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NCX2000FM NCX1200R NCX900FM NTX1200R NTX900FM

NCX2000R/FM

Solid Hokkaido* Spruce A.R.E.

NCX2000R: 

Solid Rosewood

NCX2000FM: 

Solid Flamed Maple

African Mahogany
94-100mm (3.7"–3.94")
52mm
650mm
System 61 A.R.T. 2Way
Natural (NT)
Form Case

NCX1200R

Solid Sitka Spruce

Solid Rosewood

African Mahogany
94-100mm (3.7"–3.94")
52mm
650mm
System 61 A.R.T. 2Way
Natural (NT)
Form Case

NCX900R/FM

NCX900R:

 Solid Sitka Spruce

NCX900FM: 

Solid Engelmann Spruce

NCX900R: 

Rosewood

NCX900FM: 

Flamed Maple

Nato
94-100mm (3.7"–3.94")
52mm
650mm
System 61 A.R.T. 2Way
Natural (NT)

Top:

 

Back & Sides:

Neck:
Body Depth:
Nut Width:
String Scale:
P.U. System:
Color:
Accessory:

NTX1200R

Solid Sitka Spruce
Solid Rosewood
African Mahogany
80-90mm (3.7"–3.94")
48mm
650mm
System 61 A.R.T. 2Way
Natural (NT)
Form Case

NTX700/700BL

Solid Spruce
Nato
Nato
80-90mm (3.7"–3.94")
48mm
650mm
System 61 A.R.T. 2Way

NTX70:

Natural (NT)

 

NTX700BL:

 Black (BL)

NTX900FM

Solid Engelmann Spruce
Flamed Maple
Nato
80-90mm (3.7"–3.94")
48mm
650mm
System 61 A.R.T. 2Way
Natural (NT)

Top:

 

Back & Sides:
Neck:
Body Depth:
Nut Width:
String Scale:
P.U. System:
Color:
Accessory:

2Way

A.R.T.

2Way

A.R.T.

2Way

A.R.T.

2Way

A.R.T.

2Way

A.R.T.

Rodorigo y Gabriela 

Lee Ritenour

LJX6CA

LLX6A

LLX16

LL/LS/LJ36

LL/LS/LJ26

LL/LS/LJ16  LL16L/-12

LL/LS/LJ6

Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth: (LL, LJ) 
                     (LS)
Nut Width:

String Scale:

Tuning Machines:
Color:

Finish:
Accessory:

Solid Engelmann Spruce A.R.E.
Solid Rosewood
Mahogany, Padauk (5ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16") 
100-120mm (3 15/16"– 4 3/4")
44mm (1 3/4")

650mm (25 9/16")

Die-cast Gold
Natural (NT)

Gloss (Nitrocellulose Lacquer)
Hard Case

Solid Engelmann Spruce A.R.E.
Solid Rosewood
Mahogany, Padauk (5ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16") 
100-120mm (3 15/16"– 4 3/4")
44mm (1 3/4")

650mm (25 9/16")

Open Gear (Vintage Finish)
Natural (NT)

Gloss
Hard Case

Solid Engelmann Spruce
Solid Rosewood
Mahogany, Rosewood (3ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16") 
100-120mm (3 15/16"– 4 3/4")

LL/LS/LL16L: 

44mm (1 3/4")

LL16-12: 

46mm (1 13/16")

650mm (25 9/16")

LL16-12: 

634mm (25")

Die-cast Gold
Natural (NT)

Gloss
Form Case

Solid Engelmann Spruce
Rosewood
Mahogany, Rosewood (3ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16") 
100-120mm (3 15/16"– 4 3/4")
44mm (1 3/4")

650mm (25 9/16")

Die-cast Gold

LL: 

Natural (NT), Sunburst (SB), Tinted (T)

LS, LJ: 

Natural (NT)

Gloss
Form Case

LLX36C/LSX36C/LJX36C LLX26C/LLX26/LSX26C/LJX26C LLX16/LLX6A/LJX6CA

Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth: (LL, LJ) 
                     (LS)
Nut Width:
String Scale:
Tuning Machines:
Color:

Finish:
Preamp:

Accessory:

Solid Engelmann Spruce A.R.E.
Solid Rosewood
Mahogany, Padauk (5ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16") 
100-120mm (3 15/16"– 4 3/4")
44mm (1 3/4")
650mm (25 9/16")
Die-cast Gold
Natural (NT)

Gloss (Nitrocellulose Lacquer)
System60 3way A.R.T.

