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21

Tutorial

Channels 1/2: Kick and snare

When recording drums, you record the dry sound as 
on the tracks of the demo song. Adding just a slight 
amount of reverb will create a dramatically wider 
sense of space. However, be careful not to apply too 
much. Sometimes for a ballade you will year fairly 
heavy reverb on the drums, but even in this case it is 
applied only to a specific drum (such as the snare). In 
order to do this, it is obviously necessary to record the 
snare on its own track. On the other hand, it is just 
fine to leave the drum sound completely dry. In the 
demo song, we set the reverb time to 0.8 seconds to 
create a light reverb that will not “muddy” the drums, 
and lightly apply the reverb only to the snare and per-
cussion. Raise the channel 2 and channel 7 AUX5 
faders to about –25 dB.
In the MIXER VIEW screen (accessed by pressing the 
MIXER section [VIEW] key), you can view and make 
fine adjustments to the fader settings of the selected 
channel. The AUX5 fader in the lower right of the 
screen indicates the current level. You can move the 
cursor here and turn the [DATA/JOG] dial to make 
accurate adjustments. If you want to go back to the 
channel fader and make additional reverb adjust-
ments, press the FADER MODE section [AUX5] key.

Channels 3 and 4: Overhead 
drum mics

These tracks combine the toms and hi-hat of the drum 
set. This is a stereo track. So that we do not impair the 
clarity of the hi-hat work, we will not apply any effect.

Channel 7: Percussion

The tambourine and handclaps are recorded on this 
channel. It might be nice to apply an effect to the 
handclaps, but since we don’t want to blur the place 
of the tambourine in the rhythm section, we will not 
apply effects to this track either.

Channel 8: Acoustic guitar

To give a sense of spaciousness to the phrases played 
by the acoustic guitar, we will apply some light 
reverb. Raise the AUX5 track 8 fader to about –25 dB.

Channel 9: Piano

We will add a certain amount of reverb to the piano 
to make the sound richer.

Channel 10: Synthesizer

We will intentionally refrain from applying reverb to 
the synthesizer. Instead we will use “Symphonic” for 
effect 2. This effect is used mainly to add depth, a 
sense of speed, and a stereo feeling (horizontal 
spread) to synthesizer sounds. By increasing the EQ.G 
parameter we will give the sound more edge, and 
then raise FREQ to give the sound an increased sense 
of speed.

Channel 11: Organ

It is difficult to decide on an appropriate amount of 
reverb for instruments like organ. Since the sound is 
sustained, a large amount of reverb can occur before 
you realize it, ruining your mix. In the case of this 
song, we will simulate a narrow space (such as a 
garage) by not applying an effect.

Channel 12: Electric guitar

Since the electric guitar takes a solo, we will add a 
certain amount of reverb in order to add richness to 
the sound.

Channels 13/14/15: Chorus

We will apply just enough reverb to make the backing 
vocals blend together. Be careful, since more reverb 
will make the sound richer but will also make the lyr-
ics less understandable, and will blur the overall mix. 
Don’t overdo the reverb for channels 13/14/15.

Channel 16: Lead vocal

It is common to apply quite a bit of reverb on the lead 
vocal, but please listen carefully to the result. The less 
reverb is used, the better you will be able to hear the 
result. Apply reverb gradually, and stop when you 
sense that the sound has become a bit warmer and 
plumper. In particular, the detail and expressiveness of 
the AW2816’s “24 bit high-quality reverb” can be best 
appreciated when it is applied lightly.
Since each adjustment performed during the mix will 
affect the audible balance, adjust the fader levels as 
necessary.

• Saving the song
It is very important to save the song frequently while 
you are working on it. If you have been working hard 
for several hours and the power cable is accidentally 
disconnected or a power failure occurs, or someone 
operates a key or fader, your hard work will be for 
nothing.
To save the song, press the WORK NAVIGATE section 
[SONG] key to access the SONG screen. If necessary 
press the [F1] key to display the Song List page. Move 
the cursor in the screen to “SAVE,” and press the 
[ENTER] key. When the confirmation message 
appears, move the cursor to “OK” and press the 
[ENTER] key to save the song.

Содержание AW2816

Страница 1: ...PROFESSIONAL AUDIO WORKSTATION PROFESSIONAL AUDIO WORKSTATION E Tutorial Tutorial...

Страница 2: ...you already have experience using a digital mixing console or digital recorder operating the AW2816 will soon feel completely natural to you and you will quickly be amazed at the astounding amount of...

Страница 3: ...c guitar 11 Adding the lead vocal 11 Adding the chorus 11 Listening to the rough mix 11 Saving the song 11 Saving the scene 11 Step 3 Assembling the mix for each part 12 Channels 1 2 Bass drum and sna...

Страница 4: ...rding the bass at an early point in the process will clarify the chord pro gression of the song and will make it easier for you to perform overdubbing later Parts that contribute to the rhythmic feel...

Страница 5: ...so adjust the fader and check whether sound is being input from each mic into the AW2816 You will be able to record with the best quality sound if the level is adjusted as high as possible without al...

