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ENG

LISH

ANTMIX Series

 |  User manual 

30

  

 

31

 

SERIES

User manual

 

 |  

ANTMIX

  

Series

 |  

TECHNICAL SPECIFICATIONS

ANTMIX 6FX

ANTMIX 8FX

ANTMIX 12FX    

MONO mic/line 

inputs

2

2 with compressor

4 with compressor

Mic mono/stereo line 

inputs

-

2

2

Stereo line input

2

1

2

Power supply

18V~ 1A - External PSU

18V~ 1A - External PSU

100-240V~ 50-60Hz

Fuse

T1.6A L 250V~

Power Consumption

17W max

24W max

40W max

Dimensions 

(W x H x D)

196 x 68 x 243 mm

255 x 68 x 342 mm

340 x 100 x 416 mm

Weight

1,18 Kg

1,98 Kg

3,53 Kg

Microphone input

Connector

Balanced XLR

Impedance

1.8 kΩ

Frequency response

20~20kHz +/-1dB

Distortion (THD + N)

<0,03% @ +0dB, 22~22 kHz, A weighted

Gain

0~55dB

Max input

+15dB (balanced)

Low-cut

75Hz 12dB/oct.

Signal-to-noise ratio

<-100 dBr A weighted

Phantom powering

+48V

Line input

Connector

Balanced 6,35mm (1/4”) - unbalanced RCA

Impedance

10 kΩ

Frequency response

20~20kHz +/-1dB

Distortion (THD + N)

<0,03% @ +0dB, 22~22 kHz, A weighted

Gain

+15dB~-35dB

Signal-to-noise ratio

<-100 dBr weighted A

Common specification

Compressor 

(only for channels 

featuring this control)

Gain: 0 ---> 9 dB | Soglia: 20 dB ---> 5 dB

Hum & noise

< -80dB

(A weighted, full bandwidth, 1 channel and MAIN @ 0dB, 

other channels @ minimum)

Crosstalk

< -80dB

(A weighted, full bandwidth, 1 channel and MAIN @ 0dB, 

other channels @ minimum)

Equalization

Mono & mono/stereo 

channels

+/-15 dB @12 kHz

+/-15 dB @2.5 kHz

+/-15 dB @80 Hz

Stereo channels

+/-15 dB @12 kHz

+/-15 dB @80 Hz

2-TRACK IN

Connector

2 x unbalanced RCA

Impedance

10 kΩ

Frequency response

20~20kHz +/-1dB

Distortion (THD + N)

<0,03% @ +0dB, 22~22 kHz, A weighted

Gain

OFF~+15dB

Summary of Contents for ANTMIX Series

Page 1: ...EN USER MANUAL Section 1 IT MANUALE D USO Sezione 1 LIVE MIXING CONSOLE WITH EFFECTS MIXER LIVE CON EFFETTI LIVE MISCHPULT MIT EFFEKTEN SERIES DE BEDIENUNGSANLEITUNG KAPITEL 1...

Page 2: ...e versatility of connections and controls as well as the best value for this range of products Please dedicate some minutes to read this instruction manual in order to quickly achieve the best perform...

Page 3: ...ultaneously adjusts compression threshold and ratio Turningtheknobhardleft thecompressoristurnedoff turning to the right you activate it until the maximum compression to 10 Use this control for exampl...

Page 4: ...rom 75Hz down Use it to avoid that microphones connected to the input channels will pick up unwanted signals rich of low frequencies 5 EQ Use this three band equalizer to boost or to cut HI MID LOW fr...

Page 5: ...d 12 PEAK This LED is lit when the input signal is very loud and is close to distortion When the LED is continuously lit please lower the input gain or adjust channel EQ so reducing the boost introduc...

Page 6: ...utput 7 BAL The BAL knob sets the left right balance for stereo channels IfonlyonesignalisconnectedtotheL MONOsocket thisknob acts like a PAN 8 MUTE LED 12FX ONLY Press this button to mute the selecte...

Page 7: ...second set of powered speakers with independent level control from the master thus creating two separate listening zones with different volumes In recording studio applications the typicaluseisforstu...

Page 8: ...resets emulate different reverbs characterized by sound reflections within anenvironment thenext4 5 8 arerecommendedinparticularforvoiceorpercussion ingeneral stereodelayreproducetheclassicaldelayeffe...

Page 9: ...EREO RETURN Two 6 35 mm 1 4 ouput sockets Connect these inputs to the outputs of an external effects or a further stereo device xxx 7 CONTROL ROOM CONTROL ROOM output with two 6 35 mm 1 4 line sockets...

