background image

6

MAGNETIC STRAY FIELDS

MICROPHONE POSITIONING

Always use a sturdy microphone stand with R44 series microphones. 
Weighing around 8lbs, mounting R44 series microphones on a 
strong, robust microphone stand with a heavy base (or tripod) is 
essential. Large studio-booms with an appropriate counter-weight 
are recommended to prevent your R44 from tipping-over and 
crashing, causing injury to itself, a musician, or a valuable musical 
instrument.

The integrated cushion mount was designezd to keep structure-
borne noise transmitted through the microphone stand and the 
cable away from the low-tuned ribbon transducer. For the shock 
mount to function as intended, it is important to position the 
microphone with the cushion mount vertical and rotating the 
microphone within the yoke. This requires the use of a swivel 

Ribbon microphones are fundamentally prone to picking up 
strong external magnetic fields caused by light dimmers or nearby 
power transformers. Guitar players will know this phenomenon 
from single-coil pickups. Even though much attention was paid to 
suppressing such sensitivity to external magnetic fields in the design 
of your microphone, it is still possible that you might encounter 
this problem. If you should pick up a hum, try rotating or moving 
the microphone to find a spot where the hum disappears, and try 
eliminating potential sources of stray magnetic fields. You can use 
the microphone to find where hum is originating. Rotate the mic 
for maximum interference and move it back and forth to sense its 
direction.

The high-performance magnets used in AEA microphones are 
incredibly strong, and a significant amount of stray magnetic field 
lines surround the microphone. Avoid placing the microphone 
in close proximity to hard drives, credit cards, analog tape, or any 
other magnetically sensitive items to prevent any data loss.

Summary of Contents for R44ACE

Page 1: ...OWNER S MANUAL ...

Page 2: ... R44ACE to memorialize the spirit of the R44 while making it affordable and appealing to a newer generation of ribbon mic enthusiasts The ACE is an exciting amalgamation of 1930s technology and modern production that delivers the R44 s classic sound in a new context The R44ACE utilizes new old stock RCA ribbon material it boasts a full rich tonality with generous low end and the 44 s signature pro...

Page 3: ...one at AEAribbonmics com register your aea If you should encounter any problems with your microphone or have questions regarding using your R44ACE mic in specific applications please contact our customer support team at support ribbonmics com To talk to a live human being call 1 800 798 9127 between 9 00 A M 5 00 P M PT Monday through Friday AEA s repair center is located at 1029 N Allen Ave Pasad...

Page 4: ...d audio interfaces do not deliver this Please check the current values available on your unit to ensure the best performance MICROPHONE STORAGE Keep the microphone covered when it is not in use Keeping the microphone covered when it is not in use will reduce the possibility of damage that might result from a sudden gust of air coming from air conditioning or an open door or window Place the suppli...

Page 5: ...amp level is turned fully up an on axis kick drum hole particularly with a port on the head are potentially damaging To avoid possible damage follow this simple procedure when positioning the microphone called The Hand Test put the back of your hand where the mic will be if you can feel the motion of air on your hand place a pop filter between the microphone and the source of the wind gusts or sim...

Page 6: ...ophones are fundamentally prone to picking up strong external magnetic fields caused by light dimmers or nearby power transformers Guitar players will know this phenomenon from single coil pickups Even though much attention was paid to suppressing such sensitivity to external magnetic fields in the design of your microphone it is still possible that you might encounter this problem If you should p...

Page 7: ...ushion mount as time goes by Operating Principle Directional Pattern Frequency Range Maximum SPL Sensitivity Output Impedance Recommended Load Impedance Phantom Power Polarity Polar Response Horizontal Vertical Transducer Element Material Thickness Pressure gradient transducer Bidirectional 20 Hz to 20 kHz 141 dB SPL 1 third harmonic 1 kHz 36 8 dBV at 1 kHz no load 92 Ω broadband 1 0 kΩ or greater...

Page 8: ...idth Depth Weight Shipping Weight Connector 0 185 in 4 7 mm 2 35 in 59 7 mm 12 3 in 31 2 cm 4 6 in 11 6 cm 3 3 in 8 3 cm 7lb 9 oz 3 5 kg 13lb 5 89 kg XLR 3M FREQUENCY RESPONSE Data below 200 Hz omitted due to measuring room restrictions 0 dBr is equivalent to 14 4 mV Pa at 1kHz Normalized to 0 dBr at 1kHz ...

Reviews: