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Adobe 25520578 - Premiere Pro CS3, User Manual

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ADOBE PREMIERE PRO CS3

User Guide

144

Preview on a television monitor via DV camcorder or deck

If you’re editing a DV project, you can preview the sequence on a television monitor via your IEEE 1394 connection 
and DV camcorder or video deck. 

Note: 

On Mac OS, you will not be able to preview on a TV monitor via camcorders or decks in HDV mode. Set these, 

instead, to DV or Auto mode.

1

   

Make sure that the monitor is connected to the DV camcorder or deck and that the DV camcorder or deck is 

connected to your computer. 

2

   

(DV camcorder only) Set the camcorder to output to the monitor. Some devices detect this automatically, while 

others require you choose a menu option. 

3

   

Choose Project  > Project Settings

  > General, and click the Playback Settings button.

4

   

In the Playback Settings dialog box, choose the desired options.

There can be a slight delay between the playback on the desktop and the playback on a television via a 
camcorder/VCR. If the video and audio seem out of sync, try to preview both video and audio through the same 

device.

O

ptions for Playback Settings

The Playback Settings dialog box contains the following options:

Desktop Video

 

Specifies whether or not to play back to the Program Monitor. Deselect this option to play back only 

through the external monitor specified in the External Device option. If the External Device option is set to None, 
Desktop Video is selected to ensure playback to the Program Monitor.

External Device

 

Sets an external device through which to play back video.

Aspect Ratio Conversion

 

Determines how pixel aspect ratio is converted for DV projects.

Desktop Audio

 

Sets audio playback to the computer

External Device Audio

 

Sets audio playback to a connected external audio device. 

Export: External Device

 

Enables export to tape for the specified device. This option doesn’t affect playback to an 

external device during export. 

24p Conversion Method

 

Specifies the conversion method for 24p footage. See “

Set 24p playback options

” on 

page 34.

Desktop Display Mode (Windows only)

 

Sets option for playback through a graphics display card. 

•

Compatible displays video on the desktop in a non-accelerated manner. This mode is appropriate for use on a 
graphics card that does not support Direct3D 9.0 acceleration. This option is the lowest performance display mode.

•

Standard mode uses hardware capabilities on Direct3D 9.0 capable graphics cards to accelerate playback of video 
on the desktop.

•

Accelerated GPU Mode uses advanced hardware features present in the newest generation of Direct3D 9.0 
capable graphics cards to accelerate video playback as well as several effects on the desktop.

Disable Video 

O

utput When Premiere Pro is in the Background

 

Disables video to the external monitor if Adobe 

Premiere Pro is not the active application on your desktop.

April 1, 2008

Summary of Contents for 25520578 - Premiere Pro CS3

Page 1: ...USER GUIDE ADOBE PREMIERE PROCS3 April 1 2008...

Page 2: ...audio compression technology licensed by Fraunhofer IIS and Thomson Multimedia http www mp3licensing com This product includes software developed by the Apache Software Foundation http www apache org...

Page 3: ...3 Batch capturing 63 Timecode 70 Online and offline editing 73 Importing files 74 Chapter 5 Managing and viewing assets Customizing the Project panel 84 Organizing assets with the Project panel 87 Wor...

Page 4: ...ume levels 198 Audio transitions 201 Applying effects to audio 202 Recording audio mixes 206 Panning and balancing 208 Advanced mixing 210 Editing audio in Adobe Soundbooth 214 Chapter 10 Titles Creat...

Page 5: ...effects 341 Stylize effects 343 Time effects 347 Transform effects 350 Transition effects 351 Utility effects 353 Video effects 354 Audio effects 354 Chapter 14 Compositing Compositing video 364 Trans...

Page 6: ...vi Adobe Media Encoder basics 416 Export settings 419 Chapter 16 Keyboard shortcuts Finding and customizing keyboard shortcuts 427 Default keyboard shortcuts 429 Index 436 April 1 2008...

Page 7: ...tallation disc Activate the software If you have a single user retail license for your Adobe software you will be asked to activate your software this is a simple anonymous process that you must compl...

Page 8: ...Help Adobe Help resources Documentation for your Adobe software is available in a variety of formats In product and LiveDocs Help In product Help provides access to all documentation and instructional...

Page 9: ...ase in the Adobe Store at www adobe com go store You can also find books published by Adobe publishing partners in the Adobe Store A printed workflow guide is included with all Adobe Creative Suite 3...

Page 10: ...tination the title is referenced in the Title attribute of the Anchor tag For example the Previous and Next links include the titles of the previous and next topics Content supports high contrast mode...

Page 11: ...ivate an outlined link press Enter To make text bigger press Ctrl equal sign To make text smaller press Ctrl hyphen Resources Adobe Video Workshop The Adobe Creative Suite 3 Video Workshop offers over...

Page 12: ...he Adobe Video Workshop includes training for novices and experienced users You ll also find videos on new features and key techniques Each video covers a single subject and typically runs about 3 5 m...

Page 13: ...software in one convenient location Start Adobe Bridge then click the Bridge Home icon at the top of the Favorites panel to access the latest tips news and resources for your Creative Suite tools Note...

Page 14: ...with other Adobe products Using Dynamic Link Creating DVDs using Adobe Premiere Pro CS3 and Encore Working with markers and cue points To access Adobe Creative Suite 3 video tutorials visit Adobe Vid...

Page 15: ...following resources Plug ins Plug in modules are small software programs that extend or add features to your software Once installed plug in modules appear as options in the Import or Export menu as...

Page 16: ...e Labs gives you the opportunity to experience and evaluate new and emerging technologies and products from Adobe ET VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM STET CLITA KASD ET COSE TETU R...

Page 17: ...nsive waveform monitor vectorscope and audio spectrum analyzer Save tape and save time with Adobe OnLocation Requires Bootcamp for Mac OS Adobe Encore CS3 now included Create DVDs and take advantage o...

Page 18: ...o simulate the latest devices as they are released Flash Video export with markers converted to cue points Encode video and audio for Flash projects and web playback with direct Flash Video FLV export...

Page 19: ...ains groups of panels as well as panels that stand alone You customize a workspace by arranging panels in the layout that best suits your working style You can create and save several custom workspace...

Page 20: ...group and undock a panel so that it floats in a new window above the application window As you drag a panel drop zones areas onto which you can move the panel become highlighted The drop zone you choo...

Page 21: ...visible choose it from the Window menu 2 Do one of the following To move an individual panel drag the gripper area in the upper left corner of a panel s tab onto the desired drop zone Drag panel gripp...

Page 22: ...panel or group outside the application window If the application window is maximized drag the panel to the Windows task bar Resize panel groups When you position the pointer over dividers between pan...

Page 23: ...oo To open or close a panel choose the panel from the Window menu To close a panel or window click its Close button Display any panel full screen You can expand any panel to display it in full screen...

Page 24: ...en making color corrections Changing the brightness affects panels windows and dialog boxes but doesn t affect scroll bars title bars and menus that aren t inside panels In addition the change doesn t...

Page 25: ...e by speeding up its playback or to lengthen it by slowing it down The Rate Stretch Tool changes speed and duration but leaves the In and Out points of the clip unchanged Razor Tool Select this tool t...

Page 26: ...nd a clip in the Project panel display In the Info panel the Video line indicates frame rate dimensions and pixel aspect ratio in that order The Audio line indicates sample rate bit depth and channels...

Page 27: ...ect panel This acts as a storage area for all files used in the project You can organize a project s media and sequences using bins in the Project panel A project may contain multiple sequences Within...

Page 28: ...d to automatically save copies of your projects in the Adobe Premiere Pro Auto Save folder You may encounter missing files as you work on a project You can continue working by substituting offline fil...

Page 29: ...esets After you begin working in a project you can review project settings but you can change only a few of them Choose Project Project Settings to view the settings you can change Project settings ar...

Page 30: ...you export Timebase Specifies the time divisions Adobe Premiere Pro uses to calculate the time position of each edit In general choose 24 for editing motion picture film 25 for editing PAL European s...

Page 31: ...me timecode assumes a rate of 30 frames per second fps but skips some numbers by design To accommodate the NTSC actual frame rate of 29 97 fps drop frame timecode skips or drops two frame numbers not...

Page 32: ...sample rate and capture audio at the rate at which it was recorded Display Format Specifies whether audio time display is measured using audio samples or milliseconds Display Format applies when Show...

Page 33: ...oose Edit Preferences Auto Save Windows or Premiere Pro Preferences Auto Save Mac OS 2 Do any of the following and then click OK Select Automatically Save Projects and type the number of minutes betwe...

Page 34: ...e aspect ratio and the pixels that make up the frame have a pixel aspect ratio Some cameras can record various frame aspect ratios and different video standards use different pixel aspect ratios You s...

Page 35: ...in black bands above and below the widescreen frame Or you can fill the 4 3 frame vertically with the entire height of the 16 9 frame varying the horizontal position of the 16 9 frame behind the narr...

Page 36: ...of your project You may occasionally encounter a distorted clip if Adobe Premiere Pro interprets pixel aspect ratio incorrectly You can correct the distortion of an individual clip by manually specify...

Page 37: ...0 Instead ensure that the overall frame aspect ratio matches that of your project for example 4 3 or 16 9 Adobe Premiere Pro automatically adjusts the video so that it is not distorted If your square...

Page 38: ...the Video Info column of the Project panel You can also find this data in the asset s Properties dialog box the Interpret Footage dialog box and the Info panel See also Add images to titles on page 2...

Page 39: ...V monitors that support 24p formats When you are done editing you can use the Adobe Media Encoder to export the 24p movie from Adobe Premiere Pro to Adobe Encore CS3 You can open it in Encore author y...

Page 40: ...ose the Load Preset tab 3 From the Available Presets list choose the 24p preset that matches the format and frame aspect ratio of most of your footage 24p presets are located in the DV 24P DVCPRO50 48...

Page 41: ...0 28 However as an offline clip in a 24p project the In point is shown as 00 01 00 23 In addition mixing non drop frame footage with drop frame footage can cause larger differences in timecode display...

Page 42: ...sequences on page 382 Importing assets from file based sources on page 82 Export to Panasonic P2 format on page 387 Start a widescreen project You can edit widescreen footage shot in DV HDV or HD for...

Page 43: ...6x144 or 88x72 select the CIF QCIF QQCIF preset To edit a movie for distribution on the web or on mobile devices that can display 4 3 video at frame sizes of 320x240 or 128x96 select the iPod QVGA Sub...

Page 44: ...e television standard video format and other settings for your project See About projects on page 21 Quickstart screen 3 Capture and import video and audio Using the Capture panel transfer footage dir...

Page 45: ...e files directly into Adobe Premiere Pro In the Project panel you can label categorize and group footage into bins to keep a complex project organized You can open multiple bins simultaneously each in...

Page 46: ...sequence on page 115 Refine the sequence by manipulating clips in the Timeline panel with either context sensitive tools or tools in the Tools panel Use the specialized Trim Monitor to fine tune the...

Page 47: ...tch using the Effect Controls panel The Effect Controls panel also lets you animate a clip s properties using traditional keyframing techniques As you adjust transitions the Effect Controls panel disp...

Page 48: ...fly With a supported sound card you can record audio through the sound mixer or mix audio for 5 1 surround sound See Mixing audio tracks and clips on page 184 Audio Mixer 8 Collaborate Using the Clip...

Page 49: ...each sequence in your project can be burned to a separate DVD First you add all the content you want to include on a DVD into a sequence After you prepare the sequence perform the following basic task...

Page 50: ...uter hard drive You can also save a DVD ISO image to distribute or burn to a DVD Note Encore creates DVDs that conform to DVD video format It doesn t create data or audio DVDs Cross platform workflow...

Page 51: ...made with Adobe Premiere 6 0 all into Adobe Premiere Pro See Import files on page 74 Use the Edit Original command in Adobe Premiere Pro to edit an asset in the application in which it was generated S...

Page 52: ...elated photos in stacks and open or import camera raw files and edit their settings without starting Photoshop You can also search leading stock libraries and download royalty free images by way of Ad...

Page 53: ...or mastering Set up a DV or HDV system DV HDV setup A Computer and computer monitor B 6 pin FireWire port and connector C 4 pin FireWire port and connector D DV HDV camcorder E RCA jacks and plugs for...

Page 54: ...er an SDI or component PCI card installed in the computer or an external SDI or component device connected to the computer via FireWire Either of these would provide ports usually with BNC connectors...

Page 55: ...the Welcome screen click New Project 7 In the Load Preset panel of the New Project dialog box select the SDI or component preset that matches the format of your source footage Adobe Premiere Pro does...

Page 56: ...the Load Preset panel of the New Project dialog box select the preset that matches the format of your A D converter not that of the source footage For example if you use a DV camcorder or A D converte...

Page 57: ...s in the same folder where the project file is stored Custom Allows you to specify a location of your choosing Choose Custom then click Browse and browse to any available folder Maximizing scratch dis...

Page 58: ...to tape but video on tape must be captured transferred to the hard disk before Adobe Premiere Pro can use it in a project In Adobe Premiere Pro the capture function in conjunction with a digital port...

Page 59: ...rts Other camcorders may go into sleep mode or demo mode if left in the camera mode without tape activity for a period of time To avoid these problems connect your camcorder to its power adapter when...

Page 60: ...sed sources on page 82 See also Set up an SD SDI HD SDI or component system on page 48 Set up device control on page 58 Capture without device control on page 60 Export a movie file for further editin...

Page 61: ...igital device is a digitizer with device controls connect its device control port RS 232 or RS 422 with the same type port on the analog device 5 Turn on the analog source and the digitizing device 6...

Page 62: ...device to your computer using an IEEE 1394 or SDI connection turn the device on and do one of the following If it s a camera set it to the playback mode which may be labeled VTR or VCR If it s a deck...

Page 63: ...roject open choose Project Project Settings Capture 2 From the Capture Format menu choose the settings that match your source material Set capture preferences 1 Choose Edit Preferences Capture Windows...

Page 64: ...the Capture panel Device control settings apply to the entire project 1 Choose Edit Preferences Capture Windows or Premiere Pro Preferences Capture Mac OS 2 Select one or more of the Capture options I...

Page 65: ...Time Base settings 4 In the Device Control Options dialog box check the status display Offline Adobe Premiere Pro does not see your device and you need to check all your connections and settings Detec...

Page 66: ...n change the shortcuts by choosing Edit Keyboard Customization You can also shuttle to a tape location by typing its timecode into the Capture Panel s current timecode field to the lower left of the m...

Page 67: ...remiere Pro prompts you to name the tape Be sure not to give any two tapes the same name Including a unique number in the name can help you avoid using the same name twice 5 In the Setup area of the L...

Page 68: ...and Out points you can use the Scene Detect feature Scene Detect analyzes the video for scene breaks as indicated by the tape s Time Date stamp such as those caused when you press the camera s pause b...

Page 69: ...een shots Blank tape areas lack timecode which may cause interruptions in the camera time mode When you capture the blank area the camera doesn t transmit valid frames but time continues to be marked...

Page 70: ...ted for capture B Capture Settings option See also Set up device control on page 58 Log clips for batch capturing You can specify which shots you want to use from source tapes by logging them as a set...

Page 71: ...steps 2 through 6 to log each shot you want to batch capture Capture panel with Logging active Log clips interactively 1 Make sure that your device is connected and in VTR or VCR not Camera mode and t...

Page 72: ...want to create bins in the Project panel in advance so that you can log each set of offline clips directly into its own bin When you batch capture the offline files are replaced by captured clips mai...

Page 73: ...the Esc key Troubleshooting batch capturing You can perform trouble free batch capturing if device control and the project s capture settings are set up properly and if the offline files you logged ar...

Page 74: ...nd select the file and click Open To export a batch list timecode log select the files that you want to log Then choose Project Export Batch List Specify a file name and location and click Save Work w...

Page 75: ...to edit an online clip into a sequence make its source offline and link the offline clip to another source file The new source will appear in the sequence wherever the original one did Note The source...

Page 76: ...00 00 01 09 is the place to start its capture It can easily capture the wrong clips from tapes with discontinuous timecode To ensure unbroken timecode you need to either shoot it continuously or stri...

Page 77: ...the timecode from your original tape be sure that this option is disabled See the operating instructions for the device for information on this option 4 If both devices are digital connect them using...

Page 78: ...rs minutes seconds and frames To set a specific timecode select the timecode type a new timecode and then press Enter Return To adjust the current timecode by dragging drag the timecode horizontally F...

Page 79: ...HDV or HD footage without losing performance speed or running out of storage It also lets editors use laptop computers to edit for example while on location You may edit a project entirely online On...

Page 80: ...in software from a third party For more information check the manual that came with the installed card or plug in To import clips choose File Import Locate and select a file or hold down Ctrl Windows...

Page 81: ...omatically converts it to a four channel asset Supported video and animation file formats ASF Netshow Windows only AVI DV AVI Microsoft AVI Type 1 and Type 2 DLX Sony VDU File Format Importer Windows...

Page 82: ...PRTL Bitmap and Bitmap sequence BMP DIB RLE EPS Filmstrip FLM GIF Icon File ICO Windows only JPEG and JPEG sequence JPE JPG JFIF PCX and PCX sequence PCX Windows only PICT and PICT sequence PIC PCT Po...

Page 83: ...imported file has either a 1 1 or 2 3 ratio to the project s sample rate For example a DV AVI file containing 32 kHz audio will not be conformed when imported into a project with an audio sample rate...

Page 84: ...Adobe Bridge For information about the still image formats that Adobe Premiere Pro imports see File formats supported for import on page 75 Before you import a still image into Adobe Premiere Pro pre...

Page 85: ...e Conform To Lets you choose from a list of standard aspect ratios Note When using Photoshop to generate images for use in video projects it s best to use the Photoshop preset named for the video form...

Page 86: ...default still image duration You can use this sequence as a clip in other sequences Note Some Photoshop layer attributes aren t supported such as special blending modes and the Knockout option For be...

Page 87: ...le rate because these differences may affect edit positioning and audio quality Importing a project into another project is the only way to transfer its complete sequence and clip information Also you...

Page 88: ...media from a P2 card The process of reading the data from the card and converting it to a format that can be used in a project is sometimes referred to as ingest For your computer to read P2 cards you...

Page 89: ...start a new file on the next P2 card with available space and continue recording the shot to it Although a single shot can be recorded to a group of multiple spanned clips it is designed to be treated...

Page 90: ...ears in the Project panel The Project panel lists detailed information about each asset in your project You can view and sort assets in either List view or Icon view List view displays additional info...

Page 91: ...ames of columns you added but not the names of columns built into Adobe Premiere Pro Rearrange columns In the List view of the Project panel drag the column header horizontally to the desired position...

Page 92: ...sorting purposes Log Note Field for optional text entered through the Capture panel or Edit Offline File dialog box File Path Location of the file on disk expressed as a folder path Capture Settings I...

Page 93: ...ild bin See also Managing Media Work with bins These are the default behaviors of bins You can change the last three bin default behaviors by editing bin prefer ences To add a bin click the New Bin bu...

Page 94: ...change the default behaviors of Project panel bins by editing the bin preferences 1 Select Edit Preferences General Windows or Premiere Pro Preferences General Mac OS 2 In the Bins area select option...

Page 95: ...he Find icon at the bottom of the Project panel 2 In the Find dialog box select the name of the columns to search from the menus under Column 3 Select the appropriate operators from the menus under Op...

Page 96: ...you want to analyze and then click Open You can also view clip properties in the Source Monitor Timeline panel or Project panel by right clicking Windows or Control clicking Mac OS a clip and choosing...

Page 97: ...lay button on the thumbnail viewer The Play button becomes a Stop button Press Stop to stop playback Playing the clip in the thumbnail viewer does not affect Source Monitor views Change the frame rate...

Page 98: ...The Source Monitor plays back individual clips In the Source Monitor you prepare clips that you want to add to a sequence by specifying In and Out points and the clip s source tracks audio or video Yo...

Page 99: ...in more detail or to increase the size of the pasteboard area around the image to adjust motion effects more easily for example 1 Choose a magnification setting from the View Zoom Level menu to the ri...

Page 100: ...Source Monitor itself by clicking the Close button in the Source Monitor tab Source and Program Monitor time controls The Source Monitor has several controls for moving through time or frames in a cl...

Page 101: ...o calculate duration Viewing area bars Correspond with the visible area of the time ruler in each monitor They are the thin bars with curved handles above each time ruler You can drag the handles to c...

Page 102: ...tely in IRE RGB Parade Displays a waveform monitor that measures the R G and B components of the video separately in IRE Vect YC Wave YCbCr Parade Displays a waveform monitor vectorscope and YCbCr Par...

Page 103: ...Loop button and then click the Play In To Out button Click the Loop button again to deselect it and prevent looping To play forward faster press L repeatedly For most media types the clip s speed incr...

