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Elements G-Delay

DELAY

 

A-Filter’s analog filter is an insanely squelchy dual filter with 8 varied filter types. By “dual filter” 
we mean, of course, that certain filter types in fact combine two filters in series or parallel and 
allow their respective frequencies to be offset, creating a vast range of possible tones. With 
each control being assignable to the envelope follower, A-Filter is the tool 

par excellence

 for 

adding instant analog charm to any sound. 

Time L 

— Sets the delay time of the Left channel. This time can either be synced or free, 

depending on the setting of Sync. Synced times range from 1/64 to 1 bar, while free delay 
times range from 10ms to 1000ms. Note: if the Stereo button is active, Time L controls both 
the left and right delay times in tandem. 

Time R 

— Sets the delay time of the Right channel. This time can either be synced or free, 

depending on the setting of Sync. Synced times range from 1/64 to 1 bar, while free delay 
times range from 10ms to 1000ms. Note: if the Mono button is active, Time R ceases to have 
any effect as the right delay time becomes linked to the left. 

Feed

 — Controls the feedback level of the delay. Feedback can either be positive or 

negative, depending in which direction this bipolar knob is turned. 

Freq

 — Controls the grain delay engine’s grain frequency (ie. the number of grains produced 

in a single second). Values range between 1 and 150 Hz. 

Pitch

 — Controls the pitch of each individual grain, allowing for delays whose pitch cascades 

upwards or downwards (depending on the value of this parameter and on the feedback 
level.) Values range between -24 and +24 semitones.

Tip: Setting the delay time to the bare minimum, the feedback level to zero and the grain 
frequency to a fairly low value effectively turns G-Delay into a real-time granular pitch shifter 
whose pitch can be controlled via this knob. 

Spray

 — Adds a progressive amount of randomness to the delay time of each individual 

grain. The default setting of 0% adds no randomness, giving a perfectly clean delay signal, 
and 100% gives the maximum amount of randomness, resulting in a chaotic “spray” of 
sound.

Tip: This control is great for completely disintegrating your audio signal on the fly.

 

Sync

 — Syncs the Left and Right delay times to the song’s tempo. 

Mono

 — Links the Right channel’s delay time to the Left channels delay time, 

disabling Time R. Enabling this button will result in mono delay, whereas disabling it will create 
a stereo delay (so long as Time L and Time R are set to different values). 

AirRaid

AUDIO

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Summary of Contents for Elements G-Filter

Page 1: ... OPERATION MANUAL ...

Page 2: ...cation with manifestations of Jungian archetypes Typical applications include Granular mono stereo delay effects Dynamic delay effects Pitched and arpeggiated delay effects Gritty evolving textures and soundscapes Otherworldly builds and drops Talking to dolphins requires isolation tank sold separately We hope you have as much fun using it as we did creating it Enjoy About Elements Elements is a s...

Page 3: ...tions specified by the individual Envelope Mod Target toggle buttons Attack Controls the attack of the envelope Higher settings result in a slower attack whereas lower settings are much faster Release Controls the release or decay of the envelope Higher settings result in a slower release whereas lower settings are much faster Envelope Mod Targets Located to the right of the three knob controls li...

Page 4: ...er be positive or negative depending in which direction this bipolar knob is turned Freq Controls the grain delay engine s grain frequency ie the number of grains produced in a single second Values range between 1 and 150 Hz Pitch Controls the pitch of each individual grain allowing for delays whose pitch cascades upwards or downwards depending on the value of this parameter and on the feedback le...

Page 5: ...er that lies within G Delay s feedback loop Values range from 50 Hz to 20 kHz GLOBAL Mix Controls the dry wet mix of the device Vol Controls the volume level of the device s output allowing you to either attenuate it or boost it by up to 6 decibels Rear controls CV MODULATION As with most other devices in our Elements series G Delay offers two distinct types of CV modulation depending on the param...

Page 6: ...d Release in the Envelope Follower section and Feed and Spray in the Delay section The parameters that can be modulated stereophonically via CV are Time Grain Frequency and Pitch in the Delay section AUDIO I O Main The audio inputs and outputs in the main section work exactly the same way as for any stock Reason device Ext FB Effects These audio input and output pairs allow you to insert external ...

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