2
ETTING THE TIME CODE FRAME RATE
ANUALLY ENTERING TIME CODE AND USER BITS
URRNING ON INCREMENTIAL USER BITS
AMMING TIME CODE AND USER BITS
Inputting scene and take metadata ................................................................................................................. 14
Increasing the scene and take ......................................................................................................................... 14
Scene and take list ........................................................................................................................................... 15
Navigating the scene and take list ................................................................................................................... 15
Movie Slate interface ....................................................................................................................................... 15
Inputting notes ................................................................................................................................................. 16
Navigating the list of notes .............................................................................................................................. 16
Selecting a preset note .................................................................................................................................... 17
Editing the preset note list ............................................................................................................................... 17
Selecting an output bus ................................................................................................................................... 19
Routing inputs to the output buses ................................................................................................................. 19
Setting an input as pre or post fade ................................................................................................................ 19
Setting the phase of an input ........................................................................................................................... 19
Engaging tone, slate and output compressors ................................................................................................ 20