Page 104: ...ence select the Program Monitor or Timeline and press Home or click the Go To In Point button in the Program Monitor To jump to the end of the sequence select the Program Monitor or Timeline and press...

Page 105: ...and viewing mode just as you would in the Program Monitor Its time ruler and viewing area bar also work the same But because it s for your reference and not for editing per se the Reference Monitor c...

Page 106: ...clip or you decide to change them you can retrim the clips in a Sequence tab of the Timeline panel See Trim with Trim in and Trim out tools on page 108 4 Adjust clip attributes if necessary As you as...

Page 107: ...lists instances by name sequence name and In point Subclip A section of a master clip that references the master clip s media file Use subclips to organize and manage your projects especially when yo...

Page 108: ...ttings although you may toggle to a counting method based on audio samples Tick marks and numbers indicating the sequence time are displayed along the ruler and change according to the level of detail...

Page 109: ...00 00 12 13 for NTSC projects and 00 00 12 13 for PAL projects Enter values that exceed the normal values For example with 30 fps timecode if the current time indicator is at 00 00 12 23 and you want...

Page 110: ...t to add in the Add field for video audio and audio submix tracks To specify the placement of added tracks choose an option from the Placement menu for each type of track added To specify the type of...

Page 111: ...de the track Note To exclude all video or all audio tracks Shift click to hide the Eye icon for video or the Speaker icon for audio This excludes all tracks of the same type Each icon is a toggle swit...

Page 112: ...ack header where track names are listed so that the resize icon appears and then drag the right edge The icons at the top of the track header limit its minimum width The maximum width is about twice t...

Page 113: ...int go to the frame you want and then click the Set In Point button To mark an Out point go to the frame you want and then click the Set Out Point button Move In and Out points together In the Source...

Page 114: ...dows or Option clicking Mac OS the Set In Point button or the Set Out Point button in the Source Monitor Trim with Trim in and Trim out tools You can change a clip s In point or Out point by dragging...

Page 115: ...ustomization 2 Select Custom from the Set drop down menu 3 Select Application from the drop down menu of keyboard command types 4 Scroll down to Trim In Point To CTI and select it 5 Click the Shortcut...

Page 116: ...ns in time and maintaining the total duration of the sequence Pressing Alt Windows or Option Mac OS when you begin to perform a rolling edit ignores the link between video and audio known as an L cut...

Page 117: ...The same number of frames added to the clip are trimmed from the adjacent clip Alt drag Windows or Option drag Mac OS to affect only the video or audio portion of a linked clip Timeline panel during a...

Page 118: ...on of a linked clip Timeline panel during above and after below a ripple edit When using the Selection tool you can toggle from the Trim in or Trim out icon to a Ripple edit icon by pressing the Ctrl...

Page 119: ...loyed on the center of three adjacent clips each tool functions normally even if the clip is adjacent to a clip on one side and blank space on the other Perform a slip edit A slip edit shifts a clip s...

Page 120: ...sult in the Program Monitor and maintaining the clip and sequence duration The only change to the clip you moved is its position in the sequence Work in the Trim Monitor The Trim Monitor displays clip...

Page 121: ...is selected Assembling a sequence Adding clips to a sequence You can add clips to a sequence in the following ways Drag the clip from the Project panel or Source Monitor to the Timeline panel or the P...

Page 122: ...o a sequence you target the track by dropping the clip into the track If you are inserting the clip pressing Ctrl Windows or Command Mac OS as you drag triangles show which tracks will have content sh...

Page 123: ...ponents of linked clips appear in corresponding tracks in a sequence for example Video 1 and Audio 1 unless the audio channel type of the clip is incompatible with the target track In this case the li...

Page 124: ...ifting clips in another track lock that track See also Targeting tracks on page 116 Adding clips to a sequence on page 115 Add clips to a sequence automatically You can quickly assemble a rough cut or...

Page 125: ...option is set to Sequentially and has no effect when the Clip Overlap option is set to zero Ignore Audio Ignores the audio in clips selected to be automated to the sequence Ignore Video Ignores the v...

Page 126: ...t edit you would specify the starting and ending frames of the source clip the source In and Out points and when you want the clip to begin in the sequence the sequence In point Where the clip ends in...

Page 127: ...de Automatically changes the source clip s In point so that its duration matches the duration determined by the sequence In and Out points Trim Clip s Tail Right Side Automatically changes the source...

Page 128: ...lear the In point the Out point or both You can also clear an In or Out point by Alt clicking Windows or Option clicking Mac OS the Set In button or the Set Out button Set sequence start time By defau...

Page 129: ...ges such as changes to panels windows and preferences are not changes to the project itself and so are not added to the History panel After you close and reopen the project the previous states are no...

Page 130: ...ve to the sequence and its duration in the sequence The tool tips also display changes you have made to speed in percentages and audio gain in decibels If you applied Frame Hold to a clip the tool tip...

Page 131: ...pared with progressive scanning of noninterlaced video frame A For interlaced video entire upper field is drawn to screen first from top to bottom in one pass B Next entire lower field is drawn to scr...

Page 132: ...le frame This also results in the clip running at twice its original frame rate This option is useful for interlacing clips created by animation applications not capable of generating interlaced frame...

Page 133: ...lly choose Clip Speed Duration click the link button to unlink speed and duration type a new duration and click OK To change duration visually in the Timeline panel move the Selection tool over an edg...

Page 134: ...d using the Rate Stretch tool Change a clip s video speed with Time Remapping You can change the speed of the video portion of a whole clip 1 In the Timeline panel click on the Clip Effect menu and ch...

Page 135: ...me remapping only to instances of clips in the Timeline not to master clips When you vary the speed of a clip with linked audio and video the audio remains linked to the video but remains at 100 speed...

Page 136: ...e Clip Effect menu and choose Time Remapping Speed The Clip Effect menu appears next to the filename of every clip in a video track You might have to zoom in to make enough room in the clip to display...

Page 137: ...ween the two halves indicating a gradual change in speed occurring between them A blue curve control appears in the gray area Blue curve control in gray area between halves of a speed keyframe 5 Optio...

Page 138: ...ck will return to before switching to forward speed When you release the mouse button to end the drag an additional segment of the same duration as the segment you just created is added for the forwar...

Page 139: ...also create a speed transition to or from the freeze frame See also Add markers on page 146 Freeze a frame for a portion of a clip 1 In the Timeline panel click on the Clip Effect menu and choose Tim...

Page 140: ...n the halves of the speed keyframe indicating the length of the speed transition The rubberband forms a ramp between the two halves indicating a gradual change in speed occurring between them After yo...

Page 141: ...duration of the clip instance in the timeline in effect performing an edit Instead you must use the Toggle Animation control in the Effect Controls panel 1 Click the Effect Controls tab to make this p...

Page 142: ...iple clips by clicking use the Selection tool and Shift click each clip you want to select Shift click a selected clip to deselect it To select a range of clips click in an empty area of the sequence...

Page 143: ...ect one or more clips in the Timeline panel 3 Choose Edit Paste Attributes Group clips You can group multiple clips so that you can move disable copy or delete them together Both audio and video track...

Page 144: ...lay is the default mode and is indicated by the Lift Overlay icon when dragging clips Pressing Ctrl Windows or Command Mac OS when you drag a clip extracts it and pressing Ctrl Windows or Command Mac...

Page 145: ...nto its new location However only clips in the destination track are shifted clips in other tracks are unaffected This technique lets you quickly change the order of clips in a sequence a task that wo...

Page 146: ...e the controls in the Program Monitor to specify sequence In and Out points 3 Click the Extract button See also Delete clips and close gaps on page 140 Delete clips and close gaps 1 In the sequence se...

Page 147: ...e Pro dynamically adjusts video quality and frame rate in order to preview the sequence in real time During particularly complex sections of the sequence or when using a system with inadequate resourc...

Page 148: ...nd press Alt Windows or Option Mac OS to set the beginning of the work area Position the current time indicator and press Alt Windows or Option Mac OS to set the end of the work area Alt click Windows...

Page 149: ...are disabled the red and green render indicators in the time ruler are replaced with a blank white bar When these previews are re enabled existing preview files are restored if no changes have occurr...

Page 150: ...Device option If the External Device option is set to None Desktop Video is selected to ensure playback to the Program Monitor External Device Sets an external device through which to play back video...

Page 151: ...their associated segment of a sequence as you edit your project When a segment of a sequence is changed Adobe Premiere Pro automatically trims the corresponding preview file saving the remaining uncha...

Page 152: ...king editing points whether you add markers to a clip or sequence depends on your workflow Each sequence and each clip can individually contain up to 100 numbered markers labeled from 0 to 99 and as m...

Page 153: ...set a clip marker open a clip in the Source Monitor or select the clip in the Timeline panel To set a sequence marker select the Program Monitor or Timeline panel 2 Move the current time indicator to...

Page 154: ...clip or sequence depending on the view you re using Numbered Deletes a numbered marker from a list of all numbered markers Note You can t remove a sequence marker by dragging it away from the time ru...

Page 155: ...from Adobe Premiere Pro appear as cue points in Adobe Flash projects if they contain text in their Chapter fields The cue point data in the Chapter field of a sequence marker in Adobe Premiere Pro wil...

Page 156: ...with Trim in and Trim out tools on page 108 Switch a time ruler to audio units in the Source or Program Monitor In the Source or Program Monitor panel menu choose Show Audio Time Units Navigate audio...

Page 157: ...s marked A Ordinarily all editing functions act on both parts of a linked clip When you want to work with the audio and video individually you can unlink them When you do you can use the video and aud...

Page 158: ...it edits also known as L cuts and J cuts When placed in a sequence a clip trimmed for a split edit will have its audio appear before its video or its video before its audio Although it s common to cre...

Page 159: ...a counting leader clip by double clicking it in the Project panel Create color bars and a 1 kHz tone You can create a one second clip containing color bars and a 1 kHz tone as a reference for calibrat...

Page 160: ...contain multiple sequences All the sequences in a project share the same timebase which defines how Adobe Premiere Pro calculates time and which cannot be changed after you create the project To set...

Page 161: ...Create complex multilayered sequences separately then add them to your main sequence as a single clip This not only saves you from maintaining numerous tracks in the main sequence but also potentiall...

Page 162: ...click the clip where the current time indicator rests to open the clip in the Source Monitor Subclips About subclips A subclip is a section of a master source clip that you want to edit and manage sep...

