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GL2400

 User Guide    

  

 

 

 

 

 

      

      21 

7x4 MATRIX

 

 

The  matrix  adds  to  the  powerful  multi-tasking  capability  of  the 

GL2400

.  It provides a set of 4 additional console outputs.  It is a 

‘‘mixer within a mixer’’ creating its output from any combination of the 
groups,  main  LR  mix  and  external  input.    It  can  be  used  to  provide 
duplicate  main  outputs  or  to  create  new  mixes  from  these  outputs.  
The  matrix  controls  are  positioned  conveniently  away  from  the  live 
performance controls to avoid accidental operation. 

Use the matrix to create special mixes for delay fill and zone speakers, 
recording  and  broadcast  feeds,  IEM  (in-ear  monitors),  hearing  assist 
loops  and  so  on.    Mono  and  stereo  feeds  can  be  created.    For 
example,  mix  L  and  R  to  create  a  mono  sum  output  to  feed  an 
additional zone, or use two matrix outputs with L fed to one, R to the 
other to create an independent stereo main output.  Mix in an external 
source such as an ambience microphone preamp to add atmosphere 
and audience reaction to a recording or monitor.  Compensate for an 
acoustically  loud  backline  by  boosting  selected  groups  in  a  live 
recording.  For more information, refer to ‘‘Operating Tips’’ later in this 
guide. 

 

EXT IN

   Mixes in an external nominal 0dBu line level source.  The 

rotary  provides  +6dB  boost.    Note  that  EXT  IN  jack  sockets  are 
normalled  (linked)  in  a  way  that  lets  you  plug  in  a  mono  or  stereo 
common source to feed all the matrices, or an independent source to 
each.  Plug into EXT1 only to feed one source to all four matrix EXT IN 
controls.    Plug  L  into  EXT1  and  R  into  EXT2  only  to  feed  a  stereo 
source to matrix 1-2 and 3-4.  

  

 

 

Some examples include adding ambience sources to recordings and 
in-ear  monitoring,  adding  a  direct  output  or  an  aux  mix  to  quickly 
create  a  monitor  from  the  main  mix  plus  selected  channel/s,  and 
linking  in  another  console  to  feed  the  same  PA  in  a  festival  or  other 
dual console situation. 

GRP 1 (2,3,4)

   Mixes in the post-fader, post-mute group mix.  The 

rotary pr6dB boost. 

L (R)

   Mixes in the post-fader, post-mute main LR mix.  The rotary 

pr6dB boost.  Turn up both L and R to create a mono sum 
from the stereo LR mix.  Turn up L in one matrix, R in another to create 
a stereo output from two matrices. 

LEVEL

      The  master  level  control  (fader)  for  the  matrix.    Provides 

+6dB boost above the normal ‘‘0’’ setting. 

MUTE

      When  pressed  the  matrix  output  is  turned  off.    The  red 

indicator  lights  when  the  matrix  is  muted.    Mute  does  not  affect  the 
matrix AFL monitoring. 

AFL

      Press  AFL  to  listen  to  the  post-level  matrix  mix  in  the 

headphones  and  local  monitor  without  affecting  the  main  outputs.  
The  console  monitor  meters  are  interrupted  with  the  matrix  signal.  
The yellow indicator lights to show that AFL has been selected on that 
master.  Note that MUTE does not affect the AFL function.  This means 
that you can check the matrix signal while its output is muted. 

O

LEVEL

OO

+6

O

+6

O

O

R

L

O

+6

O

+6

2

O

O

3

4

GRP

GRP

O

+6

O

+6

O

1

GRP

GRP

O

+6

O

EXT

O

+6

IN

AFL

MUTE

IN1

IN2

IN3

IN4

MATRIX EXT IN

Summary of Contents for GL SERIES

Page 1: ...ALLEN HEATH USER GUIDE Publication AP5597 GL2400...

Page 2: ...eath com Limited One Year Warranty This product is warranted to be free from defects in materials or workmanship for a period of one year from the date of purchase by the original owner To ensure a hi...

Page 3: ...t remove or tamper with the ground connection in the power cord Water and moisture To reduce the risk of fire or electric shock do not expose the console to rain or moisture or use it in damp or wet c...

