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MSP7 STUDIO/MSP5 STUDIO/SW10 STUDIO  Owner’s Manual

Speaker Placement

Speaker placement is one of the most important consid-

erations when setting up a monitor system, but it is all too

often overlooked with the result that performance is seri-

ously compromised. Admittedly the obstacles to perfect

speaker positioning in the small studio are formidable.

Having the space available to place your speaker system so

that it can provide optimum performance is a luxury, but it

is definitely worth the time spent doing a little experimen-

tation and measuring to make the most of limited

resources. The difference can be astounding. The basics are

the same whether you’re setting up a stereo or 5.1 sur-

round system.

Proximity to Walls and Corners

For the most accurate response your speakers should be

positioned away from walls and especially corners, which

can play havoc with a speaker’s frequency characteristics. A

minimum of about 1.5 meters (about 5 feet) away from

walls would be ideal, but in reality they’ll probably end up

being placed on a desktop and pushed up against a wall.

Just keep in mind that fact that the closer you get to

walls and corners the more exaggerated the speaker’s bass

response is likely to become, and some compensation —

whether you compensate mentally or use some equaliza-

tion — will probably be required. 

Symmetry

As we’ve just learned, the response of a speaker can

change drastically according to where it is placed in rela-

tion to surfaces. So what happens if one of your speakers is

up against a wall and the other is out in the open? Rest

assured that the results will not be good, and will definitely

not be conducive to producing good mixes.

You’ll have totally different response from your left and

right speakers, making it next to impossible to create a

well-balanced mix, or even position tracks accurately in the

stereo sound field. So whatever you do, if you’re serious

about your sound make sure that your speakers are located

as symmetrically within your listening environment as pos-

sible. Use a tape measure to ensure that your speakers are

the same distance from the side and rear walls. Large

objects can throw the acoustic symmetry of a room off bal-

ance, too. It’s also important to be aware of the location of

doors and windows. It is not always possible to achieve

ideal symmetry, but it’s worth getting as close as possible.

Содержание MSP Series

Страница 1: ...JA Powered Near field Reference Monitors Subwoofer OWNER S MANUAL BEDIENUNGSANLEITUNG MODE D EMPLOI MANUAL DE INSTRUCCIONES 取扱説明書 MSPseries Powered Monitor Speaker MSP7 STUDIO MSP5 STUDIO Powered Subwoofer SW10 STUDIO ...

Страница 2: ...atus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or object...

Страница 3: ...um performance and longevity please read this manual carefully before using powered monitor speaker or powered subwoofer Keep the manual in a safe place for future reference Vielen Dank dass Sie sich für einen aktiven Monitorlautsprecher oder Subwoofer von YAMAHA entschieden haben Um die Eigenschaften des Lautsprechers optimal zu nutzen und für höchste Leistung und Lebensdauer lesen Sie diese Anle...

Страница 4: ...at such as in direct sunlight near a heater or in a car during the day to prevent the possibility of panel disfiguration or damage to the internal components Do not place the device in an unstable position where it might accidentally fall over Before connecting the device to other devices turn off the power for all devices Before turning the power on or off for all devices set all volume levels to...

Страница 5: ...ctly balanced mix that will sound good on the widest possible range of audio systems and that can mean anything from high ticket boutique audio compo nents in a properly designed listening room right down to the boom box on top of the fridge in the kitchen You don t want problems hidden by poor monitor perfor mance to sabotage your sound on other systems The legendary Yamaha NS10M became a standar...

Страница 6: ...all Just keep in mind that fact that the closer you get to walls and corners the more exaggerated the speaker s bass response is likely to become and some compensation whether you compensate mentally or use some equaliza tion will probably be required Symmetry As we ve just learned the response of a speaker can change drastically according to where it is placed in rela tion to surfaces So what hap...