Hard Case

Solid Engelmann Spruce A.R.E.
Solid Rosewood
Mahogany, Padauk (5ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16") 
100-120mm (3 15/16"– 4 3/4")
44mm (1 3/4")
650mm (25 9/16")
Open Gear (Vintage Finish)
Natural (NT) 

Gloss
System60 3way A.R.T.

Hard Case

Solid Engelmann Spruce
Rosewood
Mahogany, Rosewood (3ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16") 

44mm (1 3/4")
650mm (25 9/16")
Die-cast Gold

LLX16/LLX6A:

 Natural (NT), Brown Sunburst (BS),

Tobacco Brown Sunburst (TBS), Black (BL)

LJX6CA:

 Natural (NT)

Gloss

LLX16:

 System60 3way A.R.T.

LLX6A/LJX6CA:

 System57CB 3way A.R.T.

Form Case

FG720S

Solid Spruce
Nato
Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")

650mm (25 9/16")

Die-cast Chrome (TM29) 
Natural (NT),
Dusk Sun Red (DSR),
Oriental Blue Burst (OBB),
Brown Sunburst (BS),
Black (BL)

FG730S

FJX730SC

CPX15II

CPX15NII

(North)

CPX15WII

(West)

CPX15EII

(East)

CPX15SII

(South)

FJX720SC

FG730S

Solid Spruce
Rosewood
Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")

650mm (25-9/16")

Die-cast Chrome (TM29) 
Natural (NT),
Tobacco Brown Sunburst (TBS),
Vintage Cherry Sunburst (VCS)

NT

NT

NT

BS

BS

BS

BL

NT

DSR

OBB

VCS

TBS

FG720SL/720S-12

Solid Spruce
Nato
Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")

FG720SL: 

43mm (1 11/16")

 

FG720S-12: 

46mm (1 13/16")

FG720SL: 

650mm (25-9/16")

FG720S-12: 

634mm (25")

Die-cast Chrome (TM29) 
Natural (NT)

FG720S-12

FS720S

Solid Spruce
Nato

Nato
Rosewood
Rosewood
100–120mm (3 15/16"– 4 3/4")
43mm (1 11/16")
634mm (25")
Die-cast Chrome (TM29) 

Natural (NT), Dusk Sun Red (DSR),
Cobalt Aqua (CBA),
Tobacco Brown Sunburst (TBS),
Black (BL)

Top:
Back & Sides:

Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
String Scale:
Tuning Machines:
P.U. System:

Color:

FG700S/MS

Solid  Spruce
Nato

Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")
650mm (25-9/16")
Die-cast Chrome (TM29)

FG700S:

 Natural (NT)

FG700MS:

 Matte

FG700S/MS

NT

NT

BW

AVS

SDB

MOB

FGX730/720SCA

Solid Spruce

FGX730: 

Rosewood

FGX720SCA: 

Nato

Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Chrome (TM29)

FGX730: 

System 56CB 1way

FGX720: 

System 55T 1way

Natural (NT),
Brown Sunburst (BS),
Black (BL)

FJX730SC/720SC

Solid Spruce

FJX730SC: 

Rosewood

FJX720SC: 

Nato

Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Chrome (TM29)

FJX730SC: 

System 56CB 1way

FJX720SC: 

System 55T 1way

Natural (NT),
Brown Sunburst (BS),
Black (BL)

BL

BL

TBS

CBA

CPX900

CPX900

Solid Spruce
Flamed Maple
Nato
Rosewood
Rosewood
95-115mm
43mm (1 11/16")
650mm
Die-cast Gold (TM29G)
System 57 3 way A.R.T.
Natural (NT), Mocha Black (MBL)
Ultramarine (UM),
Brown Sunburst (BS)

Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
String Scale:
Tuning Machines:
P.U. System:
Color:

CPX500

CPX700

CPX500FM

CPX500FM/CPX500

CPX500FM: 

Flamed Maple 

CPX500: 

Spruce

Nato
Nato
Rosewood
Rosewood
95-115mm
43mm (1 11/16")
650mm
Die-cast Chrome (TM-29-T)
System 55T 1 way

CPX500FM: 

Old Violin Sunburst (OVS)

CPX500: 

Natural (NT), Black (BL),

Old Violin Sunburst (OVS),
Dark Red Burst (DRB)

CPX700/700-12

Solid Spruce
Nato
Nato
Rosewood
Rosewood
95-115mm

CPX700: 

43mm (1 11/16") 

CPX700-12: 

46mm (1 13/16")

CPX700: 

650mm  

CPX700-12:

 634mm

Die-cast Chrome (TM29)
System 56 1way A.R.T.