Page 163: ...start and end times for the subclip Adjust media start and end times of a subclip 1 Select the subclip in the Project panel 2 Choose Clip Edit Subclip 3 Edit the Subclip Start and End timecode fields...

Page 164: ...like any other sequence using the standard editing tools and techniques adding effects or compositing using multiple tracks See Record multi camera edits on page 160 and Adjust multi camera edits in t...

Page 165: ...You assemble the media into a sequence of up to four video and four audio tracks You can add more than one clip to a track to accommodate the use of multiple tapes in a camera After the clips are ass...

Page 166: ...quence Create a multi camera target sequence 1 Choose File New Sequence 2 Drag the sequence containing the multi camera clips into a video track of the new sequence See Nest sequences on page 155 3 Se...

Page 167: ...iew indicates the active camera If you click a camera preview the border turns red and you ll begin recording that camera footage to the sequence Note The Multi Camera Monitor previews the targeted vi...

Page 168: ...ts 1 Select a clip in either the Project panel or Timeline panel 2 Choose Edit Edit Original To export a movie with the information to use the Edit Original command in the Export Movie Settings dialog...

Page 169: ...importing it into Adobe Premiere Pro Examples of such preparation include correcting color scaling and cropping It is often better to make a change to a source image in Photoshop than to have Adobe Pr...

Page 170: ...6 From the After Effects Timeline panel you can copy footage layers or solid layers and paste them into the Adobe Premiere Pro Timeline panel From the Adobe Premiere Pro Timeline panel you can copy as...

Page 171: ...re Pro sequence keyframes effects and other properties in the copied layer are converted as follows Copy from Adobe Premiere Pro to After Effects You can copy a video or audio asset from an Adobe Prem...

Page 172: ...d as follows Adobe Premiere Pro asset Converted to in After Effects Notes Motion or Opacity values and keyframes Transform property values and keyframes Keyframe type Bezier Auto Bezier Continuous Bez...

Page 173: ...te in Adobe Flash on playback If you export video files in other standard formats Adobe Flash can encode your videos within Flash applications using the latest compression technologies to deliver the...

Page 174: ...both video and audio layers to an Encore timeline Encore inserts separate video and audio clips in the timeline Other ways to share content among Production Premium components include copying and past...

Page 175: ...o a new After Effects composition the composition duration is set to 30 seconds To change the duration select the composition in After Effects and choose Composition Composition Settings Click the Bas...

Page 176: ...e in After Effects will appear in Adobe Premiere Pro but any preview files Adobe Premiere Pro may have rendered for the clip prior to the changes will be invalidated Note If you change the name of the...

Page 177: ...ro by selecting the clip and choosing Clip Enable To relink the clip choose Clip Enable again a check mark next to the command indicates that the clip is enabled For more information about disabling c...

Page 178: ...dissolves Apply transitions to the timeline using the Effects panel and edit them using the Timeline and the Effect Controls panel In most cases you don t want transitions to occur during the essentia...

Page 179: ...tion to occur during the essential action in a scene For this reason transitions work best with handles the extra frames beyond the In and Out points set for the clip The handle between a clip s Media...

Page 180: ...rs in the transparent portion of the transition the portion of the effect that would display frames from the adjacent clip in a two sided transition If the clip is on Video 1 or has no clips beneath i...

Page 181: ...fill the transition duration Adobe Premiere Pro adjusts the duration to match the frames You can adjust the duration and alignment of a transition after you place it Apply a transition 1 In the Effec...

Page 182: ...add the default video transition between clips in a video track by pressing Ctrl D Windows or Command D Mac OS You can add the default audio transition between two clips in an audio track by pressing...

Page 183: ...sition button This doesn t affect the Program Monitor To view frames from the actual clip or clips in the Effect Controls panel select Show Actual Sources To see a specific frame of the transition in...

Page 184: ...to align its end to the edit point To place all of the transition in the clip following the edit point drag the transition to the right to align its beginning to the edit point To place unequal porti...

Page 185: ...Effect Controls time ruler position the pointer over the transition until the Trim In icon or the Trim Out icon appears then drag If the Effect Controls time ruler is not visible click the Show Hide...

Page 186: ...e color swatch or use the eyedropper to choose the color Reverse Plays the transition backward For example the Clock Wipe transition plays counterclockwise Anti Aliasing Quality Adjusts the smoothness...

Page 187: ...Video Transitions bin and the GPU Transitions bin inside it 2 Drag the Card Flip transition from the GPU Transitions bin to an edit point between clips in the Timeline panel 3 In the Effect Controls...

Page 188: ...h for advanced editing See also About recording audio on page 194 Adjusting gain and volume on page 198 About channels in audio clips on page 183 Set sample based audio In and Out points on page 150 A...

Page 189: ...page 210 Work with tracks on page 104 About channels in audio clips Clips can contain one audio channel mono two audio channels left and right stereo or 5 audio surround channels with a low frequency...

Page 190: ...on page 202 Processing order for audio As you edit sequences Adobe Premiere Pro processes audio in the following order from first to last Gain adjustments applied to clips by using the Clip Audio Opt...

Page 191: ...g its name You can also use the Audio Mixer to record audio directly into a sequence s tracks Audio Mixer A Pan balance control B Track Input Channel C Mute Track Solo Track Enable Track For Recording...

Page 192: ...the Audio Mixer menu To display or hide specific tracks choose Show Hide Tracks use the options to mark the tracks you want to see and click OK To display hardware input levels on the VU meters not t...

Page 193: ...Mixer overview on page 185 Timeline panel overview F30903 Metadata Track in Timeline on page 101 View audio clips You can view an audio clip s Volume Mute or Pan time graphs and its waveform in the Ti...

Page 194: ...e if you map channels 1and 2 in a stereo clip to the Left Front and Right Front channels in a 5 1 channel Master Track the two source channels will appear as a single 5 1 channel track when placed int...

Page 195: ...els of the clip s audio Track Displays the order of the sequence audio track where each channel will be placed Note Under Track the numbers don t correlate with the actual audio track numbers Channel...

Page 196: ...hannel row or click the 5 1 Channel icon until the source channel is mapped to the desired output channel 3 To preview the audio in a channel select the source channel and click the Playback button or...

Page 197: ...ence and generate a new audio clip that replaces the one you selected The new audio clip contains any editing and effects you applied to the original sequence clip If you trimmed the original sequence...

Page 198: ...instance to stereo when it s used in a mono audio track Linking multiple audio clips You can link one video clip to multiple audio clips and you can link multiple audio clips together When you link au...

Page 199: ...e and each clip must be on a different track If clips are already linked such as an audio clip linked to a video clip they must be unlinked before you can create a multi clip link 1 If necessary selec...

Page 200: ...Audio Mixer to adjust the monitoring levels An audio clip is created from the recording and is added to both the Timeline and Project panels See also Record an analog source on page 196 Capturing anal...

Page 201: ...ck the Record Enable button for any tracks on which you want to record audio Audio Mixer recording controls A Record Enable button for track B Record button for Audio Mixer 4 In the Audio Mixer click...

Page 202: ...e 182 Prepare the input channel for recording When you enable recording for a track the track can record from the Default Device channel specified in the Audio Hardware Preferences dialog box This dia...

Page 203: ...of the sequence When you record voice overs to an existing sequence it s good practice to click the Solo Track icon in the Audio Mixer for the track that you re recording to Clicking the icon mutes th...

Page 204: ...e Timeline panel Although you control track levels primarily through the Audio Mixer you can also do so using audio track keyframes in the Timeline panel Because track keyframes represent mixer automa...

Page 205: ...urrent time indicator at the location for each change click the Add Remove Keyframe button in the audio track header and drag the keyframe up louder or down quieter See also Working with keyframes on...

Page 206: ...You can set volume levels of two or more audio tracks relative to one another using the Audio Mixer For example you can raise the volume of a narrator s voice on one audio track while simultaneously d...

Page 207: ...ps This crossfade decreases audio for the first clip slowly at first and then quickly toward the end of the transition For the second clip this crossfade increases audio quickly at first and then more...

Page 208: ...can also double click the applied transition in the Effect Controls panel and choose End At Cut from the Alignment pop up menu Adjust or customize an audio transition Do any of the following To edit a...

Page 209: ...the application of the track s fader Effects are pre fader by default In the Audio Mixer effect options that change over time can be recorded using the automation options or specified in the Timeline...

Page 210: ...to add or edit keyframes See also Working with keyframes on page 282 Remove or bypass a track effect in the Audio Mixer In the effects list in the Audio Mixer do one of the following To remove a trac...

Page 211: ...s Note You can t open a VST editor window from the Effect Controls panel 1 If necessary to display the Effects and Sends panel click the Show Hide Effects And Sends triangle on the left side of the Au...

Page 212: ...io Mixer panel set the current time to the point where you want to start recording automation changes Note In the Audio Mixer you can set the current time at the top left corner of the panel 2 In the...

Page 213: ...rames However changes to the audio track aren t recorded in Off mode Read Reads the track s keyframes and uses them to control the track during playback If a track has no keyframes adjusting a track o...

Page 214: ...ifferent numbers of channels than the master depending on whether they are mono stereo or 5 1 surround tracks it s necessary to control what happens when a track outputs to another track containing a...

Page 215: ...to pan or balance audio between the left and right output track channels A square tray appears when a mono or stereo track outputs to a 5 1 surround track The tray depicts the two dimensional audio f...

Page 216: ...gle next to the track name 2 Click the Show Keyframes button and choose Show Track Keyframes from the pop up menu 3 Click Track Volume at the top left of the track and then choose Panner Balance or Pa...

Page 217: ...clicking the triangle to the left of an automation option s pop up menu 2 Choose Create Mono Submix Create Stereo Submix or Create 5 1 Submix from any of the five sends list pop up menus in the Audio...

Page 218: ...ollowing To send to an existing submix click a Send Assignment Selection triangle and choose a submix name from the pop up menu To create and send a new submix click a Send Assignment Selection triang...

Page 219: ...evice with fewer channels Adobe Premiere Pro must downmix the audio to the number of channels in the destination track Downmixing is often practical or necessary because a sequence s audio may be play...

Page 220: ...pletely turn off track output click the Toggle Track Output icon to hide the speaker icon for a track in the Timeline panel This setting causes the track to output no signal but doesn t change its sig...

Page 221: ...panel in Adobe Premiere Pro and opens in Adobe Soundbooth Note Extract Audio doesn t replace the original audio in a video master clip If you add the video master clip to a sequence and you want the e...

