
29
1)
Raise the selected Channel Faders to the desired levels
See Section 2,
HOW TO ADJUST LEVELS
2)
Unassign the selected Channel Faders by switching the "MASTER" assign
switch to the "Off" position.
See Section 1, MASTER ASSIGN SWITCH
3)
Now assign the Channel Faders by switching the "SUB MASTER" assign
switch to the "On" position.
See Section 1, SUB MASTER TO MASTER
ASSIGN SWITCH
4)
Now assign the SUB MASTER by switching the "SUB MASTER TO
MASTER" assign switch to the "On" position. The SUB MASTER fader will
now control those channels assigned to it.
LINE INPUTS USED AS ADDITIONAL MIC INPUTS
The
1622
MIXER
is not limited to only 8 microphone inputs. Besides the XLR connections on
Input Channels 1 through 8, Channels 9 through 16 may also be used as additional microphone
inputs. This is accomplished by using the 1/4" plug as the microphone input and will require
either an XLR to 1/4" adapter or a mic cable with a 1/4" plug on the end.
See Figure 14.
USING THE SUB MASTERS FOR SEPARATE OUTPUTS
There may be situations that call for a separate controlled output level beside the ones available
from the MAIN OUTPUT, such as when the
1622
MIXER
is used as an on-stage keyboard
mixer. In this case, one set of outputs will feed the keyboard players on-stage amplifier, and the
2nd set of outputs will feed the house sound system.
See Figure 15.
In order to accomplish this, do the following :
1)
Raise the Channel Faders to the desired levels
2)
Assign the Channel Faders by switching both the "MASTER" assign switch
and the "SUB MASTER" assign switch to the "On" position.
3)
Now unassign the SUB MASTER by switching the "SUB MASTER TO
MASTER" assign switch to the "Off" position. The SUB MASTER Fader
will now separately control one set of outputs while the MASTER Faders
will control the other.
Summary of Contents for 1622
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