CPX700: 

Natural (NT), Black (BL),

Sand Burst (SDB) 
Oriental Blue Burst (OBB),
Dusk Sun Red (DSR) 

CPX700-12: 

Natural (NT)

 

 

Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
String Scale:
Tuning Machines:
P.U. System:
Color:

CPX15II

Solid Spruce
Indian Rosewood
Mahogany
Indian Rosewood
Indian Rosewood
95–115mm (3 3/4"–4 1/2")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Gold (SG-301)
System 59 3 way A.R.T.
Natural (NT)

CPX15NII

Solid Spruce
White Sycamore
Mahogany
Indian Rosewood
Indian Rosewood
95–115mm (3 3/4"–4 1/2")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Gold (SG-301)
System 59 3 way A.R.T.
Blond White (BW)

CPX15EII

Solid Spruce
Quilted Mahogany
Mahogany
ndian Rosewood
Indian Rosewood
95–115mm (3 3/4"–4 1/2")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Gold (SG-301)
System 59 3 way A.R.T.
Sand Burst (SDB) 

CPX15SII

Solid Spruce
White Sycamore
Mahogany
ndian Rosewood
Indian Rosewood
95–115mm (3 3/4"–4 1/2")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Gold (SG-301)
System 59 3 way A.R.T.
Miami Ocean Blue (MOB)

CPX15WII

Solid Spruce
Walnut
Mahogany
ndian Rosewood
Indian Rosewood
95–115mm (3 3/4"–4 1/2")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Gold (SG-301)
System 59 3 way A.R.T.
Antique Violin Sunburst (AVS)

CG201S

Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
String Scale:
Nut Width:
Tuning Machines:
Color:
Finish:
Accessory:

GL1 

(Guitarere)

Spruce
Meranti
Nato
Sonokeling
Sonokeling
433mm (17")
48mm (1 7/8")
Chrome (YTM-01)
Natural
Matte Finish
Gig Bag

JR1 

(Small Size Acoustic Guitar)

Spruce
Meranti
Nato
Rosewood
Rosewood
540mm (21 1/4")
43mm (1 11/16")
Opened Chrome (RM1248)
Natural
Gloss Finish
Gig Bag

CS40 

(Small Size Classic Guitar)

Spruce
Meranti
Nato
Rosewood
Rosewood
580mm (22 13/16")
48mm (1 7/8")
Chrome (YTM-04)

Gloss Finish

C80/C70/40

Spruce

C80: 

Nato  

C70/40: 

Meranti

Nato
Rosewood
Rosewood
94-100mm (3.7”–3.94”)
52mm (2 1/16")

C80/70: 

Gold (YTM-06)

C40: 

Chrome (YTM-01)

Gloss Finish

Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
Tuning Machines:

Finish:

CG171S

CG131S

CG151S

CG111S

CG101A

NTX700BL

CPX700-12

F370

Spruce
Nato
Nato
Rosewood
Rosewood
96–116mm(3 3/4"–4 9/16")
43mm (1 11/16")
634mm (25")
Die-cast Chrome (TM29T) 

Natural (NT), Black(BL),
Tobacco Brown Sunburst (TBS)

Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
String Scale:
Tuning Machines:

 

P.U. System:
Color:

 

FX370C

Spruce
Nato
Nato
Rosewood
Rosewood
6–116mm(3 3/4"–4 9/16")
46mm (1 13/16")
634mm (25")
Die-cast Chrome (TM29)
System 58 1 way 
Natural (NT), Black(BL),
Tobacco Brown Sunburst (TBS)

FX310A

Spruce
Meranti
Nato
Rosewood
Rosewood
96–116mm(3 3/4"–4 9/16")
43mm (1 11/16")
634mm (25")
Covered Chrome
System 53 1 way
Natural (NT)