Page 4: ...is surrounded by shock absorbent foam to protect it from damage during transit Always use adequate packing if you need to ship the unit Protect the controls to avoid damage when moving the console He...

Page 5: ...t about audio To help us provide the most efficient service please keep a record of your console serial number and date and place of purchase to be quoted in any communication regarding this product h...

Page 6: ...6 2 3 GRP 4 OO GRP OO 1 GRP O O GRP 2 O O 3 6 4 GRP 6 GRP O 6 O 6 O 1 6 GRP GRP O 6 O O EXT O 6 EXT O 6 IN IN O LEVEL OO 6 O 6 O O R L O 6 O 6 2 O O 3 4 GRP GRP O 6 O 6 O 1 GRP GRP O 6 O EXT O 6 IN O...

Page 7: ...UST BE EARTHED BY THE POWER CORD ATTENTION REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES CAUTION FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING T1 6A L...

Page 8: ...nputs with level trims and common input capability 2 stereo channels each with mic and dual stereo line inputs Stereo channel mic input can cross patch into matrix for ambience feed Stereo channel lin...

Page 9: ...ts Extensive listening evaluation together with solid engineering practice have ensured the console achieves accurate sound reproduction under all conditions Capability We know a thing or two about Du...

Page 10: ...urpose Ensure no part of the case or its lid touches the controls or connectors If you include a rear doghouse to house the connections make sure the cables can be supported in a way that prevents put...

Page 11: ...sole on press the ON OFF switch next to the IEC mains input socket To turn the console off press this switch again Connecting a backup supply A socket is included for plugging in an optional backup po...

Page 12: ...2 30 AUX 3 29 AUX 4 28 AUX 5 27 AUX 6 26 PFL 25 AFL 24 nc 23 nc 22 nc 21 nc 20 14 GRP 3 15 GRP 2 16 GRP 1 17 R 18 L 19 0V CHS GRP 3 33 GRP 2 34 GRP 1 35 R 36 L 37 SYS LINK II OUTPUT OPTION 1 ground 2...

Page 13: ...hile keeping the signal shielding down the length of cable WARNING For operator safety do not remove the ground earth connection in the power lead of the console or connected equipment To avoid interf...

Page 14: ...LINE IN Stereo inputs ST1 and ST2 feed channel 15 and ST3 and ST4 feed channel 16 respectively or can be routed directly to LR These inputs use TRS jacks ST1 3 are unbalanced ST2 4 are balanced Unbal...

Page 15: ...independent sources This is ideal for adding mono or stereo ambience to recordings or in ear monitors fed from the matrix 2 TRACK IN and OUT Unbalanced TRS jack outputs and TRS inputs connect to popul...

Page 16: ...the faders to balance each signal in the mix To ensure optimum gain structure we do not recommend the practice of setting the faders to 0 and mixing using the GAIN controls HPF Switches in the channe...

Page 17: ...s and direct output but does not affect the insert send The red indicator lights when the channel is muted Always mute the channel when switching phantom power or plugging the cables and sources PFL P...

Page 18: ...a mono source may be plugged in to feed both left and right sides of the stereo channel Each input has its own level control to adjust from fully off to 16dB gain Centre position is unity 0dB gain Ro...

Page 19: ...e monitors You can select any combination for the FOH and monitor mode for example just 3 4 giving you two fader subgroups two monitor sends on faders and main LR mix Note The groups always feed the m...

Page 20: ...same type used on stage to listen to and check the various monitor mixes being sent to the performers Together with the group aux REV function the GL2400 can be configured as a compact yet fully feat...

Page 21: ...trices or an independent source to each Plug into EXT1 only to feed one source to all four matrix EXT IN controls Plug L into EXT1 and R into EXT2 only to feed a stereo source to matrix 1 2 and 3 4 So...

Page 22: ...onnect unbalanced sources or cables to inputs with phantom power selected To avoid loud clicks do not press the TALK switch when plugging or unplugging the talkback microphone First select the source...

Page 23: ...16dB dynamic range The signal can pass through many stages which affect its level within the console the channel its EQ fader pan a group mix and its fader on to the main LR mix with its master fader...

Page 24: ...ne of the sub mid or HF drivers is faulty With the noise sent to several speakers at the same time you can listen for comb filtering effects and the severe phasing effect which indicates that one of t...