Страница 7: ...ld be such that the tweeters are roughly aligned with your ears this is because high frequencies are the most direc tional Fine tuning for Stereo MSP7 STUDIO or MSP5 STUDIO x 2 The speaker LEVEL controls should be set to the same level A setting of about 12 o clock corresponds to a nominal input level Since no subwoofer is being used in this setup if your speakers have a LOW CUT switch set it to F...

Страница 8: ...control set at its center click position which corresponds to a HPF frequency of about 80 Hz The HIGH CUT frequency can be adjusted later to achieve the smoothest integration with the MSP7 STU DIO or MSP5 STUDIO speakers If you are using the MSP7 STUDIO set the LOW CUT switch to 80 úFor accurate monitoring set the MSP7 STUDIO MSP5 STUDIO LOW TRIM switch to 0 If you want to reduce the level of the ...

Страница 9: ...pecifi cally designed for surround production your main L and R speakers can be connected to any convenient stereo output pair via the SW10 STUDIO subwoofer while the center and rear speakers will be connected to individual output channels Example MG16 6FX Digital Mixer Setup If you re connecting your MSP series speakers to a mixing console that features built in surround handling capability such ...

Страница 10: ...erent levels at different times from soft and unobtrusive for background music right though room shaking for involved listening or dancing This is def initely not the case for serious monitoring The response of your ears changes so drastically according to level espe cially in the soft to medium loud region that is essential to maintain a consistent monitoring level otherwise you sim ply won t get...

Страница 11: ...frequency range is cut by 1 5 dB and 3 dB respec tively 4 HIGH TRIM switch Adjusts the level of high frequency range With the 1 5 setting the range around 15 kHz is boosted by 1 5 dB With the 1 5 setting the range around 15 kHz is cut by 1 5 dB 5 LOW CUT switch MSP7 STUDIO Cuts the low frequency range With the 80 Hz setting the range below 80 Hz is cut With the 100 Hz setting the range below 100 H...

Страница 12: ... tings and select the one that produces the best low end sound 4 HIGH CUT control Use the HIGH CUT control to set the cutoff frequency of the signal output from the SW10 STUDIO from 40 Hz to 120 Hz 5 LEVEL control Adjusts the overall output level 6 INPUT L R SUBWOOFER connector These are balanced XLR type input connectors Three differ ent signals can be simultaneously input via these connectors Th...

Страница 13: ...W f 100 Hz THD 1 RL 8 Ω HF 50 W THD 0 05 RL 6 Ω HF 27 W THD 0 02 RL 6 Ω S N IHF A filter 99 dB LEVEL Max 94 dB LEVEL Max 100 dB LEVEL Max Input Sensitivity XLR 3 31 4 dBu LEVEL Center 4 dBu LEVEL Center 4 dBu LEVEL Center 6dBu LEVEL Max 6 dBu LEVEL Max 6 dBu LEVEL Max PHONE 10 dBu LEVEL Center 20 dBu LEVEL Max Input Connectors Impedance XLR 3 31 balanced 10 kΩ XLR 3 31 balanced 10 kΩ PHONE unbalan...

Страница 14: ...English Deutsch Français Español 66 Dimensions MSP5 STUDIO SW10 STUDIO MSP7 STUDIO ...

Страница 15: ...67 Français Español English Deutsch MSP5 STUDIO SW10 STUDIO MSP7 STUDIO MSP7 STUDIO MSP5 STUDIO SW10 STUDIO 10 20 30 40 10 20 30 40 10 20 30 40 Block Diagram Performance graph ...

Страница 16: ...RTUGAL Yamaha Music Europe GmbH Ibérica Sucursal en España Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 34 902 39 8888 GREECE Philippos Nakas S A The Music House 147 Skiathou Street 112 55 Athens Greece Tel 01 228 2160 SWEDEN FINLAND ICELAND Yamaha Music Europe GmbH Germany filial Scandinavia J A Wettergrens Gata 1 Box 30053 S 400 43 Göteborg Sweden Tel 031 89 34 00 DENMARK Yamaha ...

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