F310P/F310P TBS

Package Model of F310/F310TBS

 

CONTENTS:

 Gig bag, Pitch pipe,

String set, Strap, String winder,
Capo, Picks

CARTON:

 2 color print 

F310

Spruce
Meranti
Nato
Rosewood
Rosewood
96–116mm(3 3/4"–4 9/16")
43mm (1 11/16")
634mm (25")
Covered Chrome

Natural (NT), 
Tobacco Brown Sunburst (TBS),
Cherry Sunburst (CS)

BL

TBS

BL

NT

TBS

NT

TBS

NT

CS

BS

UM

MBL

NT

NT

NT

BL

OVS

OVS

DRB

BL

SDB

OBB

System58/46N/48

One-way system includes a 3-band equalizer with an adjustable midrange frequency control 
and master volume. System 46N/48 are optimized for use with nylon string guitars. The 
functions are the same as those of System58.

Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:

String Scale:

Tuning Machines:

  

Color:

FG750S

Solid Spruce
Sycamore
Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")

650mm (25 9/16")

Die-cast with Vintage Plastic Pegs
Natural (NT)

FG750S

FGX720SCA

LLX36C

CGBN1

Bossa Nova

LS26

LJX26C

Body Selection

Whether you prefer a full-sized LL dreadnought, 
small-sized LS body, or auditorium-sized LJ, 
the choice is yours. Each of these body styles is 
represented in each class letting you choose the 
instrument that meets your requirements for sound, 
style, and affordability.

LLX/LSX/LJX/LL/LS/LJ Series

Non-scalloped, 90˚ X-type bracing. 
8 non-scalloped braces deliver tone 
that is thick and well focused.

A.R.E. (Acoustic Resonance Enhancement)

A.R.E. (Acoustic Resonance Enhancement) is an original 
wood reforming technology developed by Yamaha. 
Instruments made with woods processed with this 
technology produce a tonal richness that is like vintage 
instruments that have been played for years. This 
technology is currently applied to the tops on L Series 6 
model (LL36, LL26, LS36, LS26, LJ36, LJ26) acoustic 
guitars and LX Series 6 model (LLX36C, LLX26C, 
LSX36C, LSX26C, LJX36C, LJX26C) acoustic-electric 
guitars.

FGX/FG/FS Series

Non-scallop, X-type bracing design. 
Delivers deep lows full of presence 
that are unique to the Yamaha 
sound, and a clear upper end. 
Response is clear and tight.

SUB PICKUP

SUB PICKUP
(TREBLE SIDE)

(TREBLE SIDE)

SUB PICKUP

SUB PICKUP
(BASS SIDE)

(BASS SIDE)

MAIN PICKUP

MAIN PICKUP

MAIN PICKUP

SUB PICKUP
(BASS SIDE)

SUB PICKUP
(TREBLE SIDE)

OUTPUT

BASS

BASS

BASS TREBLE

TREBLE

TREBLE

MASTER

MASTER
VOLUME

VOLUME

MASTER
VOLUME

The main pickups are controlled via 
the master volume, while the bass 
and treble pickups are controlled 
independently. The system is also 
equipped with a 3-band equalizer for 
versatile sound production that fully 
satisfies the musician’s creative 
demands.
The onboard tuner is easy to view on 
stage, even under low light 
conditions.

VOLUME

VOLUME

OUTPUT

OUTPUT

OUTPUT

MAIN PICKUP

MAIN PICKUP

MAIN PICKUP

VOLUME

This configuration features one main 
pickup system consisting of two 
pickups underneath the saddle. The 
3-band equalizer gives the ability to 
control the mid-range for versatile 
sound creation that meets the 
musician’s needs. The system is also 
equipped with an onboard tuner for 
optimum usability.

