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CONSTELLATION VINTAGE FUZZ

2

TABLE OF CONTENTS

1

Project Overview

7

Enclosure Layout

2

Introduction & Usage

8

Wiring Diagram

3-4

Parts List

9

Licensing

5

Schematic

9

Document Revisions

6

Drill Template

INTRODUCTION

The Constellation Vintage Fuzz is an adaptation of the Shin-Ei Companion FY-2, an early 1970s silicon 
transistor fuzz that was also re-labeled under the brand names Avora, Jax, Kimbara, Thomas and Zenta.

The FY-2 is the slightly-less-famous and often-mistaken precursor to the FY-6, which was best known 
for being re-branded as the Univox Super Fuzz. The FY-2 does not have the octave effect of the Super 
Fuzz, but it does have the same scooped midrange character.

The fuzz control of the FY-2 is an odd setup that shifts the balance between the two transistor stages 
rather than directly controlling gain. Many people wonder whether it’s working right because it doesn’t 
seem to change the intensity of the effect as it’s turned, just the harmonics and texture. This is how it’s 
supposed to work. It’s not tremendously useful, so most people just leave it up all the way.

The Constellation project is faithful to the original FY-2, with two additions: 1) a control to allow the 
characteristic mid-scoop to be dialed back into more of a flat EQ, and 2) an optional volume boost stage 
before the master volume control at the end. The original unit suffers from excessively low volume, so 
the make-up gain stage from the FY-6 has been adapted for this circuit. With the gain boost disabled and 
the Scoop control at maximum, the circuit is 100% identical to a vintage FY-2.

USAGE

The Constellation has the following controls:

• 

Fuzz

 controls the harmonics and texture of the fuzz tone.

• 

Scoop

 allows the mid-scoop to be lessened in intensity for more of a full-range fuzz. Note that the 

volume will decrease as this control is turned up, so the optional boost stage should be used at 
higher Scoop settings, but isn’t as crucial if this control is dialed back.

• 

Volume 

is the master output volume control.

• 

Boost

 (toggle) enables or disables an optional gain stage at the end of the circuit.

Summary of Contents for CONSTELLATION

Page 1: ...RSION Shin Ei Companion FY 2 An early silicon fuzz known for its scooped midrange tone This adaptation is updated with a switchable volume boost stage as well as a control to dial back the scoop Fuzz...

Page 2: ...ed just the harmonics and texture This is how it s supposed to work It s not tremendously useful so most people just leave it up all the way The Constellation project is faithful to the original FY 2...

Page 3: ...sistor 1 4W R12 100R Metal film resistor 1 4W RPD 2M2 Metal film resistor 1 4W Input pulldown resistor LEDR 4k7 Metal film resistor 1 4W LED current limiting resistor Adjust value to change LED bright...

Page 4: ...ED 5mm red diffused IN 1 4 stereo 1 4 phone jack closed frame Switchcraft 112BX or equivalent OUT 1 4 mono 1 4 phone jack closed frame Switchcraft 111X or equivalent DC 2 1mm DC jack 2 1mm panel mount...

Page 5: ...04 GND 22k VA 47n 2n2 2N3904 2M2 GND 47k 100k 47n VA 3n3 10k 15k 1n 100n GND 2N3904 1uF 100k VA 15k 1k GND GND 10k VA 1uF GND 100R RPD D1 C11 FUZZ 1 2 3 1 2 3 SCOOP VOLUME 1 2 3 IN OUT C12 C1 R1 C2 Q1...

Page 6: ...use of closed frame jacks like the Switchcraft 111X If you d rather use open frame jacks please refer to the Open Frame Jack Drill Template for the top side LED hole drill size assumes the use of a 5...

Page 7: ...CONSTELLATION VINTAGE FUZZ 7 ENCLOSURE LAYOUT Enclosure is shown without jacks See next page for jack layout and wiring 125B...

Page 8: ...GRAM 125B IN V GND N C N C OUT PCB IN GND V V JACK GND JACK OUT IN GND GND PCB OUT Shown with optional 9V battery If battery is omitted both jacks can be mono rather than one being stereo Leave the fa...

Page 9: ...y as suggestions based on the experience and opinions of others Projects may be used for commercial endeavors in any quantity unless specifically noted No attribution is necessary though a link back i...

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