Page 222: ...nu Reopen a title when you want to change it or to duplicate it and base a new version on it If you want to use a title in another project you must first open its project and export the title using th...

Page 223: ...ea as you create the title Viewing the frame helps you place elements in your title The video frame is for your reference only it is not saved as part of the title Use the timecode controls in the Tit...

Page 224: ...allowing the center of the picture to be enlarged The amount of overscan is not consistent across TVs To ensure that everything fits within the area that most TVs display keep text within the title sa...

Page 225: ...ith a title open choose Title Templates 2 Choose Import File As Template from the Templates menu 3 Select a file and click Open Windows or Choose Mac OS You can import only Adobe Premiere Pro title fi...

Page 226: ...idden text Text boxes that contain hidden characters have a plus sign on the right side of the box You can also create path text Instead of following a straight baseline path text follows a curve you...

Page 227: ...ht Arrow keys To select a single character or group of contiguous characters drag from the insertion point cursor to highlight the characters You can format selected text using controls in the Titler...

Page 228: ...e line of type to the center of the next line In Adobe Title Designer the baseline is the line underneath the text You can apply more than one leading amount within the same paragraph however the larg...

Page 229: ...top of the Titler panel To align text to the left of its text box click Left To center the text in its text box click Center To align text to the right side of its text box click Right Reflow paragra...

Page 230: ...ted text box 4 Click OK to close the Tab Stops dialog box The selected text box contains the tab stops you specified Note To make tab markers visible whenever selected rather than only when the Tab St...

Page 231: ...th the Pen tool Draw straight lines by clicking the Pen tool in the drawing area This creates control points called anchor points that are connected by straight segments 1 Select the Pen tool 2 Positi...

Page 232: ...t the anchor points The angle of each direction line determines the slope of the curve and the length of each direction line determines the height or depth of the curve 1 Select the Pen tool 2 Positio...

Page 233: ...Point tool 3 Click the point that you want to delete Adjust a control point 1 Select the path containing the control point 2 Select the Pen tool 3 Position the cursor over the point and when the curs...

Page 234: ...in type switches from mitered pointed to bevel square The default miter limit is 4 which means that the join type switches from miter to bevel when the length of the point is four times the stroke wei...

Page 235: ...ward Switches the selected object with the object directly in front of it Send To Back Moves the selected object to the bottom of the stacking order Send Backward Switches the selected object with the...

Page 236: ...rent sized objects extend by different amounts into the space between objects To create uniform spacing between selected objects use the Horizontal Even Spacing or Vertical Even Spacing option 1 In th...

Page 237: ...ct created with the Horizontal Type or Vertical Type tool changes its font size If the scaling is not uniform the text s aspect value also changes Change the rotation angle of objects 1 Select an obje...

Page 238: ...e Title Properties panel click the triangle next to the Fill category and select the box next to the Fill category to set an option Some options include Fill Type Specifies whether and how color is ap...

Page 239: ...w is rendered Ghost Specifies that the shadow is rendered but not the fill Eliminate and Ghost work best with objects that have shadows and strokes Add a sheen Add a sheen to any object s fill or stro...

Page 240: ...ets in pixels for the texture from the calculated appli cation point This application point is calculated based on the Object X Y and Rule X Y settings The range is 1000 to 1000 with a default of 0 Bl...

Page 241: ...for the stroke All the fill types including Sheen and Texture work exactly like the Fill options Select and deselect stroke options to experiment with various combinations See also Set a fill for text...

Page 242: ...or shape element in your title you can save this combination or style for later use You can save any number of styles Thumbnails of all saved styles appear in the Title Styles panel so you can quickl...

Page 243: ...e swatches 3 Click OK Create a style 1 Select an object that has the properties you want to save as a style 2 Do one of the following From the Title Styles panel menu choose New Style Right click Wind...

Page 244: ...ibrary from the Styles menu To save a style library choose Save Style Library from the Styles menu All styles visible in the Styles section are saved Specify a name and location for the style library...

Page 245: ...Roll Crawl Timing options Start Off Screen Specifies that the roll begins out of view and scrolls into view End Off Screen Specifies that the roll continues until the objects are out of view Pre Roll...

Page 246: ...and appearance while Fixed effects adjust the clip s position scale movement opacity speed and audio volume By default Fixed effects are automatically applied to every clip in a sequence but they mak...

Page 247: ...them to a new position in the Effect Controls panel but you can t re order Fixed effects If you want to change the render order of Fixed effects use Standard effects instead use the Transform effect i...

Page 248: ...are installed in the right place If you purchased additional effects purchased Adobe Premiere Pro as part of a hardware package or removed files from the Plug ins folder you may have a set of effects...

Page 249: ...nued effects Discontinued effects residing in projects made in earlier versions of Adobe Premiere or Adobe Premiere Pro will not work when the project is opened in the current version Newer effects ha...

Page 250: ...cts panel select a Custom bin and click the Delete Custom Items button choose Delete Custom Items from the Effects panel menu or press Delete Note You can remove Custom bins only from the Effects pane...

Page 251: ...ffect or Delete All Effects From Clip from the Effect Controls panel menu Copy and paste effects You can copy and paste one or more effects from one clip to another in the Effect Controls panel You ca...

Page 252: ...e view E Effect Controls panel menu F Current time indicator The Effect Controls panel includes a timeline current time indicator zoom controls and a navigator area similar to those found in the Progr...

Page 253: ...time indicator over a clip to activate the Effect Controls panel The Effect Controls panel also includes controls for playing and looping audio clips Under the Effect Controls panel s time ruler is t...

Page 254: ...w position Note Fixed effects Motion Opacity and Volume cannot be reordered To show the timeline beyond a clip s In and Out points deselect Pin To Clip from the Effect Controls panel menu The areas of...

Page 255: ...tton box to enable effects Deselect or select the Effect Enabled command in the Effect Controls panel menu You can create a custom keyboard shortcut to toggle effects on and off Create markers in the...

Page 256: ...ly to the length of the target clip This action deletes any existing keyframes on the target clip Anchor To In Point Positions the preset s first keyframe at the same distance from the target clip s I...

Page 257: ...the bin You may need to resize the panel so that you can see both the item and the bin 3 Drag the item to the bin Adobe Premiere Pro creates a shortcut to the item Motion Adjust position scale and ro...

Page 258: ...or You can also adjust the properties using the controls in the Effect Controls panel Note Direct manipulation is also available for the following effects Corner Pin Crop Garbage Matte Mirror Transfor...

Page 259: ...ndows or Option drag Mac OS any handle This may give faster results for clips with large dimensions or for slow systems To animate the motion scaling or rotation over time set keyframes as you manipul...

Page 260: ...of the Motion effect s properties for example Position Animating a clip s position in the Program Monitor 1 Select a clip in the Timeline panel 2 Do one of the following Select the Motion effect in t...

Page 261: ...the screen and can use it to position the clip off screen 9 In the Effect Controls panel drag the Bezier handle for a Position Scale Rotation or Anti flicker Filter property keyframe to control the ac...

Page 262: ...ther end of this motion path 7 Drag either or both of the Bezier handles in any direction to create curves in the motion path 8 In the Effect Controls panel right click Windows or Control click Mac OS...

Page 263: ...the anchor point toward the top of the clip or to the right increasing the number value to offset it toward the bottom 6 Click the Add Remove Keyframe button to set the keyframe 7 Optional To change...

Page 264: ...correct video that s too dark or too light or set the levels to meet broadcast requirements or to match color from scene to scene Effects can also adjust the color and luminance to emphasize or de em...

Page 265: ...orrection To see a before and after comparison of your color correction you can either display the master clip in the Source Monitor for comparison with the Program Monitor or you can select the Split...

Page 266: ...rent time indicator to a frame that provides the best example of colors that need to be adjusted 5 Optional Do any of the following to set preview options when correcting color To view only the lumina...

Page 267: ...The adjustment that neutralizes the color cast in a sampled area is applied to the entire image This can remove the color cast in all colors For example if an image has an undesirable bluish cast when...

Page 268: ...ing from the Layout pop up menu You can also adjust the relative proportion of the before and after views 4 Click any of the following buttons to quickly adjust the luminance to broadcast standards Au...

Page 269: ...e Magnitude and Balance Angle adjustment Keeping the perpendicular handle of this control close to the center of the wheel makes the adjustment very subtle fine Moving the handle toward the outer ring...

Page 270: ...aster applies color correction to the entire tonal range of the image If necessary use the Tonal Range Definition controls to define the different tonal ranges You can choose Tonal Range from the Outp...

Page 271: ...er of the scope Areas outside the center define the level of color saturation 1 In the Effects panel click the triangle to expand the Video Effects bin and then click the triangle to expand the Color...

Page 272: ...or range of colors to adjust on page 271 Luma Curve effect on page 314 RGB Curves effect on page 317 Set up a Color Correction workspace on page 259 Adjust luminance using levels The Fast Color Corre...

Page 273: ...ult is 0 where the pixels are completely black Moving the slider to the right specifies a lighter value for the darkest shadow White Output slider Controls the resulting output of the highlights The d...

Page 274: ...age 318 Define the tonal ranges in a clip on page 270 Specify a color or range of colors to adjust on page 271 Select a color with the Adobe Color Picker You can use the Adobe Color Picker to set targ...

Page 275: ...trum G Displays the green color component in the color slider with its maximum brightness at the top of the slider and its minimum brightness at the bottom When the color slider is set to minimum brig...

Page 276: ...es to the Tonal Definition controls 4 Click the triangle to expand the Tonal Range Definition control Tonal Range Definition control A Shadow threshold B Shadow softness C Highlight softness D Highlig...

Page 277: ...lick anywhere in the workspace to select a color or click the color swatch to open the Adobe Color Picker and select a color 5 Do any of the following to increase or decrease the range of colors you w...

Page 278: ...r option to adjust all colors except the range that you specified using the Secondary Color Correction controls See also Luma Corrector effect on page 313 Luma Curve effect on page 314 RGB Color Corre...

Page 279: ...nges Master Note You can also click the color swatch next to an eyedropper tool and use the Adobe Color Picker to select a color 7 Select the Target eyedropper with the same parameter as the Sample ey...

Page 280: ...tments to the entire tonal range of the image If necessary use the Tonal Range Definition controls to define the different tonal ranges You can choose Tonal Range from the Output menu to view a tri to...

Page 281: ...lor in the Adobe Color Picker and then click OK to close the Adobe Color Picker The selected color appears in the Output Sample 4 For the Similarity option drag the slider or enter a value to increase...