GC41/GC41C

GC41: 

Solid European Spruce

GC41C: 

Solid American Cedar

Solid Honduras Rosewood
Mahogany
Ebony
Rosewood
94-110mm (3.7”–4.33”)
52mm (2 1/16")
Gold (YTM-81)

Gloss Finish
Form Case

Top:

Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
Tuning Machines:
P.U. System:
Finish:
Accessory:

GC31/GC31C

GC31: 

Solid European Spruce   

GC31C: 

Solid American Cedar

Solid Indian Rosewood
Mahogany
Ebony
Rosewood
94-110mm (3.7”–4.33”)
52mm (2 1/16")
Gold (YTM-81)

Gloss Finish
Form Case

GC21/GC21C

GC21: 

Solid European Spruce  

GC21C: 

Solid American Cedar

Indian Rosewood
Mahogany
Ebony
Rosewood
94-110mm (3.7”–4.33”)
52mm (2 1/16")
Gold (YTM-81)

Gloss Finish
Form Case

GCX31C

Solid European Spruce

Solid Indian Rosewood
Mahogany
Ebony
Rosewood
94-110mm (3.7”–4.33”)
52mm (2 1/16")
Gold (YTM-81)
System 49 2way
Gloss Finish
Form Case

GC41

GC21

GCX31C

GC31

CGS102A

[1/2  Scale] 

School Guitar

CGX171CCA

CGX101A

CGS103A

 [3/4 Scale]

School Guitar

CGX171SCF

Flamenco

CG171SCF

Flamenco

CG201S

Solid European Spruce

Solid Mahogany
Nato
Ebony
Rosewood
94-110mm (3.7"–4.33")

52mm (2 1/16")

Gold (YTM-81)

Gloss Finish

CG171SF/CGX171SCF 

Flamenco

CG171SF: 

Solid European

 

Spruce

CGX171SCF: 

European Spruce

Cypress
Nato
Rosewood
Rosewood

CG171SF: 

94-100mm (3.7"–3.94")

CGX171SCF: 

86-92mm (3.4"–3.62")

52mm (2 1/16")

Gold (YTM-06)

CGX171SCF: 

System 49 2way

Gloss Finish

CG171S/CG171C/CGX171CCA

CG171S: 

Solid European Spruce

CG171C/CGX171CCA: 

Solid American Cedar

Rosewood
Nato
Rosewood
Rosewood

CG171S/CG171C: 

94-100mm (3.7"–3.94")

CGX171CCA: 

86-92mm (3.4"–3.62")

CG171S/CG171C: 

52mm (2 1/16")

CGX171CCA: 

48mm (1 7/8")

Gold (YTM-06)

CGX171CCA: 

System 49 2way

Gloss Finish

Top:

 

Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:

Nut Width:

Tuning Machines:
P.U. System:
Finish:

System45N/49

Two-way system includes a 3-band equalizer with adjustable midrange frequency control, a 
microphone volume control with phase switch and master volume control. The Systems are 
optimized for use with nylon string guitars.

CPX15II/CPX Series

Non-scalloped, X-type bracing 
positioned closer to the sound hole 
enhances low-end. Overall rich sound 
with good response and powerful lows.

Models: CPX900, APX900,
LLX6A, LJX6CA
(System57/57CB)

Models: CPX700, APX700,
FGX730SC, FJX730SC
(System56/56CB)

CG/CS/C/CGX Series

Fan style bracing. This style of bracing 
creates accurate pitch as well as rich 
and balanced vibrations. It is also very 
durable and offers excellent quality.

GCX

Highs are clear and bright with a 
deep, robust low range.
The difference in top material gives 
it its different tone.

FG720S

DSR

F370

FX370C

F310

FX310

GCX/GC Series

CGX/CG Series

A.R.T. Pickup System

Pickup System

CPX Series

LLX/LSX/LJX/LL/LS/LJ Series

Classical Guitars

FG720SL

A.R.T.(Acoustic Resonance Transducer) 

Newly developed contact pickup

Unique multilayer structure achieves optimum dynamic balance.

Yamaha acoustic electric guitars have used piezoelectric pickups to 
reproduce the pure sounds of the acoustic guitar. But piezoelectric pickups 
tended to overreact to changes in attack, which in turn caused distortion. 
To achieve ideal playability, we had to improve the way that these dynamics 
were controlled.
To provide a solution to this issue, the new pickup was designed with a 
multilayer structure consisting of six layers.
This dampens excessive vibration from the topboard while picking up small 
resonances to achieve ideal sensitivity and outstanding dynamic balance. 
Also, because the pickup is fitted directly beneath the topboard, it functions 
as a transducer attached to the body.

