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Tutorial

 

Recording on the AW2816

 

Amazingly for its size, the AW2816 conceals potential 
that rivals the mixing consoles found in large record-
ing studios.
Although you can of course record a live performance 
in a single pass, you can also use multi-track record-
ing to take full advantage of the AW2816’s 16 x 8 = 
128 tracks.
This tutorial will guide you through the actual record-
ing process, so that you can learn how to utilize the 
full power of the AW2816.

 

Creating a new song

 

In the WORK NAVIGATE section, press the [SONG] 
key. When the Song List screen appears, move the 
cursor downward, and press [ENTER] at the NEW 
SONG button. You will be asked “Save current song?,” 
so answer either YES or NO. Then specify the sam-
pling rate (Fs) and number of recording bits (Recbit) 
that the newly created song will use, and press 
[ENTER]. Next you will be asked whether you want to 
import mixer data (for details refer to the AW2816’s 
“Owner’s Manual,” Reference section), but in this 
case you need not select anything.
Now you can input a name for the song that will be 
created. Press [ENTER] at OK, and the comment input 
screen will appear. Unless you want to assign a com-
ment, simply select OK. A new song has now been 
created on the AW2816’s hard disk.

 

Recording the rhythm section

 

When recording a new song, it is usual to start by 
recording the rhythm section first, in order to set 
down the tempo and groove (rhythmic feel) of the 
song. After you have created the structure and rhythm 
of the entire song, you can add vocals, guitar, and 
other backing parts to complete the song.
At this stage, you just need the drums, bass, and per-
cussion parts. In particular, recording the bass at an 
early point in the process will clarify the chord pro-
gression of the song, and will make it easier for you to 
perform overdubbing later. Parts that contribute to the 
rhythmic feel of the song such as backing keyboard 
and guitar chording should also be recorded early.
In the pages that follow, we will give several examples 
of how the rhythm can be recorded. Refer to the 
explanation for the method that you will actually use.

 

Using two mics to record the 

 

rhythm

 

Since the AW2816 provides two channels of XLR mic 
input, you can put up two mics in a recording booth 
and record in stereo. In this section we are going to 
assume that you will record using two mics.

 

 

Connect the mics to the AW2816

 

Obtain two mics with the same characteristics (as far 
as possible, two mics of the same manufacturer and 
model), and connect the mic cables to the AW2816’s 
INPUT 1 and 2 XLR jacks. If you are using condenser 
mics, turn on the P48V switch located on 
the back panel. (If you are using dynamic mics, leave 
this switch turned off. Otherwise, the mic may be 
damaged.)
Now let’s check that the sound from the mic is actu-
ally being input to the AW2816. First turn the gain 
controls of the input to make adjustments. Recording 
at as high a level as possible will take the best advan-
tage of the AW2816’s potential, and give you the best 
sound. However if the level is too high, the sound 
may be distorted or a hissing noise may be recorded 
along with the sound, so use caution. Adjust the gain 
so that the PEAK indicator located at the upper right of 
the gain control just barely flickers when you play 
most loudly. If the PEAK indicator does not light even 
when the gain control is turned all the way to the 
right, check the connections once again, and if they 
are OK, use the following procedure to check whether 
the meters move.

Содержание AW2816

Страница 1: ...PROFESSIONAL AUDIO WORKSTATION PROFESSIONAL AUDIO WORKSTATION E Tutorial Tutorial...

Страница 2: ...you already have experience using a digital mixing console or digital recorder operating the AW2816 will soon feel completely natural to you and you will quickly be amazed at the astounding amount of...

Страница 3: ...c guitar 11 Adding the lead vocal 11 Adding the chorus 11 Listening to the rough mix 11 Saving the song 11 Saving the scene 11 Step 3 Assembling the mix for each part 12 Channels 1 2 Bass drum and sna...

Страница 4: ...rding the bass at an early point in the process will clarify the chord pro gression of the song and will make it easier for you to perform overdubbing later Parts that contribute to the rhythmic feel...

Страница 5: ...so adjust the fader and check whether sound is being input from each mic into the AW2816 You will be able to record with the best quality sound if the level is adjusted as high as possible without al...

Страница 6: ...and set OUT THRU to OUT For each of these move the cursor to the setting and press ENTER to change the setting Then use a MIDI cable to connect the AW2816 s MIDI OUT connector to the MIDI IN connecto...

Страница 7: ...of the screen slightly toward the right side For this example we will assume that you have selected 01 Press the STORE key of the SCENE MEMORY section You will be asked to input a name for the scene...

Страница 8: ...orded it will be impossible to make any changes in that effect afterward In particular applying equal izer EQ or spatial type effects during recording may limit your freedom during mixdown In some cas...

