AKG WMS40 FLEXX User Instructions Download Page 14

4 Microphone Technique

4.2.2 C 555 L 
Head-worn Microphone
Positioning the Microphone

Refer to fig. 15 on page 4.

Note:

Windscreen

Moisture Shield

Refer to fig. 16 on page 4.

5.1 Surfaces

5.2 Handheld Transmitter
Internal Windscreen

1. Put the microphone on.
2. Bend the gooseneck so that the microphone will sit to one side in front of the corner of

your mouth.

• You can adjust the microphone to conform exactly to the shape of the user’s head. For

details, refer to the C 555 L instruction manual, which you can download from
www.akg.com.

• Should you hear excessive pop noise ("p" and "t" sounds are overemphasized unnatu-

rally), move the microphone capsule further away from your mouth (up or back).

• If the microphone sounds "thin" or flat, move the microphone capsule closer to your

mouth (refer to fig. 3).

• Find the optimum position during the soundcheck.

If (for instance, in outdoor use) excessive wind or pop noise becomes audible, attach the sup-
plied windscreen to the microphone.

1. Slide the windscreen onto the microphone capsule.
2. Pull the windscreen over the outer edge of the microphone capsule.

A special moisture shield on the microphone capsule makes it difficult for moisture and
makeup to penetrate into the microphone. This barrier prevents the microphone sound en-
tries from being clogged by perspiration or makeup, which would make the sound dull and
reduce the sensitivity of the microphone. Therefore, never remove the moisture shield from
the microphone!
In case the moisture shield is damaged or lost, the C 555 L head-worn microphone includes
a replacement moisture shield.

• Use a soft cloth moistened with water to clean the receiver and transmitter surfaces.

1. Unscrew the wire-mesh cap of the handheld transmitter CCW and remove the wire-

mesh cap from the transmitter.

2. Remove the windscreen (foam sheet) from the wire-mesh cap.
3. Wash the windscreen in mild soap suds.
4. As soon as the windscreen has dried, replace it in the wire-mesh cap and screw the wire-

mesh cap onto the transmitter CW.

33

WMS 40 FLEXX

5 Cleaning

BDA WMS 40 FLEXX 08_Hex:Layout 1  01/08/2008  15:52   Seite 33    (Schwarz/Black Auszug)

Summary of Contents for WMS40 FLEXX

Page 1: ...g the equipment MODE D EMPLOI p 36 Veuillez lire cette notice avant d utiliser le syst me ISTRUZIONI PER L USO p 52 Prima di utilizzare l apparecchio leggere il manuale MODO DE EMPLEO p 68 Sirvase lee...

Page 2: ...andheld Bodypack Transmitters 28 3 6 Setting Up the Handheld Transmitter 29 3 6 1 Replacing the Color Code Clip 29 3 7 Setting Up the Bodypack Transmitter 29 3 7 1 Connecting a Microphone 30 3 7 2 Con...

Page 3: ...nt even when the equipment is switched off To save energy disconnect the AC adapter from the power outlet if you will leave the equipment unused for a long period of time 2 When scrapping the equipmen...

Page 4: ...ds you can even use up to nine channels simulta neously The SR 40 FLEXX is a diversity receiver and uses two antennas in order to receive the trans mitter signal at two different spots The diversity e...

Page 5: ...uted automatically 4 DIVERSITY LEDs A and B Indicate which of the two receiving antennas is active at any time 5 Color code The color indicates the carrier frequency band of the receiver Transmitters...

Page 6: ...wide frequency band for which you ordered your WMS 40 FLEXX The antenna is integrated in the body The microphone element permanently mounted on the transmitter uses a high quality car dioid transducer...

Page 7: ...ide a maximum of two operating hours We recommend replacing the battery with a new one as soon as possible If you use a rechargeable battery the LED will change to red 15 minutes before the bat tery w...

Page 8: ...microphones CK 55 L C 417 L C 520 L C 555 L C 516 ML C 518 ML C 519 ML The MKG L guitar cable from AKG lets you connect an electric guitar electric bass or re mote keyboard to the bodypack transmitter...

Page 9: ...phone input on the mixer 2 Turn the VOLUME control 7 on the receiver front panel all the way CCW to set the re ceiver output to microphone level 1 Use a standard 1 4 jack cable to connect the UNBALANC...

Page 10: ...nput gain is too low Set GAIN 18 to HIGH If OK 6a is lit constantly and CLIP 6b flashes frequently or is lit constantly the trans mitter input gain is too high Set GAIN 18 to LOW 6 Set the levels on y...

Page 11: ...itter 4 Set the on off switch 22 to ON to switch power to the bodypack transmitter on 5 Set the SQUELCH control 14 on the receiver to minimum and switch power to the receiver on 6 Play your instrument...

Page 12: ...the system Perform steps 1 through 6 for each frequency band separately 1 Switch power to all transmitters and receivers off 2 Set the frequency selectors on the transmitter and receiver for channel 1...

Page 13: ...pecific volume or system gain setting called the feedback threshold the signal starts being regenerated indefinitely making the sound system howl and the sound engineer desperately dive for the master...

Page 14: ...ble attach the sup plied windscreen to the microphone 1 Slide the windscreen onto the microphone capsule 2 Pull the windscreen over the outer edge of the microphone capsule A special moisture shield o...

Page 15: ...ON 8 Insert batteries conforming to and marks 9 Replace batteries 10 Move closer to receiver or reduce squelch threshold setting 11 Remove obstructions 12 Avoid spots where you cannot see receiver 13...

Page 16: ...C 15 kHz 15 kHz 15 kHz Rated deviation 15 kHz 15 kHz 15 kHz T H D at 1 kHz typ 0 8 typ 0 8 typ 0 8 Compander Yes Yes Yes Signal noise ratio typ 110 dB A typ 110 dB A typ 110 dB A RF output 10 mW 10 mW...

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