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5

4.2 Level adjustment

The 

dual mix

 is equipped with two high-quality pre-

amps which can handle line and microphone signals 
and have therefore a wide input sensitivity range.

Having selected the appropriate preamp function (

mic

 

or 

line

) and with the 

gain

 controls set fully counter 

clockwise  (minimum  gain),  turn  up  the 

gain

 whilst 

playing your instrument until the red 

clip

 indicator 

LED lights up occasionally with heavy strumming. Now 
turn down the 

gain

 control (or the volume control on 

the source) by a tiny amount to allow additional head-
room for undistorted reproduction.
During play, the 

clip

 control LED should only flicker in

-

termittently  at  most.  With 

line

  (signal  sources  with  a 

sufficient input signal level) the 

gain

 controls will pro-

bably  sit  between  minimum  gain  and  the  10  o’clock 
position. It’s likely that in the 

mic

 position the setting 

will  be  significantly  higher.  Please  keep  in  mind  that 
the filter stages are partly active and thus have an in

-

fluence on the ove

rall adjustment of the dual mix.

5. Functional Characteristics

5.1 Inputs Channel 1 and Channel 2

5.1.1 Signal Sources and Preamp Selection

Various  signal  sources  may  be  connected  to  the  XLR/
line combo sockets (

channel 1 und 2

). To 

Line

 (6.3 mm 

jack socket): all types of active and passive pickups for 
acoustic  instruments,  electromagnetic  pickups,  key

-

boards, samplers. To 

XLR

 socket: all dynamic and con

-

denser (vocal or instrument) microphones. The corres

-

ponding preamp is selected by the 

line/mic

-switch.

4. Operation Summary

4.1 Cabling and Starting-up

Before connecting to the mains, please ensure that 

your  local  mains  voltage  (e.g.  230V  in  mainland  Eu

-

rope, 120V in the USA) is suitable for the voltage in-
put range of the included power supply. The relevant 
specs and safety symbols are printed on the rear side 
of the unit.

Note: 24V power supply

The included 24VDC power supply is a certified wide-

range model, capable of handling input voltages 
between 100V and 240V. A substantial amount of re-
search, effort and testing went into the selection of 
this power supply. It is critical to the function of the 
preamp – please use no other power supply!
Also please bear in mind that any device powered 

from  a  power  supply  (as  opposed  to  battery  operati

-

on), may suffer interference carried by the electricity 

supply itself. To avoid this, always try and keep signal 

cables as short as possible.

We have opted for a “non-earthed power supply“ (class 

2 with protective insulation) in order to avoid unwan-
ted earth or ground loops that occur when using sever-
al earthed mains powered devices in a signal chain.

Please ensure that 

gain

-, 

level

- and 

volume

-controls 

are turned all the way to the left

 

and all other cont-

rols  are  in  their  middle  position  (centre  detent).  The 

pushbuttons should be off, i.e. not pushed.

Now select the appropriate preamp function (

line/mic

and make all required cable connections:
1)  Instruments  (1/4“  jack  or  XLR)  or  Microphones  (only 
XLR) to 

input channel 1

 and/or 

channel 2

 of the 

dual mix

2) 

line-out

 of the 

dual mix

 e.g. to effects 

return

 of the 

effect  loop  of  an  AER  amplifier  or  to  the  input  of  a 

downstream device

You may also want to connect:

1) the 

DI-out

 of the 

dual mix

 to a mixing-desk input or 

a stagebox (use balanced cables for this)
2) a CD/MP3 player to 

aux-in

 or

3) a stereo headphone set to the 

headphones

 output

Note: Level adjustment

By setting the level correctly we mean that the signal le-
vel in one or several devices in a signal chain is neither 
too high nor too low. This applies equally to all compo-

nents of a unit (here

 e.g. high 

and 

low

).

Consequently, care must be taken that no part of the 

circuit is overloaded, or that distortion is unintentio-

nally added to the signal. We have carefully designed 

the circuit to achieve this objective whilst also provi-

ding potentiometers (

gain

level

volume

) for „manu-

al” intervention.

Summary of Contents for pocket tools dual mix

Page 1: ...1 pocket tools dual mix user manual ...

Page 2: ...g up 5 4 2 Level Adjustment 5 5 Functional Characteristics 5 5 1 Inputs Channel 1 and Channel 2 5 5 1 1 Signal sources and preamp selection 5 5 1 2 Dual band Equalization 6 5 2 efx Effects Section Muliteffect 6 5 3 aux in 6 5 4 master 6 5 5 DI out 6 5 6 24V Phantom Power 6 6 Technical Specifications pocket tools dual mix 7 7 Circuit Diagram pocket tools dual mix 8 ...

Page 3: ...s a high quality two channel preamplifier for instrument line or microphone signals The unit offers simple efficient features just like a small mixong console two inputs each for one microphone or instrument and line level signal with switchable 24V phantom power separate active two band EQ networks for each input a 4 preset multi effects unit with two reverbs one echo and one chorus a stereo aux ...

Page 4: ... power outlets ground have it checked by a qualified techni cian 11 Cable up your device only when it is powered off Top side gain input level control clip overload indicator line mic signal source selector switch combo socket line only via 6 3 mm jackplug for instruments pickup and other line level sources mic only via XLR connector for microphones high treble control low bass control efx 4 prese...

Page 5: ... power supply The included 24VDC power supply is a certified wide range model capable of handling input voltages between 100V and 240V A substantial amount of re search effort and testing went into the selection of this power supply It is critical to the function of the preamp please use no other power supply Also please bear in mind that any device powered from a power supply as opposed to batter...

Page 6: ...er to the XLR inputs for devices that require it e g condenser mics The 24V phantom power supply of your AER device complies with the DIN EN 61398 regulations in view of a 24V phantom power supply Please note the adjacent text Supplement to article 5 6 Information about the use of 48V or 24V phantom power phantom power remote supply here po wering an audio device via the connected audio line Turn ...

Page 7: ...ct any mono jacks DI out Balanced XLR output 1 ground 2 positive 3 negative Level control Nominal output voltage differential adjustment range 41 410 mV 28 8 dBV Output impedance 47 each terminal to ground Min load impedance differential 1 k Residual noise both channels in line mode A weighted 3 3 μV 110 dBV Tone controls low 12 dB at 100 Hz shelf type channels 1 and 2 high 13 dB at 10 kHz shelf t...

Page 8: ...UTE HIGH Clip LOW MIC GAIN 24 V PHANTOM POWER CH 1 High impedance LINE MIC MUTE LINE 1 2 k 1 2 k 24 V LEVEL MASTER DI LEVEL LINE OUT HEADPHONES SELECT 1 2 3 4 MIC GAIN 24 V PHANTOM POWER CH 2 High impedance LINE MIC LINE 1 2 k 1 2 k 24 V AUX IN CHANNEL 1 CHANNEL 2 CHANNEL 2 Aux In 1 2 3 T R 1 2 3 T R 1 2 3 T R ...

Page 9: ...notes 9 ...

Page 10: ...10 notes ...

Page 11: ...11 notes ...

Page 12: ...www aer amps com DualMix 2011_11_GB ...

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