Page 10: ...erizedbymostly reflecting naked walls 13 PEAK MUTE This LED is lit when the signal sent to DFX is too high and there s a risk to saturate the internal effect It s a good setting of the effect sends wh...

Page 11: ...he fuse only with one of the same type and with the same value If the fuse blows repeatedly contact an authorized service center 3 POWER ON OFF Press this switch to turn ON or OFF the unit 4 48V Thiss...

Page 12: ...In recording studio applications the typical use is for studio monitors This output volume is adjusted by the knob PHONES CTRL ROOM regardless of the amount of the MAIN MIX OUT outputs 6 GROUP OUT Two...

Page 13: ...lly the LARGE HALL effects package simulate the reverberation ofenvironmentswithlargevolumescharacterizedbymostly reflecting naked walls 14 DFX TO AUX This knob sets DFX signal output level for AUX se...

Page 14: ...M output 24 L R PressthisswitchtosendthesignalofGROUP1 2 forexample the drum kit microphones to the MAIN MIX output 25 GROUP 1 2 Adjust this fader to set the level of GROUP 1 2 outputs 26 48V This LED...

Page 15: ...the same channel Check if you activated microphones LOW CUT filter 4 TROUBLESHOOTING PROBLEM LED SOLUTION No sound or very low sound level Power LED turned off Make sure the device is properly connect...

Page 16: ...dB balanced Low cut 75Hz 12dB oct Signal to noise ratio 100 dBr A weighted Phantom powering 48V Line input Connector Balanced 6 35mm 1 4 unbalanced RCA Impedance 10 k Frequency response 20 20kHz 1dB D...

Page 17: ...l 12FX only 22 dBu XLR balanced 16 dBu unbalanced GR1 2 output impedance 12FX only 120 Headphones connector Unbalanced TRS 6 35mm 1 4 Headphones impedance 30 Control room connectors 2 x balanced TRS 6...

Page 18: ...ng STEREO JACK AUX SEND 12FX ONLY Connect this output to one or more daisy chained monitors FIG B MAIN MIX OUT Connect MAIN MIX XLR M for 12FX balanced jack for 6FX e 8FX outputs to powered speakers o...

Page 19: ...EAKER SYSTEMS ENGLISH ANTMIX Series User manual 36 37 SERIES User manual ANTMIX Series MAIN MIX OUTPUT FOR 12FX FIG C 2 TRACK IN 2 TRACK OUT Connect your recorder to 2 TRACK IN from recorder outputs a...

Page 20: ...inutoperleggerequestomanualediistruzioniinmodo taledaottenererapidamenteilmassimodelleperformancedaquestoprodotto Perleistruzionirelativeasicurezza leprecauzioni lagaranziaelosmaltimento fate riferime...

Page 21: ...e il led acceso indica l attivazione del comando 3 DESCRIZIONE 3 1 CONNESSIONI CONTROLLI DEL MIXER 3 1 1 INGRESSI MONO 1 MIC INPUT Ingresso microfono bilanciato su presa XLR F 2 LINE INPUT Ingresso di...

Page 22: ...to POST GeneralmentesiusaPRE perinviareilsegnaleadunaspiaoadunIEM POST per un unit effetti esterna 8 DFX POST Questamandata influenzatadalcontrollodilivello del singolo canale permette di regolare il...

Page 23: ...o tasto per silenziare la sorgente del canale selezionato Il led acceso indica l attivazione del comando 11 PFL LED SOLO 12FX Premete questo tasto per verificare il livello di segnale del canale prima...

Page 24: ...e al mixer un ulteriore unit effetti o una spia 5 PRE POST SOLO 12FX Questo selettore stabilisce se il livello della mandata AUX indipendente dal controllo di livello PRE o ne influenzato POST General...

Page 25: ...te MAIN MIX OUT 6 DFX SEND Uscitaconpresajackda6 35mm Collegateaquestauscitaun eventuale unit effetti esterna Ilsegnaleinuscita lasommastabilitadallemandateDFXdiognicanale 7 PHONES Uscitaperilcollegam...

Page 26: ...cipale 21 PHONES CTRL ROOM Regolatequestamanopolaperstabilireillivellodell uscitacuffia PHONES e CONTROL ROOM 22 MAIN MIX Regolate questa manopola per stabilire il livello delle uscite principali MAIN...