Page 282: ...e clip one at a time See also Convolution Kernel effect on page 299 Add Lighting Effects You can use up to five lights to introduce creative effects You can control such lighting properties as lightin...

Page 283: ...source far from the Center circle decreasing the light falling on the image In the Program Monitor you can also drag the light source point to adjust its distance from the Center circle Minor Radius A...

Page 284: ...e Bump Channel menu specify whether to use the bump layer clip s red green blue or alpha channel to create the lighting effects texture 8 Select the White Is High option to raise the white parts of th...

Page 285: ...the video Vect YC Wave YCbCr Parade Displays the Vectorscope YC Waveform and YCbCr Parade scope in one monitor Vect YC Wave RGB Parade Displays the Vectorscope YC Waveform and RGB Parade scope in one...

Page 286: ...mation is overlaid upon the luminance waveform You can specify whether the YC Waveform displays both luminance and chrominance information or just luminance information For a video on reading a wavefo...

Page 287: ...g the levels of the red green and blue channels in a clip The waveforms appear in a graph one after another in parade fashion This scope is useful for viewing the distribution of the color components...

Page 288: ...Working with keyframes When you use keyframes to animate the Opacity effect you can view and edit the keyframes in either the Effect Controls or the Timeline panel Sometimes the Timeline panel altern...

Page 289: ...limited control for example you can t change values that use x y coordinates such as Position however you can make keyframe adjustments while editing without moving to the Effect Controls panel The g...

Page 290: ...also display the keyframes for an entire track Although each clip or track can display a different property only one property s keyframes can be displayed at a time within an individual clip or track...

Page 291: ...t to the clip name so you can choose the effect you want to view Show Clip Volume Displays the graph and keyframes of the Volume effect for each clips in the track Show Track Keyframes Displays the gr...

Page 292: ...ted you can add and adjust as many keyframes as you need for animating the effect s property Clicking the Toggle Animation button activates keyframing for an effect property at the current time 1 Make...

Page 293: ...left pointing arrow moves the current time indicator to the previous keyframe The right pointing arrow moves the current time indicator to the next keyframe Effect Controls panel only Shift drag the...

Page 294: ...iangle to expand the effect that you want to add keyframes to and then click the Toggle Animation icon to activate keyframes for an effect property 4 Do one of the following to display the effect prop...

Page 295: ...ty are permanently removed and the value of that property becomes the value at the current time You cannot restore deleted keyframes by reactivating the Toggle Animation button If you accidentally del...

Page 296: ...erty s value Note In a Value or Velocity graph you cannot move a keyframe left or right to change its current time Instead drag a keyframe marker above the graph using the Selection or Pen tool Edit k...

Page 297: ...alance toward the left channel and sets a negative value and dragging below the center moves balance toward the right channel and sets a positive value Optimize keyframe automation Automating audio ch...

Page 298: ...in another clip or track copy and paste the keyframes in the Timeline panel See also Select keyframes on page 287 View keyframes and graphs on page 283 Copy and paste keyframes in the Effect Controls...

Page 299: ...yframes you want to copy 2 Select one or more keyframes 3 Choose Edit Copy 4 In the timeline for the sequence containing the destination clip or track do one of the following Select the clip where you...

Page 300: ...fect Controls panel right click a keyframe marker In the Timeline panel right click a keyframe 2 Choose an interpolation method from the context menu Linear Creates a uniform rate of change between ke...

Page 301: ...Do one of the following to choose a keyframe interpolation method Timeline panel Right click the keyframe you want to adjust and choose a keyframe interpolation method from the menu Effect Controls pa...

Page 302: ...drag a direction handle up Both the incoming and outgoing handles move together To decelerate entering and leaving the keyframe drag a direction handle down Both the incoming and outgoing handles mov...

Page 303: ...designator in their descriptions See About high bit depth effects on page 243 Some of the effects included are supported on Windows only These effects include a Windows only designator in their titles...

Page 304: ...her Emboss Extract Fast Blur Find Edges Gaussian Blur Original image Horizontal Flip Invert Lens Distortion Lens Flare Lightning Mirror Mosaic Noise Paint Bucket Posterize Replicate Shear Solarize Sph...

Page 305: ...hlights A value between 0 0 and 1 is recommended By default shadow and highlight pixels are clipped by 0 1 that is the first 0 1 of either extreme is ignored when the darkest and lightest pixels in th...

Page 306: ...manipulates the brightness and contrast of a clip It combines the functions of the Color Balance Gamma Correction Brightness Contrast and Invert effects This effect functions much the same as the Lev...

Page 307: ...etermine the amount of correction needed for each frame relative to its surrounding frames If Temporal Smoothing is 0 each frame is analyzed independently without regard for surrounding frames Tempora...

Page 308: ...recommended By default shadow and highlight pixels are clipped by 0 1 that is the first 0 1 of either extreme is ignored when the darkest and lightest pixels in the image are identified These are then...

Page 309: ...p By default bright values in the blur layer correspond to more blurring of the effect clip while dark values correspond to less blurring select Invert Blur for light values to correspond to less blur...

Page 310: ...show the motion path of a moving object such as a bouncing ball Keyframes cannot be applied to this effect Sharpen effect The Sharpen effect increases the contrast where color changes occur Unsharp M...

Page 311: ...values that exceed the valid range If this option isn t selected some color values may wrap around Blend effect The Blend effect blends two clips using one of five modes After you blend clips using t...

Page 312: ...ansparency Ensures that the original layer s alpha channel isn t modified Compound Arithmetic effect The Compound Arithmetic effect mathematically combines the clip to which it s applied with a contro...

Page 313: ...e original image with the effect result composited on top The higher you set this value the less the effect affects the clip For example if you set this value to 100 the effect has no visible result o...

Page 314: ...rection effects Brightness Contrast effect The Brightness Contrast effect adjusts the brightness and contrast of an entire clip The default value of 0 0 indicates that no change is made Using the Brig...

Page 315: ...the range to be changed Matching Tolerance How much colors can differ from Color To Match and still be matched Matching Softness The amount that unmatched pixels are affected by the effect in proport...

Page 316: ...el Mixer effect The Channel Mixer effect modifies a color channel by using a mix of the current color channels Use this effect to make creative color adjustments not easily done with the other color a...

Page 317: ...te the brightness values At 100 the pixel values are spread as evenly as possible lower percentages redistribute fewer pixel values Fast Color Corrector effect High bit depth The Fast Color Corrector...

Page 318: ...lack Level Gray Level White Level Sets the levels for darkest shadow midtone gray and lightest highlight using the different Eyedropper tools to sample a target color in the image or anywhere on your...

Page 319: ...Lets you view adjustments in the Program monitor as the final results Composite or tonal value adjust ments Luma display of the alpha matte Mask or a tritone representation of where the shadows midton...

Page 320: ...g controls to define the hue saturation or luminance range Soften Makes boundaries of the specified area more diffuse blending the correction more with the original image A higher value increases the...

Page 321: ...olor Correction settings See also Adjust color and luminance using curves on page 265 Adjust color and luminance using curves on page 265 RGB Color Corrector effect The RGB Color Corrector effect adju...

Page 322: ...ion so that lighter pixels are affected more than darker pixels Secondary Color Correction Specifies the color range to be corrected by the effect You can define the color by hue saturation and lumina...

Page 323: ...steeper sections of the curve represent portions of the channel with greater contrast Click to add a point to the curve and drag to manipulate the shape You can adjust up to a maximum of 16 points on...

Page 324: ...highlights in a clip Drag the square sliders to adjust the threshold values Drag the triangle sliders to adjust the amount of softness feathering Choose Tonal Range from the Output pop up menu to vie...

Page 325: ...d 100 IRE A portion of the highlights is clipped and the intermediate pixel values are redistributed proportionately As a result using Auto White Level darkens the highlights in an image Black Level G...

Page 326: ...color range that you specified with the Secondary Color Correction settings See also Apply the Color Correction effects on page 260 Adjust color and luminance using curves on page 265 Tint effect The...

Page 327: ...e 265 Distort effects Bend effect Windows only The Bend effect distorts a clip by producing the appearance of a wave traveling both vertically and horizontally through the clip You can produce a numbe...

Page 328: ...ffect The Magnify effect enlarges all or part of an image This effect can act like a magnifying glass placed over an area of the image or you can use it to scale the entire image far beyond 100 while...

Page 329: ...cts the left side onto the right An angle of 90 reflects the top onto the bottom Note You can directly manipulate the Mirror effect in the Program monitor Click the Transform icon and then drag the ad...

Page 330: ...utions it s important to realize that these revolutions are progressive The evolution state continues to progress infinitely at each new value Use the Cycle Evolution option to return the Evolution se...

Page 331: ...l diagonally from upper right to lower left Wave Speed The speed in cycles per second at which the waves travel A negative value reverses the wave direction and a value of 0 produces no movement To va...

Page 332: ...r directly in the Monitor view Ripple Amount Specifies the size of the ripples Key Light Angle A and B Specify angular location of light source in polar coordinates Angle A is on the Z axis and angle...

Page 333: ...ss based cell patterns are chosen Clip Values above 255 are mapped to 255 Values below 0 are mapped to 0 Contrast amount controls how much of the image falls outside the range 0 255 higher contrast am...

Page 334: ...ution cycles and changing only the Random Seed value Using a new Random Seed value alters the cell pattern without disturbing the evolution animation Checkerboard effect High bit depth The Checkerboar...

Page 335: ...s the matte Blending Mode The blending mode used to combine the shape and the original clip The default None displays only the shape without the original clip Ellipse effect Windows only The Ellipse e...

Page 336: ...ments and mattes within which other effects can be applied Original image left and with variations of effect applied center and right Anchor The point of origin of the grid pattern Moving this point o...

Page 337: ...a fraction of the average length of the segments in the lightning bolt Branch Segments The maximum number of segments for each branch To produce long branches specify higher values for both Branch Se...

Page 338: ...e area is determined by analyzing pixels that neighbor the Fill Point and expanding the fill area by adding matching pixels How far the fill color spreads depends upon the Tolerance setting as well as...

Page 339: ...mp effect creates a color gradient You can create linear or radial ramps and vary the position and colors of the ramp over time Use the Start Of Ramp and End Of Ramp properties to specify the start an...

Page 340: ...cannot animate this effect with keyframes Color Balance RGB effect The Color Balance RGB effect changes the amount of red green and blue in a clip Color Match effect Windows only The Color Match effe...