DSR

CG131S

Solid Sitka Spruce

Nato
Nato
Rosewood
Rosewood
94-100mm (3.7"–3.94")
52mm (2 1/16")
Chrome (YTM-05)

Gloss Finish

CG151S/CG151C

CG151S: 

Solid Sitka Spruce

CG151C: 

Solid American Cedar

Ovankol
Nato
Rosewood
Rosewood
94-100mm (3.7"–3.94")
52mm (2 1/16")
Gold (YTM-06)

Gloss Finish

CGS102A/CGS103A/CGS104A

 School Guitar 

Spruce
Meranti
Nato
Rosewood
Rosewood
80-84mm

CGS102A: 

535mm

CGS103A:

 580mm

CGS104A: 

650mm

 

Top:

Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
Tuning Machines:
P.U. System:
Finish:

Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
String Scale:

CG111S/CG111C

CG111S: 

Solid Spruce

CG111C: 

Solid American Cedar 

Nato
Nato
Rosewood
Rosewood
94-100mm (3.7"–3.94")
52mm (2 1/16")
Chrome (YTM-04)

Gloss Finish

CG101A/CGX101A

Spruce

Nato
Nato
Rosewood
Rosewood
94-100mm (3.7"–3.94")
52mm (2 1/16")
Chrome (YTM-04)

CGX101A: 

System 48 1way

Gloss Finish

CGBN1

 Bossa Nova

Solid European Spruce

Cypress
Nato
Nato
Rosewood
94-100mm(3.7"–3.94")

52mm (2 1/16")

Gold with Vintage Plastic Pegs

Gloss Finish

System53 for FX310A

One-way active preamp and piezo pickup system includes separate bass and treble tone 
controls plus a gain control for flexible sound shaping. Battery check switch and indicator 
also included.

System 55T

This is a tuner-equipped version of System55. The chromatic tuner is accurate, easy to use and 
easy to view. You can use the tuning mode by pressing a single button even if you have no 
cable connected. Turning the tuner on or off will not affect the output in any way. 
The tuner also comes with a one-minute auto-off timer to save battery power.

OUTPUT

OUTPUT

TREBLE

TREBLE

MAIN

MAIN

BASS

BASS

OUTPUT

MAIN PICKUP

MAIN PICKUP

MAIN PICKUP

BASS

SUB PICKUP

SUB PICKUP
(BASS SIDE)

(BASS SIDE)

SUB PICKUP
(BASS SIDE)

SUB PICKUP

SUB PICKUP
(TREBLE SIDE)

(TREBLE SIDE)

SUB PICKUP
(TREBLE SIDE)

MAIN TREBLE

MASTER

MASTER
VOLUME

VOLUME

MASTER
VOLUME

This system offers individual 
controls for the main pickup and two 
sub pickups (bass and treble). It also 
has a 3-band equalizer and Master 
Volume for fine tone tailoring.

Models: CPX15II Series
(System59)

Models: NX Series (System61)

CG111C

C80

C70

C40

GL1

JR1

CS40

CG151C

CG171C

LL36

LLX26

BL

BL

BL

BS

BS

BS

BL

TBS

BS

BL

TBS

NT

NT

NT

NT

To Pre-Amp

Tone Adjuster
(Multiple Layer 
Including Wood)

Brass Plate

Piezo Crystal

Copper Shield

Contact Pickup

NEW

NEW

NEW

NEW

FS720S

NEW

NEW

NEW

FGX730SC

NEW

NEW

CGS104A

[Full Scale]

School Guitar

NEW

FX/F Series

FGX/ FJX/ FG/FS Series

CPX

15

II

 Series

Pickup/Preamplifier System

Acoustic & Electric Acoustic Guitars & Electric Nylon Strings

C Series

ACOUSTIC &

CLASSICAL 

GUITARS

2009 PRODUCT CATALOG

FJX Series

Non-scallop, X-type bracing design. 
Delivers deep lows full of presence 
that are unique to the Yamaha 
sound, and a clear upper end. 
Response is clear and tight.

* Hokkaido: North country of Japan 

3Way

A.R.T.

3Way

A.R.T.

3Way

A.R.T.

3Way

A.R.T.

3Way

A.R.T.

3Way

A.R.T.

1Way

A.R.T.

1Way

A.R.T.

3Way

A.R.T.

3Way

A.R.T.

3Way

A.R.T.

3Way

A.R.T.