Page 27: ...rna mediante un pedale 6 STEREO RETURN Prese jack sbilanciate da 6 35mm per l ingresso del ritorno stereo proveniente da un unit effetti esterna o altro apparecchio 7 CONTROL ROOM L R Uscita CONTROL R...

Page 28: ...n ampi volumi caratterizzati da pareti spoglie e piuttosto riflettenti 13 PEAK MUTE Questa spia si illumina quando il segnale della mandata DFX troppo alto e si presenta il rischio di saturazione dell...

Page 29: ...nit sia spenta prima di collegare il cavo alla rete Per la vostra sicurezza non scollegate mai il polo di terra 2 FUSE Fusibile di protezione Attenzione Sostituire il fusibile unicamente con uno dello...

Page 30: ...tilizzo tipico per i monitor della regia audio Il volume di questa uscita viene regolato mediante la manopola PHONES CTRL ROOM indipendentemente dai livelli delle uscite MAIN MIX 6 GROUP OUT Uscite ja...

Page 31: ...LARGE HALL in grado di simulare la riverberazione di ambienti con ampi volumi caratterizzati da pareti spoglie e piuttosto riflettenti 14 DFX TO AUX Questamanopolastabilisceillivellodiuscitadelsegnal...

Page 32: ...del GROUP 1 2 ad esempio i microfoni usati per la batteria all uscita MAIN MIX 25 GROUP 1 2 Regolate questo fader per stabilire il livello delle uscite GROUP 1 2 26 48V Questo led si illumina quando...

Page 33: ...ale Controllate se avete attivato il filtro LOW CUT per i microfoni 4 SOLUZIONE DEI PROBLEMI PROBLEMA SPIE SOLUZIONE Assenza di suono o suono troppo basso Led Power spento Assicuratevi che l apparecch...

Page 34: ...put 15dB bilanciato Low cut 75Hz 12dB ott Rapporto segnale rumore 100 dBr pesato A Alimentazione Phantom 48V Ingresso linea Connettore Jack 6 35mm bilanciato RCA sbilanciato Impendenza 10 k o superior...

Page 35: ...Bu XLR bilanciato 16 dBu sbilanciato Impedenza GR1 2 solo 12FX 120 Presa Headphones Jack 6 35mm stereo sbilanciato Impedenza Headphones 30 Presa Control room 2 x jack 6 35mm 1 4 bilanciato Impedenza C...

Page 36: ...tip ring R ring STEREO JACK Mandata AUX solo 12FX Collegate a questa uscita uno o pi monitor in parallelo Fig B MAIN MIX OUT Collegate le uscite MAIN MIX XLR M per 12FX jack bilanciato per 6FX e 8FX...

Page 37: ...TEMS ITALIANO Serie ANTMIX Manuale d uso 72 73 Manuale d uso Serie ANTMIX SERIES Uscita MAIN MIX per 12FX Fig C 2 TRACK IN 2 TRACK OUT Collegateilvostroregistratoreaiconnettori2 TRACKIN dalleuscitedel...

Page 38: ...nehmen Sie sich ein paar Minuten Zeit um diese Gebrauchsanweisung zu lesen damit Sie schnell die besten Ergebnisse mit diesem Produkt erzielen k nnen F r N heres zu den sicherheitstechnischen Vorsich...

Page 39: ...bei PFL Aktivierung auf 3 BESCHREIBUNG 3 1 ANSCHL SSE BEDIENELEMENTE 3 1 1 MONO EING NGE 1 MIC EINGANG Symmetrischer XLR Mikrofoneingang 2 LINE EINGANG SymmetrischerLine Eingang 6 35mm 1 4 Klinke Sie...

Page 40: ...stoderdurchdiesebeeinflusst POST wird Im Allgemeinen wird PRE verwendet um das Signal an B hnen oder In Ear Monitore zu senden und POST um das Signal an ein externes Effektger t zu schicken 8 DFX POST...

Page 41: ...n Sie diese Taste um die ausgew hlte Signalquelle des Kanals stumm zu schalten Die LED leuchtet wenn der Kanal stummgeschaltet ist 11 PFL LED NUR 12FX Dr cken Sie diese Taste um den Pegel des Kanalsig...

Page 42: ...en zu anzuschlie en 5 PRE POST NUR 12FX Dieser Wahlschalter bestimmt ob der AUX Sendepegel nun unabh ngig PRE von der Kanalpegelregelung ist oder durch diese beeinflusst POST wird ImAllgemeinenwirdPRE...

