feed foldback monitors INSERTgraphicEQtotune out acoustic reson...

Page 13: ...ntrol for comfortable listening level The phones and12segmentbargraphmetersnormallymonitorthe post fadeL Rmix Press2 TRKtomonitorthereturn from a stereo recorder if connected Pressing AFLanywhere on the console automatically overrides the monitor with the selected AFL signal Pressing PFL overrides both the monitor source and any selected AFL This feature lets you listen to an AFL source group for ...

Page 14: ...witches The ability to talk to individual auxes is important when using the console for stage monitoring and cueing the performers Two matrix outputs A and B are provided These are additional outputs on jack balance option available controlled through60mmsmoothtravelFADERS andwithAFLmonitoringtocheckthepostfadersignal Thematrixmixiscreated from the groups 1 to 8 L and R by adjusting the MTXlevel c...

Page 15: ... standard post EQ post mute 3 Disable 48V phantom power regardless of panel switch position remove link STEREO INPUT 1 Reconfigure each aux as required to be permanently pre fade or post fade rather than switched by the front panel PRE POST switch 2 Reconfigure the pre fade sends to be post EQ pre mute or pre EQ post mute instead of the standard post EQ post mute 3 Disable 48V phantom power regard...

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