3
©Alice Ltd 2019 t/a Alice Soundtech
™
Rev 5.0
boost or cut tuneable from 700Hz to 1OkHz with a bell characteristic and a "Q' (bandwidth factor) of 1.5. Centre
detents allow for easy location of the flat position. An EQ in/out switch with LED indication is provided.
OUTPUT SELECT - The REC button diverts the main channel output to the off-line record mix. It also routes the
channel's clean feed outputs to the off-line clean feed busses producing an appropriate feed for any telco channels
that are similarly routed to the REC mix rather than the main PGM mix. This therefore allows completely
independent off-line stereo production and recording to take place whilst the mixer is on-air.
AUX - The AUX button selects the channel output to the aux-mix, providing a convenient method of generating an
additional stereo clean feed for effects, studio foldback and reverse cue for remote broadcasts.
PAN - Allows the channel output to be placed at any point within the stereo image. The indented centre position
presents a loss of 3dB giving a substantially constant sound level no matter where the signal is positioned within the
stereo image.
CUE - Cue mode is activated on and off by successive presses of the button. Indication of cue is provided by high
brightness LED illumination of the switch. Various auto-reset functions can be programmed to suit user
requirements. Cue is derived after the pan pot but before the channel's stereo VCA section. This allows the pan pot
to be set up whilst in cue ('stereo in place cueing'). Please refer to logic pre- programming section.
FADER - A high quality conductive plastic 104mm unit is fitted. The fader controls a DC voltage, which in turn
controls the channe
l VCA’s and provides bottom of track
switching functions for logic control and final audio muting.
ON / OFF - Please refer to logic pre-programming section.
DUAL INPUT STEREO LINE MODULE (2002/2102)
GENERAL - The dual input stereo line module is designed to accept stereo or mono line level inputs. Non-standard
levels are allowed for by means of internal pre-sets, with a gain range of -10dB to +20dB, with reference to the
normal unity gain setting. The A & B inputs may be lined up separately allowing normal professional line levels on
one input, whilst low level domestic equipment may be used on the other input. Logic control is extremely flexible
and may be programmed independently for each input. Start and stop commands are fully opto-isolated, allowing
almost any external
machine logic to be interfaced without the need for custom black boxes. Controls have been kept simple and
uncluttered to allow self-operation by relatively non-technical staff. Large illuminated push buttons are provided for
major functions.
TRIM - /- 10dB gain adjustment. The pot has a centre indent to allow easy location of 'unity gain' position.
INPUT SELECT -
Selects between the “A” and “B” stereo line inputs and ste
ers the programmable control logic to the
appropriate machine. Separate high brightness L
ED’s are situated adjacent to the A/B switch to give clear indication
of which input is selected.
LEFT/RIGHT/MONO - The LEFT button routes the left leg of the input signal to both sides of the channel output. The
RIGHT button routes the right leg of the input signal to both sides of the channel output. Selecting both LEFT and
RIGHT buttons together will mono the input.
OPTIONAL EQ SECTION - Provides 15dB boost or cut at 60Hz (IF) and 12kHz (HF) with a shelving
characteristic, and 15dB boost or cut at 1 kHz (MF) with a Bell characteristic and a "Q" (bandwidth factor) of 1.5.
Centre detents allow for easy location of the flat position. An EQ in/out switch with LED indication is provided.
OUTPUT SELECT - The REC button diverts the main channel output to the off-line record mix. It also
routes the channel's clean feed outputs to the off-line clean feed busses producing an appropriate feed for any telco
channels that are similarly routed to the REC mix rather than the main PGM mix. This therefore allows completely
independent off-line stereo production and recording to-take place whilst the mixer is on-air.
