Yamaha Tyros3, Справочное руководство

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2
2
Styles – P
laying Rhythm and A
ccompaniment –
48
• Tyros3 Reference Manual
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3 HIGH KEY / NOTE LIMIT
●
4 RTR (Retrigger Rule)
These settings determine whether notes stop sounding or not and how they
change pitch in response to chord changes.
[4
▲▼
]/
[5
▲▼
]
HIGH KEY This sets the highest key (upper octave limit) of the note transposition for the
chord root change. Any notes calculated to be higher than the highest key
are transposed down to the next lowest octave. This setting is available only
when the NTR parameter (
page 46 ) is set to “Root Trans.”
[6
▲▼
] NOTE LIMIT LOW These set the note range (highest and lowest notes) for Voices recorded to the
Style channels. By judicious setting of this range, you can ensure that the
Voices sound as realistic as possible—in other words, that no notes outside
the natural range are sounded (e.g., high bass sounds or low piccolo sounds).
[7
▲▼
] NOTE LIMIT HIGH
CM
C3-E3-G3
FM
F3-A3-C4
F
#
M
F
#
2-A
#
2-C
#
3
C
#
M
C
#
3-E
#
3-G
#
3
Example—When the highest key is F.
Root changes
Notes played
CM
E3-G3-C4
FM
F3-A3-C4
C
#
M
E
#
3-G
#
3-C
#
4
Example—When the lowest note is C3 and the highest is D4.
Root changes
Notes played
High Limit
Low Limit
STOP The notes stop sounding.
PITCH SHIFT The pitch of the note will bend without a new attack to match the
type of the new chord.
PITCH SHIFT TO ROOT The pitch of the note will bend without a new attack to match the
root of the new chord.
RETRIGGER The note is retriggered with a new attack at a new pitch correspond-
ing to the next chord.
RETRIGGER TO ROOT The note is retriggered with a new attack at the root note of the
next chord. However, the octave of the new note remains the same.