3
4’
0
8’
0
FINALISER R-EQ - PATCHING EXAMPLES
3 VCO Plus dualSubBass patch - Mono in / Stereo out Mode
Finaliser R-EQ in Mono In / Mono Out Mode
Here we are using the Finaliser in Mono in / Mono Out Mode, with the Equaliser and Enhancer engaged.
The Finaliser is used to add some reverb and a little EQ and enhancement to what is a very fat sounding patch, there are three
VCO’s fed into the Ring SM Module, which is used as a mixer (Inputs 1, 2 and 3) but we have also patched in the Ramp wave
from VCO to the Ring SM “X” Input, and this is acting as a trigger for the Sub bass generators, so we also get Sub waveforms at
-1 and -2 octaves below the incoming waveform, so we have the equivalent of 5 VCO’s spanning five octaves! And each of the
levels can be adjusted from the Ring SM, with the output being fed into the Input of the Sonic XV Diode Ladder filter.
We are using 2 x DH-ADSR Envelopes in regular ADSR Mode, one to control the filter and the second controlling the VCA
output against time.
If the Finaliser becomes overloaded because of the addition of high levels of EQ or Enhancement then the red Peak LED will
illuminate, and beyond this point distortion may occur - this can be countered by reducing the signal level to the input of the
Finaliser R-EQ, in this case by reducing either the Audio 1 or Master control levels on the MiniMod VCA
Note: The numbers used to illustrate control knob positions do not relate to the markings on the module itself, but are simply a scale from zero to 10 with 5
being the control centre position. For attenuverters the control positions are -10 to +10, with zero being centre position for the control knob.
10
10
10
10
1V/Oct IN 1
Output 1
10
0
0
0
0
0
0
0
3
2
6
1
0
0
3
3
0
5
5
3
0
0
3
2
SPR
2
4
5
2
-2
0
0
6
5
5
3
3
16’
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Gate 1
Off
Off
On
On
10
2k