Страница 6: ...and set OUT THRU to OUT For each of these move the cursor to the setting and press ENTER to change the setting Then use a MIDI cable to connect the AW2816 s MIDI OUT connector to the MIDI IN connecto...

Страница 7: ...of the screen slightly toward the right side For this example we will assume that you have selected 01 Press the STORE key of the SCENE MEMORY section You will be asked to input a name for the scene...

Страница 8: ...orded it will be impossible to make any changes in that effect afterward In particular applying equal izer EQ or spatial type effects during recording may limit your freedom during mixdown In some cas...

Страница 9: ...tray and load the CD 5 The demo song Can you feel it will appear in the on screen list Move the cursor to the RESTORE SONG area and press the ENTER key The RESTORE SONG but ton will change from DISAB...

Страница 10: ...nt space Narrow and tight Distant Nearby Are there any instruments that share a similar fre quency range and might conflict with each other Distorted electric guitar and organ are good exam ples of th...

Страница 11: ...l on The kick and snare are recorded on tracks 1 and 2 respectively Adding the drum overhead tracks Use the following procedure to pair the monitor chan nels 1 Hold down the channel 3 SEL key and pres...

Страница 12: ...n to a section of the song where the lead vocal is heard together with the chorus and adjust the level of the chorus section Turn on channels 13 14 15 and raise the fader levels to a point where they...

Страница 13: ...FTER PAN At this stage of the mixdown you need to hear the tracks with the EQ dynamics and other effects applied Normally when you use the Solo function to monitor you will hear only the dry sound of...

Страница 14: ...Move the cursor to ON OFF and turn dynamics ON for the selected channel 4 Use the CURSOR keys and the DATA JOG dial to make the following dynamics set tings for the overhead mic channels Since channe...

Страница 15: ...to make the following dynamics set tings DYNAMICS Comp Channel 6 Acoustic bass We will lower the LOW 35 Hz region by 7 5 dB to add warmth to the sound By lowering the L MID 111 Hz region by 2 5 dB we...

Страница 16: ...DYNAMICS Expander Channel 7 Percussion For the percussion channel we will cut the 125 Hz region by 8 0 dB to reduce the weight of the low range making the sound a bit lighter In the dynamics section...

Страница 17: ...ness EQ ATT 11 dB Type Compander Soft Channel 9 Piano Since this has an overall familiar tone we will leave it essentially unchanged A slight boost in the 500 Hz region will bring out the core of the...

Страница 18: ...hard compander Type Compander Hard EQ ATT 7 dB Channel 11 Organ We will boost the mid range that adds a distinctive character to the organ sound DYNAMICS OFF EQ ATT 7 dB Threshold Ratio Out Gain Atta...

Страница 19: ...te level and panning adjustments to create a good mix with the chorus 3 middle monaural of channel 15 So that it does not interfere with the lead vocal we will emphasize part of the mid range so that...

Страница 20: ...der level as appropriate Since the level is also affected when you adjust EQ or dynamics you will find it necessary to adjust it as well Saving the song To save the song press the WORK NAVIGATE sectio...

Страница 21: ...se Preset scene By recalling the preset scene number 04 STEP4 MIX you can hear the reverb and other settings that will be explained below By now you probably know how to recall a scene but if you are...

Страница 22: ...in from applying reverb to the synthesizer Instead we will use Symphonic for effect 2 This effect is used mainly to add depth a sense of speed and a stereo feeling horizontal spread to synthesizer sou...

Страница 23: ...ts and the reasons for the change Turn auto mix on and watch how the faders and channel ON keys change as the song progresses Use the following procedure to turn automix on 1 In the AUTOMATION section...

Страница 24: ...empha size the backing in the lower register 4 Synth Approximately 1 30 into the song the fader will be turned ON Then at about 2 25 the fader will be lowered creating silence during the break At abo...

Страница 25: ...ng back at someone else s home The ideal mastering environment is one with as little reverberation as possible and in which the recorded sound and effects are reproduced as faithfully as pos sible the...

Страница 26: ...ding the song to the stereo track On the AW2816 you must first record the mixed song onto the stereo track and then write that stereo track to the CD Once you are satisfied with the master EQ and comp...

Страница 27: ...and mixdown functions that we were not able to introduce in these pages We hope you will make full use of these capabilities and even develop tech niques that are not mentioned in the AW2816 s Owner s...

Страница 28: ...otal of 28 channels includ ing the recorder playback and the outputs of the two effects Chase A state in which the AW2816 is receiving MTC see entry from an external device and running in syn chroniza...

Страница 29: ...top and Record Monitor The headphones or speakers used to reproduce the sound that is output from the AW2816 Also used to refer to the act of listening to the playback from the headphones or speakers...

Страница 30: ...eing performed each second If this number is higher a broader frequency range of sound can be captured as data Scene memory A function that collectively saves the parameter set tings of the AW2816 s m...

Страница 31: ...YAMAHA CORPORATION V766850 R1 1 IP 32 Pro Audio Digital Musical Instrument Division P O Box 3 Hamamatsu 430 8651 Japan 01 08 3500 AP Printed in Japan...

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