Page 341: ...e Alpha Adjust effect in place of the Opacity effect when you need to change the default render order of Fixed effects Change the opacity percentage to create levels of transparency The following Alph...

Page 342: ...e areas See also Make a color transparent with Color Key on page 370 Difference Matte effect The Difference Matte effect creates transparency by comparing a source clip with a difference clip and then...

Page 343: ...atte Key effect keys out areas of a clip s image based on the luminance values of a still image clip which serves as a matte The transparent areas reveal the image produced by clips in lower tracks Yo...

Page 344: ...los from an image Halos are caused by a large contrast between the image s color and the background or matte color Removing or changing the color of the matte can remove the halos Use Background Color...

Page 345: ...oise Uniform Animation creates animated noise and Squared Animation creates animated high contrast noise Amount The magnitude of the noise Original Alpha How to apply the noise to the alpha channel Ad...

Page 346: ...the hue saturation or lightness of a clip Controls for these effects are the same except for the final control that determines noise animation Original left and with effect applied right Noise The typ...

Page 347: ...ight is indicated by a red plus sign if it isn t visible on the clip the center of the highlight doesn t intersect the clip and a green plus sign if the highlight is visible You must render a preview...

Page 348: ...Shadow effect creates a shadow from a point light source over the clip it s applied to rather than from an infinite light source as with the Drop Shadow effect The shadow is cast from the alpha channe...

Page 349: ...ends the colors of the clip in the shadow with the Shadow Color Increasing Color Influence reduces the influence of the Shadow Color Shadow Only Select to render only the shadow Resize Layer Select to...

Page 350: ...f the effect is blended with the original image with the effect result composited on top The higher you set this value the less the effect affects the clip For example if you set this value to 100 the...

Page 351: ...eplicate effect The Replicate effect divides the screen into tiles and displays the whole image in each tile Set the number of tiles per column and row by dragging the slider Roughen Edges effect The...

Page 352: ...ness animations by reusing previously created Evolution cycles and changing only the Random Seed value Using a new Random Seed value alters the noise pattern without disturbing the evolution animation...

Page 353: ...when you apply the Echo effect Original image left with low echo values center and with increased number of echoes right Echo Time seconds The time in seconds between echoes Negative values create ec...

Page 354: ...ng it to a clip Reducing the speed of a clip with Time Warp does not extend the clip s duration but instead makes it end on an earlier frame You can nevertheless retrim the clip retaining the Time War...

Page 355: ...ls the weighting of the red green and blue channels in calculations used to analyze the image For example setting Red Weight and Green Weight to zero means that only the blue channel is analyzed for m...

Page 356: ...access this option Crop effect The Crop effect trims rows of pixels from the edges of a clip and automatically resizes the trimmed clip to its original dimensions Use the slider controls to crop each...

Page 357: ...set independently Original image left and with effect applied center and right Gradient Wipe effect High bit depth The Gradient Wipe effect causes pixels in the clip to become transparent based on th...

Page 358: ...f the clip Invert Gradient Inverts the gradient layer s influence lighter pixels in the gradient layer create transparency at a lower Transition Completion value than do darker pixels Linear Wipe effe...

Page 359: ...erted Log To Linear Converts an 8 bpc logarithmic non Cineon clip that you plan to render as a Cineon clip Linear To Log Converts a clip containing an 8 bpc linear proxy of a Cineon file into an 8 bpc...

Page 360: ...set option and counts up based on the Time Display option Time Display Sets the timebase used by the Timecode effect By default this option is set to the project timebase when the Timecode Source is s...

Page 361: ...dds extra detail to the result To achieve the best results with mono files convert them to stereo before applying the Chorus effect Bypass Keyframeable option that specifies whether to apply or bypass...

Page 362: ...xtent of the reduction of low frequency clicks These sometimes sound more like a plop than a click This control ranges from 0 to 100 DeCrackler The Decrackler removes crackling sounds from sources suc...

Page 363: ...ummer filters the 60 Hz frequency along with three harmonic frequencies 120 Hz 240 Hz and 480 Hz for a total of four frequencies filtered hence the value of 4 Higher values require more processing pow...

Page 364: ...hold Sets the level between 60 and 0 dB that the signal must exceed to invoke compression Levels that fall below the threshold are unaffected Ratio Sets the ratio by which compression is applied up to...

Page 365: ...he output gain of the EQ Fill Left Fill Right effects The Fill Left effect duplicates the left channel information of the audio clip and places it in the right channel discarding the original clip s r...

Page 366: ...the bands Drag the handles to adjust the corresponding frequency This effect is available for 5 1 stereo or mono clips Solo Plays the active band only MakeUp Adjusts the levels in decibels BandSelect...

Page 367: ...ed is set in decibels by the Boost parameter The Boost control specifies how much to adjust the specified Width in decibels Boost Specifies the amount by which to increase or decrease the range of fre...

Page 368: ...ls and back to the listener in a live setting Absorption Specifies the percentage in which the sound is absorbed Size Specifies the size of the room as a percentage Density Specifies the density of th...

Page 369: ...in place of the Fixed Volume effect if you want to render Volume before other Standard effects The Volume effect creates an envelope for a clip so that you can increase the audio level without clippin...

Page 370: ...s an alpha channel that stores transparency information All video track frames are completely transparent except where you ve added opaque content such as video still images or titles You can make are...

Page 371: ...lid color matte on a track below the image you are keying Adjust the opacity of clips By default clips on tracks appear at full 100 opacity except for areas marked by a clip s mask matte or alpha chan...

Page 372: ...needed Specify clip opacity in the Timeline panel You can adjust opacity for a clip in the Effect Controls panel using the same method you would use to set any other effect property However it may be...

Page 373: ...disturbing the color channels When you view an alpha channel in the After Effects Composition panel or an Adobe Premiere Pro Monitor panel white indicates complete opacity black indicates complete tr...

Page 374: ...ognize both straight and premultiplied channels but only the first alpha channel they encounter in a file containing multiple alpha channels Adobe Flash recognizes only premultiplied alpha channels Ab...

Page 375: ...Optional If you re animating the keying effect over time make sure the current time indicator is at the position you want and then click the Toggle Animation icon for the setting you re changing over...

Page 376: ...e Feather slider to specify the softness of the edge Higher values create a softer edge but take longer to render See also Color Key effect on page 336 About Chroma Key The Chroma Key effect specifies...

Page 377: ...ray represents partially transparent areas Drop Shadow Adds a 50 gray 50 opaque shadow offset 4 pixels down and to the right from the opaque areas of the original clip image This option works best wit...

Page 378: ...er values increase trans parency Drag to the right until the opaque area reaches a satisfactory level Defringing Removes residual green or blue screen color from the edges of the opaque areas of a cli...

Page 379: ...you are keying For example white areas in the clip that correspond to red areas in the image matte appear blue green since white in an RGB image is composed of 100 red 100 blue and 100 green because...

Page 380: ...the matte by saving a frame from a clip that shows the static background before the moving object enters the scene For best results neither the camera nor anything in the background should move The fo...

Page 381: ...and gray areas are partially transparent A matte containing motion is called a traveling matte or moving matte This matte consists of either motion footage such as a green screen silhouette or a still...

Page 382: ...re animating the Track Matte move the current time indicator either in the Effect Controls panel or Timeline panel and change the Track Matte Key settings A new keyframe appears in the Effect Control...

Page 383: ...m Monitor or adjust the settings in the Effect Controls panel A new keyframe appears in the Effect Controls timeline when you move the handles in the Program monitor or change the settings in the Effe...

Page 384: ...animating the Remote Matte effect move the current time indicator either in the Effect Controls panel or the Timeline panel and then change the Matte Type setting in the Effect Controls panel A new ke...

Page 385: ...use Clip Notes to generate PDF files containing clips of those edits You can send these to collaborators who can then return their comments to you in sequence markers you can read at specific frames i...

Page 386: ...VD authoring H 264 MPEG 4 used for video iPods 3GPP cell phones PSP devices and high definition TVs or web friendly formats like Adobe Flash Video QuickTime RealMedia Windows only or Windows Media Win...

Page 387: ...oder format options on page 423 File formats supported for import on page 75 About high definition HD video High definition HD video refers to any video format with a resolution higher than standard d...

Page 388: ...4 part 10 and AVC Advanced Video Coding H 264 can deliver video over a range of bitrates more efficiently than previous standards For example H 264 can deliver the same quality as MPEG 2 at half the d...

Page 389: ...data to MPEG 2 files that Encore can read for aid in authoring and building DVDs This metadata contains information that enables Encore to multiplex audio and video automat ically generate DVD chapter...

Page 390: ...an appropriate number of keyframes Video keyframes are different from keyframes in Flash Each keyframe is a frame that draws when the video is compressed so the more frequent your keyframes are the b...

Page 391: ...ate should maximize quality while fitting the entire program within the space available on the DVD Non DV videotape production The data rate should fall within the capabilities of the computer and har...

Page 392: ...n export frames as a numbered sequence of individual still image files and edit each file in Photoshop Do you want to use a single frame as a still image If so see Export a still image on page 389 Exp...

Page 393: ...alog box to save and later quickly load export settings that you use frequently Loading saved settings is particularly useful when you create several types of video files for example NTSC and web vide...

Page 394: ...rs If the P2 compliant file structure isn t present Adobe Premiere Pro creates one for you at the destination 6 Choose a duration to export Entire Clip Exports the entire clip Entire Sequence Exports...

Page 395: ...xport Audio 4 Click Settings and choose settings as necessary see Audio export settings on page 422 5 Click OK to close the Settings dialog box 6 Specify a location and filename and click OK If you wa...

Page 396: ...vailable colors Dithered colors may look coarse and grainy but dithering generally improves the apparent color range and the appearance of grada tions Deselect this option to move unavailable colors t...

Page 397: ...ically named Car00001 Car00002 Car00020 9 Click OK to export the still image sequence About Filmstrip format In Adobe Photoshop you can edit video frames or even paint directly on them a process known...

Page 398: ...quence from the Range button 6 Choose whether to Add To Project When Finished and Beep When Finished 7 Click OK 8 Enter a location and file name 9 Click Save Adobe Premiere Pro will render the sequenc...

Page 399: ...osts the rendered sequence to an FTP File Transfer Protocol server and includes a link to the movie in the PDF The size of the PDF is smaller than it would be if you embedded the movie but you and you...

Page 400: ...ed with an Instructions dialog box read the instructions and click OK Note You can view the instructions at any time by clicking the View Instructions button 3 Enter your name in the Reviewer Name fie...