Page 43: ...e 6 DFX SEND Ausgangsbuchse 6 35 mm 1 4 Klinke Schlie en Sie diesen Ausgang an Ihre externen Effektger te an falls vorhanden Das Ausgangssignal ist die Summe der DFX Send Signale f r jeden Kanal 7 PHO...

Page 44: ...n Pegel f r die am MAIN MIX Ausgang anliegenden Signale ein 11 PRESETS W hlen Sie den DSP Effekttyp mit diesem 16 Positions Wahlschalter Die ersten 4 Presets simulieren verschiedene durch Reflexionen...

Page 45: ...usgangsbuchsen 6 35mm 1 4 Klinke VerbindenSiedieseEing nge mitdenAusg ngeneinesexternenEffektsodereinesweiterenStereoger tes 7 CONTROL ROOM CONTROL ROOM AusgangmitzweiLine Anschl sse 6 35mm 1 4 Klinke...

Page 46: ...gelegentlich bei Signalspitzen aufleuchtet Leuchtet die LED dauerhaft ist dies ein Zeichen von bersteuerung In diesem Fall senken Sie bitte die Lautst rke der DFX POST Kanal Send Regler 14 DFX MUTE Di...

Page 47: ...hlie en vergewissern Sie sich dass das Ger t ausgeschaltet ist Entfernen Sie niemals die Erdung des Netzkabels Diese dient Ihrer Sicherheit 2 FUSE Sicherung ACHTUNG ErsetzenSiedieSicherungnurdurcheine...

Page 48: ...r Lautst rke m glich Typischerweise wird diese Option im Tonstudio f r Studiomonitore verwendet Die Ausgangslautst rke wird mit dem PHONES CTRL ROOM Drehregler eingestellt unabh ngig von der Anzahl de...

Page 49: ...en DFX Signals ein 14 PEAK MUTE Diese LED leuchtet wenn der DFX Signalpegel zu hoch ist und die Gefahr besteht dass der interne Effekt bersteuert wird Stellen Sie am besten den Effektsignalpegel so ei...

Page 50: ...diesen Schieberegler um den Pegel der GROUP 1 2 Ausgangssignale einzustellen 25 L R Dr cken Sie diesen Schalter um das GROUP 1 2 Signal z B die der Schlagzeug Mikrofone an den MAIN MIX Ausgang zu sen...

Page 51: ...aus Vergewissern Sie sich dass das Ger t ordnungsgem an die Netzsteckdose angeschlossen ist Power LED leuchtet aber MAIN MIX niedrig eingestellt Mit MAIN MIX Pegel anheben Power LED leuchtet MASTER V...

Page 52: ...Eingangsverst rkung 0 55 dB Max Eingangspegel 15 dB symmetrisch Hochpass Filter Low Cut 75 Hz 12 dB Okt Signal Rauschabstand 100 dBr A bewertet Phantomspeisung 48V Line Eingang Buchsen 6 35mm 1 4 symm...

Page 53: ...nur 12FX 22 dBu XLR symmetrisch 16 dBu unsymmetrisch GR1 2 Ausgangsimpedanz nur 12FX 120 Kopfh reranschluss TRS 6 35mm 1 4 unsymmetrisch Kopfh rer Impedanz 30 Control Room Anschl sse 2 x TRS 6 35mm 1...

Page 54: ...re in Serie miteinander verbunden Monitore an FIG B MAIN MIX OUT Schlie en Sie MAIN MIX Ausg nge XLR Male bei 12FX symmetrische Klinkenbuchsen bei 6FX und 8FX an Aktivlautsprecher oder Verst rker an M...

Page 55: ...SPEAKER SYSTEMS DEUTSCH Serie ANTMIX Bedienungsanleitung 108 109 Bedienungsanleitung Serie ANTMIX SERIES MAIN MIX OUT F R 12FX FIG C 2 TRACK IN 2 TRACK OUT Verbinden Sie Recorder Ausg nge mit 2 TRACK...

Page 56: ...problemi che possono presentarsi durante l installazione e l uso dell apparecchio Siamo a vostra disposizione per fornirvi eventuali ulteriori informazioni e consigli A E B Industriale Srl non pu esse...

Page 57: ...2017 A E B Industriale Srl Printed in China REV 1 0 A E B Industriale Srl Via Brodolini 8 Localit Crespellano 40053 Valsamoggia Bologna ITALIA Tel 39 051 969870 Fax 39 051 969725...

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