Страница 9: ...tray and load the CD 5 The demo song Can you feel it will appear in the on screen list Move the cursor to the RESTORE SONG area and press the ENTER key The RESTORE SONG but ton will change from DISAB...

Страница 10: ...nt space Narrow and tight Distant Nearby Are there any instruments that share a similar fre quency range and might conflict with each other Distorted electric guitar and organ are good exam ples of th...

Страница 11: ...l on The kick and snare are recorded on tracks 1 and 2 respectively Adding the drum overhead tracks Use the following procedure to pair the monitor chan nels 1 Hold down the channel 3 SEL key and pres...

Страница 12: ...n to a section of the song where the lead vocal is heard together with the chorus and adjust the level of the chorus section Turn on channels 13 14 15 and raise the fader levels to a point where they...

Страница 13: ...FTER PAN At this stage of the mixdown you need to hear the tracks with the EQ dynamics and other effects applied Normally when you use the Solo function to monitor you will hear only the dry sound of...

Страница 14: ...Move the cursor to ON OFF and turn dynamics ON for the selected channel 4 Use the CURSOR keys and the DATA JOG dial to make the following dynamics set tings for the overhead mic channels Since channe...

Страница 15: ...to make the following dynamics set tings DYNAMICS Comp Channel 6 Acoustic bass We will lower the LOW 35 Hz region by 7 5 dB to add warmth to the sound By lowering the L MID 111 Hz region by 2 5 dB we...

Страница 16: ...DYNAMICS Expander Channel 7 Percussion For the percussion channel we will cut the 125 Hz region by 8 0 dB to reduce the weight of the low range making the sound a bit lighter In the dynamics section...

Страница 17: ...ness EQ ATT 11 dB Type Compander Soft Channel 9 Piano Since this has an overall familiar tone we will leave it essentially unchanged A slight boost in the 500 Hz region will bring out the core of the...

Страница 18: ...hard compander Type Compander Hard EQ ATT 7 dB Channel 11 Organ We will boost the mid range that adds a distinctive character to the organ sound DYNAMICS OFF EQ ATT 7 dB Threshold Ratio Out Gain Atta...

Страница 19: ...te level and panning adjustments to create a good mix with the chorus 3 middle monaural of channel 15 So that it does not interfere with the lead vocal we will emphasize part of the mid range so that...

Страница 20: ...der level as appropriate Since the level is also affected when you adjust EQ or dynamics you will find it necessary to adjust it as well Saving the song To save the song press the WORK NAVIGATE sectio...

Страница 21: ...se Preset scene By recalling the preset scene number 04 STEP4 MIX you can hear the reverb and other settings that will be explained below By now you probably know how to recall a scene but if you are...

Страница 22: ...in from applying reverb to the synthesizer Instead we will use Symphonic for effect 2 This effect is used mainly to add depth a sense of speed and a stereo feeling horizontal spread to synthesizer sou...

Страница 23: ...ts and the reasons for the change Turn auto mix on and watch how the faders and channel ON keys change as the song progresses Use the following procedure to turn automix on 1 In the AUTOMATION section...

Страница 24: ...empha size the backing in the lower register 4 Synth Approximately 1 30 into the song the fader will be turned ON Then at about 2 25 the fader will be lowered creating silence during the break At abo...

Страница 25: ...ng back at someone else s home The ideal mastering environment is one with as little reverberation as possible and in which the recorded sound and effects are reproduced as faithfully as pos sible the...

Страница 26: ...ding the song to the stereo track On the AW2816 you must first record the mixed song onto the stereo track and then write that stereo track to the CD Once you are satisfied with the master EQ and comp...

Страница 27: ...and mixdown functions that we were not able to introduce in these pages We hope you will make full use of these capabilities and even develop tech niques that are not mentioned in the AW2816 s Owner s...

Страница 28: ...otal of 28 channels includ ing the recorder playback and the outputs of the two effects Chase A state in which the AW2816 is receiving MTC see entry from an external device and running in syn chroniza...

Страница 29: ...top and Record Monitor The headphones or speakers used to reproduce the sound that is output from the AW2816 Also used to refer to the act of listening to the playback from the headphones or speakers...

Страница 30: ...eing performed each second If this number is higher a broader frequency range of sound can be captured as data Scene memory A function that collectively saves the parameter set tings of the AW2816 s m...

Страница 31: ...YAMAHA CORPORATION V766850 R1 1 IP 32 Pro Audio Digital Musical Instrument Division P O Box 3 Hamamatsu 430 8651 Japan 01 08 3500 AP Printed in Japan...

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