Page 25: ...plugged into a console with 4dBu outputs connected to a 0dBu input DSP speaker manager or an operator using an SPL sound pressure level meter to measure sound intensity dBu Relative to 0 775Vrms profe...

Page 26: ...5 10 20 L R 1 2 3 4 30 00 24 PFL 10 5 0 5 10 20 L R 1 2 3 4 30 00 17 32 31 30 29 28 27 26 25 M R L 4 3 2 1 10 5 0 5 30 00 20 10 10 5 0 5 30 00 20 10 10 5 0 5 30 00 20 10 10 5 0 5 30 00 20 10 10 5 0 5...

Page 27: ...control of the appropriate main output complete with mute AFL and LED bar meter In Monitor mode the aux outputs are routed to the console main XLR sockets for electronically balanced drive with inser...

Page 28: ...in line delay processor As a rule of thumb delay 1mS per foot difference between the listener and the fill and the listener and the main speakers Now add a few milliseconds Haas effect delay so the li...

Page 29: ...amps produce an accurate and noise free recording Create a stereo recording from the main LR output or from a pair of matrices as described above if recording and mixing live at the same time To recor...

Page 30: ...to adjust the overall volume of the PA Typically the LR tops use fader masters and the aux is on a rotary master The GL2400 overcomes this with an innovative mode switch above the master faders that...

Page 31: ...ed the channel Adjust the gain and balance between the left and right microphones using the two mic GAIN controls Route ST1 to LR as a simple effects return or source input The other channel can be us...

Page 32: ...B S N LR mix noise 16 routed 86dBu 90dB S N Group mix noise 16 routed 86dBu 90dB S N Aux mix noise 16 routed 92dBu 90dB S N Mix noise 16 line 0dB gain 86dB S N Channel HPF 12dB octave below 100Hz Mono...

Page 33: ...2dBu 20dBu max Electronic balance option 75 ohm 4dBu 26dBu max Direct out TRS impedance balanced 75 ohm 0dBu 20dBu max Matrix out TRS impedance balanced 75 ohm 2dBu 20dBu max Electronic balance optio...

Page 34: ...TO LR 2dBu 4dBu BAL OPTION MONITOR RING RIGHT TIP LEFT PHONES OUT AUX 10dB boost AUX MIX GRP AUX REV SL INSERT 2dBu GRP MIX SL L R 3 4 1 2 PAN PRE PRE 10dB boost AUX AUX MIX LR AUX REV SL INSERT 2dBu...

Page 35: ...screws holding the base to the rear and underside of the chassis Carefully lift off the base Configure the internal options Fit any options required referring to the instructions provided Set the opti...

Page 36: ...ou only change these settings if absolutely necessary Stereo Mono aux source The stereo channels feed the auxes with a mono sum of L R This can be changed so that L feeds the odd numbered auxes and R...

Page 37: ...entation and make sure its legs are correctly aligned with the socket Test the output once the work is complete You should measure the same level but opposite polarity signal between hot and ground an...

Page 38: ...1 GRP GRP O 6 O EXT O 6 IN AFL MUTE AFL MUTE REV AFL REV AFL AFL REV AFL REV REV AFL REV AFL AFL AFL MUTE MUTE AFL AFL AFL MUTE MUTE MUTE AFL MUTE PAN GRP2 GRP1 PAN TO LR PAN TO LR GRP4 GRP3 TO LR TO...

Page 39: ...6 O O PRE POST O O 6 EQ IN POLARITY 100Hz 12k 80Hz ODD PAN L EVEN R PRE AUX AUX 4 3 AUX AUX 2 1 O O 6 POST O O 6 O O 6 O O 6 15 LF 15 15 15 180 45 LM 35Hz 70 15 400 1k 250 15 PAD 3k HM 700 500Hz 15 1...

Page 40: ...O O 6 O O 6 15 LF 15 15 15 180 45 LM 35Hz 70 15 400 1k 250 15 3k HM 700 500Hz 15 1k 6k 15k 4k 15 HF GAIN 20 0 50 40 48V 30 6 AUX AUX 5 MUTE 6 O O PRE POST O O 6 EQ IN POLARITY PRE AUX AUX 4 3 AUX AUX...

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