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7.

 

Disclaimer

8.

 

Performance Caution

9.

 

Plug-in Formats Explained (VST, AU, AAX)

We are using the term “EARLY ACCESS” (EX: 

“name-product  (Early  Access)”)  to  define  the  intro

-

ductory price of the product. It’s a “Public Beta” Pre-
view.

In other words, we provide to the customers a COM-
MERCIAL VERSION/ TRIAL VERSION that may be im-

proved and bugs fixed within this period. 

In order to maximize performance and usability of 
Titanium3 on your computer, we suggest you follow 
some precautionary rules that will help you save pre-
cious CPU cycles.

- First of all, set your buffer size setting as large as pos

-

sible. For instance, there is generally no specific rea

-

son for using a low buffer size setting during mixing 
or mastering sessions. Increasing buffer sizes (hence 

also latency) highly decreases required CPU power. 

- You should also consider only using the necessary 
features. 
We do not ensure the complete absence of bugs or 
the perfect operation of the product. 
Before purchasing, we suggest you download the Trial 
version to verify the behavior of the plug-in with your 
system. 

Below is a rather concise but complete explanation
of the main formats supported for our Acqua plugins.

NOTE:

 

Titanium3 (COMMERCIAL VERSION) and Titani-
um3-Trial (TRIAL VERSION) are not compatible. 

RECOMMENDATION:

Titanium3 (Trial) is a time-limited, fully functional ver-
sion of this product (Titanium 3); it will expire 30 days 
after installation. We recommend you to carefully test 
our Titanium3-trial before purchase Commercial ver-
sion. 

Trial products are fully-functional versions of the rel-
ative commercial plug-in. The trial period expires 30 
days after activation. 
We do not take any responsibility for misuse of the 
product, or collateral problems derived from it. 
Normally the Early Access period ends within 30 days 
from the publication on the product page but this pe-
riod may vary at our discretion. 
This manual includes a description of the product but 

gives  no  guarantee  as  for  specific  characteristics  or 

successful results. The design of our products is under 
continuous development and improvement. 

Technical specification are subject to change.

 

These plugin formats are a result of efforts in the au

-

dio software industry to create Standards that utilise 
the capabilities of either DAWs (Digital Audio Work-
stations) – the host platforms for plugins run on PC 
(Windows-based platform) and/or Mac (OSX-based 
platform).

7

Summary of Contents for Titanium3 1B Comp

Page 1: ......

Page 2: ...ormance Caution Plug in Formats System Requirements Sampling Process Operation Controls Product Registration Product Authorization References Copyrights and Credits Extra page 2 page 3 page 5 page 5 p...

Page 3: ...ssor and the Input Trim to control the INPUT OUTPUT compen sation of the signal 1 Introduction Whatmakesthispluginevenmoreversatileisaswitch allowing customers to choose whichever compressor they woul...

Page 4: ...2 Package Contents Titanium3 Strip Titanium3 EQ Titanium3 Pre Titanium3 3BComp Titanium3 1BComp 3...

Page 5: ...we measured the unit in excellent conditions and employed skilled experts in the sampling process using our self devel oped sampling application Now you have one of the best high quality profes siona...

Page 6: ...gine comes complete with all of its internal tools and also includes the N A T sampling system a stand alone application shipped with most of Acustica Audio s products using different configu rations...

Page 7: ...nces used sample rate etc You could also consider the use of direct monitoring or double the buffer hybrid audio engine in your host if availa ble Full compatibility with Client Server architecture in...

Page 8: ...xplanation of the main formats supported for ourAcqua plugins NOTE Titanium3 COMMERCIAL VERSION and Titani um3 Trial TRIALVERSION are not compatible RECOMMENDATION Titanium3 Trial is a time limited fu...

Page 9: ...s such as Ableton Cubase Sonar and more Most DAWs developed for Mac OS X support the Au dioUnitsinterfaceduetoitsstabilityandsystem level solutions which also means faster processing With AAX you can...