3Way

A.R.T.

3Way

A.R.T.

1Way

A.R.T.

1Way

A.R.T.

DRB

OVS

OVS

OBB

OBB

BL

APX900

APX900

Solid Spruce
Flamed Maple
Nato
Rosewood
80–90mm
43mm (1 11/16")

650mm
Die-cast Gold (TM-29

G

)

System 57 3way A.R.T.
Natural (NT), Mocha Black (MBL )
Ultramarine (UM),
Crimson Red Burst (CRB)

Top:
Back & Sides:
Neck:
Fingerboard:
Body Depth:
Nut Width:

String Scale:
Tuning Machines:
P.U. System:
Color:

APX700-12

APX700L

APX700

APX700/700-12/700L

Solid Spruce
Nato
Nato
Rosewood
80–90mm 

APX700: 

43mm (1 11/16")

 

APX700-12:

 46mm (1 13/16")

APX700/700L: 

650mm

 

 

APX700-12:

 634mm

Die-cast Chrome (TM-29)
System 56 1way A.R.T.

APX700: 

Natural (NT), Black (BL),

Sand Burst (SDB),Cobalt Apua (CBA),
Dusk Sun Red (DSR)

APX700-12/APX700L: 

Natural (NT)

APX500

APX500FM/APX500

APX500FM: 

Flamed Maple 

APX500: 

Spruce

Nato
Nato
Rosewood
80–90mm 
43mm (1 11/16")

634mm
Die-cast Chrome (TM-29T)
System 55T 1way

APX500: 

Natural (NT),Black (BL), Oriental Blue Burst 

(OBB), Old Violin Sunburst (OVS), Dark Red Burst (DRB)

APX500FM:

 Oriental Blue Burst (OBB),

Old Violin Sunburst (OVS)

APX500FM

CRB

UM

MBL

NT

CBA

NT

APX Series

Scalloped X-type bracing design. 
Delivers a well-balanced sound when 
played acoustically. Oval soundhole 
offers thicker middle highs that are 
unique to the APX sound.

DSR

SDB

BL

NT

APX Series

3Way

A.R.T.

1Way

A.R.T.

1Way

A.R.T.

2Way

A.R.T.

1Way

A.R.T.

TREBLE SIDE
PICKUP

BASS SIDE
PICKUP

OUTPUT

Master Volume

Main

BASS

Treble

MAIN PICKUP

MAIN PICKUP

SUB PICKUP

SUB PICKUP
(TREBLE SIDE)

(TREBLE SIDE)

SUB PICKUP

SUB PICKUP
(BASS SIDE)

(BASS SIDE)

OUTPUT

SUB PICKUP
(BASS SIDE)

SUB PICKUP
(TREBLE SIDE)

MAIN PICKUP

BASS

BASS

MAIN

MAIN

TREBLE

TREBLE

BASS

MASTER
VOLUME

MAIN

TREBLE

Models: LX36C/26C/26/16 (System60)

Push-Push Knob

Push-Push Knob

Push-Push Knob

3-way configuration

3-way configuration

3-way configuration

2-way configuration

1-way configuration

A.R.T. Preamp Systems

A conventional contact pickup mounted underneath the saddle 
vibrates freely allowing it to pick up the natural body sound. On the 
other hand, it can pick up too much body sound resulting in feedback 
making positioning difficult.
By comparison the A.R.T system used on the NX Series guitars 
utilizes a multilayer damper in order to absorb excessive vibrations 
and control feedback. System 61 consists of two pickups mounted 
on the high and low sides of the guitar, each with its own control to 
provide the NX Series guitars with flexible tone tailoring.

3Way

A.R.T.

3Way

A.R.T.

3Way

A.R.T.

1Way

A.R.T.

2Way

A.R.T.

NX Series

NEW

GL1/JR1/CS40

Anna Kei 

Joe Bonamassa

L: Left Handed Model

12: 12 Strings

12: 12 Strings

L: Left Handed Model

12: 12 Strings

Nut Width:
Tuning Machines:
Finish:

CGS102A/CGS103A: 

48mm (2 1/16") 

CGS104A: 

52mm (2 1/16")

 

Chrome (RM1252X)
Gloss Finish

Richie Kotzen

(Poison, Mr. Big,
40 deuce)

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