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C411

III

 MANUAL

C411

III

 MANUAL

24

25

INTERFAcINg

INTERFAcINg

3.1.2  Connecting to Unbalanced Inputs

You may connect any AKG phantom power supply (2) to an unbal-
anced input, too.

Use a cable (3) with a female XLR connector and TS jack plug:

2

3

1

S

S

T

T

Phantom

MPA

INPUT 1

INPUT 2

INPUT 3

INPUT 4

2

4

5

3

1

Figure 2: Connecting to unbalanced inputs

1) 

On the XLR connector (4), use a wire bridge to connect pin 1 
to pin 3 and the cable shield.

2) 

Connect the inside wire of the cable to pin 2 on the XLR 
connector (4) and the tip contact of the jack plug (5).

Unbalanced cables may pick up interference from stray magnetic 

fields near power or lighting cables, electric motors, etc. like an 

antenna. This may introduce hum or similar noise if you use a cable 
that is longer than 16 feet (5 m).

3.2 

C411

III

 L

The optional B23 L battery supply allows you to connect the pickup 
to balanced or unbalanced inputs with no phantom power.

C411

III

 PP

Connecting to 

unbalanced 

inputs

3.2.1  Connecting to Balanced Inputs

2

3

1

S

S

T

T

INPUT 1

INPUT 2

INPUT 3

INPUT 4

B23 L

3

4

5

2

1

Figure 3: Using the B23 L to power the microphone

1) 

Connecting the cable: 

Push the mini XLR connector (1) on 

the pickup cable into one of the two mini XLR sockets on the 
B23 L (2) to the stop. 
The connector will lock automatically. 

Disconnecting the cable:

 To disconnect the cable, press the 

unlocking button on the mini XLR connector (1) and pull the 
connector (1) out of the socket.

To avoid damaging the cable, never try to pull out the cable itself!

2) 

Connect the B 23 L (2) to the desired input.

Use a commercial XLR cable (3) to connect the B23 L (2) to a 
balanced input.

3.2.2  Connecting to Unbalanced Inputs

Refer to section 3.1.2.

C411

III

 L

Connecting 

to balanced 

inputs

C411

III

 L

Connecting to 

unbalanced 

inputs

Summary of Contents for C411 Series

Page 1: ...18 USER INSTRUCTIONS Read the manual before using the equipment 34 MODE D EMPLOI Lire cette notice avant d utiliser le syst me 50 MODO DE EMPLEO Consulte el manual antes de utilizar el equipo HIGH PER...

Page 2: ...III PP 23 3 1 1 Connecting to Balanced Inputs 23 3 1 2 Connecting to Unbalanced Inputs 24 3 2 C411III L 24 3 2 1 Connecting to Balanced Inputs 25 3 2 2 Connecting to Unbalanced Inputs 25 3 2 3 Using t...

Page 3: ...dance with copyright law it is not permitted for this documentation or parts thereof to be reproduced or transmitted for any purpose in any form using any means whether electronic or mechanical by pho...

Page 4: ...fety regulations in force in your country and is fitted with a ground lead 1 1 Environment In case of scrapping the equipment separate the housing electronics and cables and dispose all the components...

Page 5: ...We wish you a lot of fun 2 2 Package content C411III PP or C411III L Adhesive compound Microphone bag Check that the package contains all the parts given above If anything is missing please contact yo...

Page 6: ...hment to an acoustic guitar banjo zither or bowed string instrument and ensures absolutely accurate coloration free reproduction The supplied adhesive compound for attaching the pickup will leave wood...

Page 7: ...3 MIC 4 3 2 1 1 Figure 1 Connecting to balanced inputs 1 Connect the phantom power adapter 1 on the pickup cable to a balanced XLR microphone input with phantom power 2 Switch the phantom power on Ref...

Page 8: ...onnect pin 1 to pin 3 and the cable shield 2 Connect the inside wire of the cable to pin 2 on the XLR connector 4 and the tip contact of the jack plug 5 Unbalanced cables may pick up interference from...

Page 9: ...p The connector will lock automatically Disconnecting the cable To disconnect the cable press the unlocking button on the mini XLR connector 1 and pull the connector 1 out of the socket To avoid damag...

Page 10: ...e cable refer to section 3 2 1 2 Connect the MPA V L 3 to a balanced XLR microphone input with phantom power 3 Switch the phantom power on Refer to the instruction manu al of the unit to which you con...

Page 11: ...bes proven techniques that you may want to use as starting points for your own experiments 4 2 Attaching the Pickup to the Instrument If you are going to attach the pickup to a lacquered surface check...

Page 12: ...f the pickup 1 Remove the backing from the supplied adhesive compound 2 Press some of the adhesive compound just enough to cover the footprint of the pickup on the underside of the pickup 3 Press the...

Page 13: ...C411III MANUAL 29 Use 4 3 Hints on Microphone Placement Hints on Microphone Placement Guitar Violin Banjo Zither...

Page 14: ...p is not connected to mixer or amplifier Connect pickup to mixer or amplifier Cable connectors are seated loosely Check cable connectors for secure seat Cable is defective Check cable and replace if d...

Page 15: ...C411III MANUAL 31 Cleaning 6 Cleaning Use a soft cloth moistened with water to clean the surface of the microphone body...

Page 16: ...m power C411III L B 29 L battery power supply MPA V L phantom adapter AKG WMS bodypack transmitters Current consumption approx 2 2 mA Cable length Connector C411III PP 3 m 10 ft 3 pin male XLR C411III...

Page 17: ...C411III MANUAL 33 Technical data Frequency responce C411III Polar Diagram C411III...

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