Page 401: ...on a new line in the Marker dialog box 1 Select a sequence in the Timeline panel and choose File Import Clip Notes Comments 2 Select the file containing comments you want to import and click Open Cli...

Page 402: ...For single layer or dual layer DVD select MPEG2 DVD For single layer or dual layer Blu ray disc select either MPEG2 Blu ray or H 264 Blu ray Select the preset for a given format in accordance with the...

Page 403: ...sing the Author With Menus option Note Before you begin make sure Encore installed on the same computer as Adobe Premiere Pro 1 In the Adobe Premiere Pro Timeline select the sequence you want to expor...

Page 404: ...ning software and a CD burner You must encode your files so that they do not exceed the storage capacity of the target CD 650 MB or 700 MB However to ensure that your files play back successfully you...

Page 405: ...using a program that can create a VCD However because DVD media recorders and players are widespread and affordable the demand and support for the VCD format is not as great as it was initially Expor...

Page 406: ...re that the Timeline panel is active and then choose File Export Export To EDL 3 In the EDL Export dialog box specify which video and audio tracks you want to export You can export one video track and...

Page 407: ...udio clip to the same length as the rest of the source media beginning at the StartTime and places filler in the gap You can fix these portions of the sequence manually in the Avid editing system Batc...

Page 408: ...s by using only the media you need to create and export the sequences in the project you can archive or delete the original source media The Project Manager can also help you consolidate or collect a...

Page 409: ...project remain rendered in the new project When not selected the new project occupies less disk space but the effects are not rendered This option is available only if you select Collect Files And Co...

Page 410: ...supported HD capture card with SDI or HD component connections Capture and export of HD video also requires serial device control check the third party solution provider s manual for details Analog de...

Page 411: ...capturing video with device control see Set up device control on page 58 If you re using equipment that comes with its own software plug in for use with Adobe Premiere Pro it may provide device contr...

Page 412: ...ce on Windows only and only with device control 1 Activate the sequence you want to export 2 Make sure that the sequence plays back on your deck or camera If it does not review the steps for preparing...

Page 413: ...n more easily match your output files with the viewing capabilities of your audience Types of web delivery Compared with other delivery media web standards for delivering video and audio content are v...

Page 414: ...ted file deselect to exclude video from the exported file Export Audio Select to include audio in the exported file deselect to exclude audio from the exported file 5 To customize the preset options c...

Page 415: ...oading but dial up users must wait for files to download Make the clips short to keep the download times within acceptable limits for dial up users Select the proper frame rate Frame rate indicates fr...

Page 416: ...clip is 30 seconds long and it takes one minute to download give your clip a 33 second buffer 60 seconds 30 seconds 3 seconds 33 seconds Remove noise and interlacing For the best encoding you might ne...

Page 417: ...ia output select Audiences and specify options For QuickTime output select Alternates and specify options 5 With any tab selected choose Add Remove Audiences or Add Remove Alternates from the tab menu...

Page 418: ...ternates Create Reference File Fallback Creates a reference file and one alternate file as a fallback Note The reference movie contains a list of references to alternates movies that use different dat...

Page 419: ...set an In point and Out point 3 Choose File Export Adobe Media Encoder 4 In the Adobe Media Encoder Export Settings area specify the following options Format Select H 264 Range Choose whether to expor...

Page 420: ...r use on mobile devices Device Central can be used to preview the mobile device version on multiple devices to ensure that it displays accurately Preview a movie on a virtual mobile device using Adobe...

Page 421: ...ribution on mobile devices but at 29 97 fps for broadcast television in the USA In general use a lower frame rate A frame rate of 22 fps is a good compromise for reducing file size without losing qual...

Page 422: ...G 2 Adobe Flash Video and H 264 For each format the Export Settings dialog box includes a number of presets that are tailored for particular delivery media You can also save custom presets which you c...

Page 423: ...nd your computer screen 1 1 Pixel Preview Displays the image using a square PAR If the source file s native PAR uses non square pixels the image may appear distorted on a computer screen Use the Expor...

Page 424: ...ons for encoding on page 425 To customize alternates audiences or multiplexer settings specify the options you want in the appropriate tab 5 To customize metadata choose XMP Info in the settings tab m...

Page 425: ...Settings dialog box click the Source tab 2 Select the Crop button and do any of the following To crop the image interactively drag the sides or corner handles of the crop box around the source image...

Page 426: ...is menu to embed the link information in the exported file choose None if you do not want to include the information This option is not available for all formats or when exporting a source clip See Ed...

Page 427: ...by matching the export quality setting with your original capture quality setting Increasing quality above the original capture quality does not increase quality but may result in longer rendering ti...

Page 428: ...Specify the codec for Adobe Premiere Pro to apply when compressing audio The codecs available depend on the File Type you specified in the General panel in the Export Movie Settings or Export Audio Se...

Page 429: ...et of the MPEG 2 standard designed for encoding for high definition Blu ray Disc media MPEG2 DVD A subset of the MPEG 2 standard designed for encoding for standard definition DVD media DVDs are a wide...

Page 430: ...er the upper or lower field is first in the scanning order Pixel Aspect Ratio Specifies the ratio of each pixel s width to height which determines the number of pixels required to achieve a given imag...

Page 431: ...G 1 as the format Note MPEG 1 and MPEG 2 formats include numerous advanced options not listed here In most cases selecting a format or preset designed for your target output sets the appropriate optio...

Page 432: ...connection The server s admin istrator can provide you with the correct information to connect to the server The Others tab includes the following options Server Name Enter the DNS or IP address of t...

Page 433: ...ave shortcuts reassign shortcuts from commands you rarely use to commands you use often or set shortcuts to match other software you use If other sets are available you can choose them from the Set po...

Page 434: ...the procedure to enter as many shortcuts as you want When you re finished click Save As type a name for your Key Set and click Save Selecting a shortcut Note Some commands are reserved by the operati...

Page 435: ...he Set drop down menu 4 Click the Clipboard button 5 Start a new document in a text editor 6 Paste the contents of the clipboard into the document often File Paste Default keyboard shortcuts Keys for...

Page 436: ...Panel Shift 6 Effect Controls Panel Shift 5 Effects Panel Shift 7 Source Monitor Panel Shift 2 Program Monitor Panel Shift 4 Project Panel Shift 1 Timeline Panel Shift 3 Result Shortcut Windows and M...

Page 437: ...w Shift Left Arrow Extend selection right Shift Right Arrow Shift Right Arrow Extend selection up Shift Up Arrow Shift Up Arrow Move selection down Down Arrow Down Arrow Move selection to the end End...

Page 438: ...tion one frame to the left Alt Option Nudge clip selection 5 frames to the right Alt Shift Option Shift Nudge clip selection one frame to the right Alt Option Play from current time indicator to Out p...

Page 439: ...t Arrow Slide clip selection one frame to the right Alt Right Arrow Option Right Arrow Slip audio or video independently Alt drag the audio or video portion of the clip with the Selection tool Option...

Page 440: ...Arrow Command Option Shift Right Arrow Increase text size by 1 point Ctrl Alt Right Arrow Command Option Right Arrow Insert copyright symbol Ctrl Alt Shift C Command Option Shift C Insert registered s...

Page 441: ...ows Shortcut Mac OS Shortcut Focus on both Outgoing and Incoming sides Alt 1 Option 1 Focus on Incoming side Alt 3 Option 3 Focus on Outgoing side Alt 2 Option 2 Trim backward by large trim offset Alt...

Page 442: ...h Adobe Premiere Pro 167 408 using with Adobe Premiere Pro 45 Adobe Help 2 Adobe Illustrator importing AI files as sequences 80 importing AI files as still images 78 rasterizing AI files 78 Adobe Medi...

Page 443: ...n Auto Black Level 262 Auto Color effect 299 Auto Contrast 262 299 Auto Levels effect 299 Auto Save command 23 Auto White Level 262 Automatch Time preference 207 Automate To Sequence command 118 autom...

Page 444: ...166 clip poster frames 91 clip properties viewing in Timeline panel 124 clip speed 127 clips adding simultaneously with tracks 119 animating 251 253 blending 372 copying and pasting 140 deleting space...

Page 445: ...Esser effect 356 default transitions 175 DeHummer effect 357 deinterlacing freeze frames 135 on export 422 deinterlacing on export 419 Delay effect 357 Delete Render Files command 145 deleting tracks...

Page 446: ...11 even fields See interlaced video excluding tracks 104 expanding and collapsing tracks 104 105 Export Audio command 389 Export Movie command 387 export settings See also Adobe Media Encoder audio 42...

Page 447: ...also animated GIF format importing 78 sequences 380 Go To In Point button 108 Go To Next Marker button 147 Go To Previous Marker button 147 Google Video 408 GPU effects 242 Gradient Wipe effect 351 Gr...

Page 448: ...tures 278 Lightning effect 331 Linear Wipe effect 352 Link Media command 68 linked clips about 151 linking 151 overriding 151 resynchronizing 151 unlinking 151 LiveDocs 2 Lock icon 105 locking and unl...

Page 449: ...Noise Alpha effect 339 Noise effect 339 Noise HLS effect 340 Non Red Key effect 338 372 noninterlaced video 125 Notch audio effect 361 NTFS format exporting to 58 NTSC timebase 23 video levels 278 Num...

Page 450: ...59 presets bins for 250 creating and saving 250 for effects 249 for exporting 418 preview files 141 145 previewing at full frame rate 141 on another monitor 143 sequences 141 Previews setting 26 Previ...

Page 451: ...51 preferences 195 specifying 50 scrolling Timeline panel 141 SECAM standard timebase 23 secondary color correction controls 316 specifying color range 271 selecting clips 136 Selection tool 18 self...

Page 452: ...t 214 subwoofer 209 summary keyframes 283 super slow motion 348 surround audio See also 5 1 surround audio pan and balance settings 209 Swap Channels effect 362 Switch To Touch After Write command 207...

Page 453: ...ng 236 showing video behind 217 using tabs in 223 viewing 216 title safe zones See safe zones Toggle Snap button 137 tonal range adjusting 308 tone 1kHz 153 tool tips about 427 for keyframes 285 for w...

Page 454: ...5 videotape device control 405 recording to 404 406 viewing area bar in Source and Program Monitors 95 in Timeline panel 102 viewing mode in Reference Monitor 99 Virtual Studio Technology See VST plug...

Page 455: ...449 YCbCr Parade 96 monitor 280 YouTube video 408 Z Zoom In button 103 Zoom tool 103 April 1 2008...

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