Page 10: ...xperts inthesamplingprocessusingourself developedsam pling application Now you have one of the best high quality profes sional audio software in your audio workstation We spent countless hours develop...

Page 11: ...a down sampling and up sampling process This meth od avoids any negative sample rate conversion SRC artifacts when matching projects with different sam ple rates and also helps with project loading ti...

Page 12: ...sor version as the original hardware unit features three independent optical stereo compressors Combining the effect of a wide 3 band level control with individual compression of the three bands creat...

Page 13: ...own version Wechoseoneofthemostsuccessfulclones itisbyfar the easiest way to achieve this legendary unique and coveted sound The main idea of this hardware emulation is to give all of our customers a...

Page 14: ...LF band 20 Hz frequency Atten 5 LF band 20 Hz frequency Boost 10 13...

Page 15: ...LF band 20 Hz frequency Atten 10 LF band 30 Hz frequency Boost 5 14...

Page 16: ...LF band 30 Hz frequency Atten 5 LF band 30 Hz frequency Boost 10 15...

Page 17: ...LF band 30 Hz frequency Atten 10 LF band 60 Hz frequency Boost 5 16...

Page 18: ...LF band 60 Hz frequency Atten 5 LF band 60 Hz frequency Boost 10 17...

Page 19: ...LF band 60 Hz frequency Atten 10 LF band 100 Hz frequency Boost 5 18...

Page 20: ...LF band 100 Hz frequency Atten 5 LF band 100 Hz frequency Boost 10 19...

Page 21: ...LF band 100 Hz frequency Atten 10 20...

Page 22: ...H band 1 Hz frequency Boost 5 bandwidth 0 H band 1 Hz frequency Boost 5 bandwidth 10 21...

Page 23: ...H band 1 Hz frequency Boost 10 bandwidth 0 H band 1 Hz frequency Boost 10 bandwidth 10 22...

Page 24: ...H band 5 Hz frequency Boost 5 bandwidth 0 H band 5 Hz frequency Boost 5 bandwidth 10 23...

Page 25: ...H band 5 Hz frequency Boost 10 bandwidth 0 H band 16 Hz frequency Boost 5 bandwidth 0 24...

Page 26: ...H band 16 Hz frequency Boost 5 bandwidth 10 H band 16 Hz frequency Boost 10 bandwidth 0 25...

Page 27: ...H band 16 Hz frequency Boost 10 bandwidth 10 26...

Page 28: ...HA band 5 Hz freq Atten 5 HA band 5 Hz freq Atten 10 27...

Page 29: ...HA band 10 Hz freq Atten 5 HA band 20 Hz freq Atten 10 28...

Page 30: ...13 tech we have been able to emulate even more pre cisely the phase harmonic distortion and frequency response of the original units Preamps included in TITIANIUM3 PRE standalone and relevant channel...

Page 31: ...ortion Preamp 2 harmonic distortion 13 Controls Below we will describe in detail the Titanium3 stan dalone plugins controls NOTE Titanium3Channel strip is equipped byTitani um3 Pre Titanium3 EQ Titani...

Page 32: ...minimum of 50dB 9 RATIO this knob sets the compression ratio in 6 steps available values range from 1 5 1 to 10 1 10 ATTACK this knob sets the compressor s attack time which is 0 ms for the first fif...

Page 33: ...Titanium3 is brought up by the set amount in dB and the device will operate at a higher internal level This will result in higher harmonic distortion levels and stronger compression negative values w...

Page 34: ...gher internal level This will result in higher harmonic dis tortion levels and stronger compression negative val ues will result in lower internal operational level 5 OUTPUT this knob is an output gai...

Page 35: ...is a trademark ofApple Inc RealTimeAudio Suite is a trademark ofAvidTechnology Inc AAX is a trademark ofAvidTechnology Inc NVidia is a trademark of NVIDIACorporation Windows is a trademark of Microso...

Page 36: ...would like to surprise you again by bringing you a truly special gift Celebrate this important upgrade with a brand new useful and practical piece of dreamware for your studio welcome theTitanium3 Bas...

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