Toshiba IK-TF9P, Руководство по обслуживанию

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IK-TF9P 1-2
5
1.
CA
UTIONS ON USE AND INST
ALLA
TION
t
Handling the unit. Do not drop
, jolt, or vibr
ate
, as this ma
y result in
damage to the unit and ma
y cause prob
lems
.
T
reat the camer
a cab
les carefully to pre
v
ent cab
le
prob
lems
, such as breaks in the cab
le and loose
connections
.
t
Install the camera in a location free fr
om noise
.
If the camer
a or the cab
les are located near po
wer
utility lines or a
TV
, etc.
undesir
ab
le noise ma
y
appear on the screen.
In such a case
, tr
y to change
the location of the camer
a or the cab
le
wir
ing.Consult with a ser
vice personnel, if the
noise still appears after changing the location or the cab
le wir
ing.
t
Operating ambient temperature and humidity
.
Do not use the camer
a in places where temper
a-
ture and humidity e
xceed the specifications
. Pic-
ture quality will deter
iolate and inter
nal par
ts ma
y
be damaged. Be par
ticular
ly careful when using in places e
x
-
posed to direct sunlight.
When shooting in hot
en
vironments
, depending on the conditions of the
object and the camer
a (f
or e
xample when the gain
is increased), noise in the f
o
rm
of v
e
rtical str
ips
or white dots ma
y occur
. This is not a malfunction.
t
When not using the camera f
or e
xtended peri-
ods of time
.
Switch the control unit off and disconnect the po
w
er supply
.
t
A
v
oid using or storing the camera in the f
ol-
lo
wing places:
Places filled with highly flammab
le and corrosiv
e
gas
.
Places near gasoline
, benz
ene
, or paint thinner
.
Places subject to strong vibr
ation.
Places containing chemicals (such as pesticides), ru
b
ber or vin
yl products f
or e
xtended per
iods of
time
.
t
Do not shoot intense light. If there is an intense light at a location on the screen such as a spot light, a b
looming and smear-
ing ma
y occur
.
When intense light enters
, v
e
rtical
str
ipes ma
y appear on the screen.
This is not a
malfunction.
Ghosts ma
y occur when there is an
intense light near the object.
In this case
, change
the shooting angle
.
t
Moire A moire patter
n is an interf
erence patter
n gener-
ated when tw
o repetitiv
e line patter
ns o
v
er
lap
. This
is not a malfunction.
Eliminating the repetitiv
e line
patter
ns
, or aligning the tw
o patter
ns
, will elimi-
nate the moire
.
t
Handling of the pr
otection cap.
K
eep the protection cap a
w
a
y
from children as the
y
ma
y pose a choking hazard.
The protection cap
protects the image sensing plane when the lens is remo
v
ed from the camer
a head, do not discard.
t
When c
leaning the camera.
Unplug the po
w
er source bef
ore cleaning.
Clean
with a soft dr
y cloth only
. Do not use chemicals or
chemically treated cloths
. Chemicals ma
y damage
coatings and pr
inted letters
.
When cleaning the
lens
, use lens cleaning paper
.
2.
COMPONENTS
(1)
Camera Control Unit
......................................................................................................................
1
(2)
Accessor
ies
(a)
Instr
u
ction man
ual
...................................................................................................................
1
This pr
oduct is a 3CCD color camera with digital video output.
( 3 )
Using the unit with e
xter
nal sync signal
..
33
(3.
1)
H (hor
iz
ontal) phase adjustment
......
3
3
8.
INPUT OUTPUT SIGNAL SPECIFICA
TIONS
....
34
( 1 )
HD Input Specifications
..........................
34
( 2 )
VD Input Specifications
...........................
34
( 3 )
T
rigger Pulse Specifications
....................
34
( 4 )
Exter
nal HD/VD Input Phase
Specifications
..........................................
34
9.
CCD OUTPUT
W
A
VEFORM
TIMING CHART
....
35
( 1 )
Hor
iz
ontal Output
W
a
ve
fo
rm
Timing Char
t
...
35
( 2 )
V
e
rtical Output
W
a
v
e
fo
rm
Timing Char
t...
35
10.
SPECIFICA
TIONS
.......................................
36
11.
EXTERNAL APPEARANCE DIA
GRAM
......
37
12.
BEFORE MAKING A SER
VICE CALL
........
37
4
1.
CA
UTIONS ON USE AND INST
ALLA
TION
.....
5
2.
COMPONENTS
................................................
5
3.
NAMES AND FUNCTIONS
..............................
6
4.
CONNECTION
..................................................
7
4
. 1
Standard
Connection
................................
7
4
.
2
Cautions on Connection
...........................
7
4
.
3
Connector Pin Assignments
.....................
7
5.
OPERA
TION
.....................................................
8
5
. 1
White
Balance
...........................................
8
5
. 2
Gain
..........................................................
9
5
. 3
Sading
Correction
.....................................
9
6.
ITEMS CONTR
OLLED BY
THE SCREEN
DISPLA
Y
.........................................................
10
7.
MODE SETTING BY
THE SCREEN DISPLA
Y
..
11
7
.
1
Using the Men
us
.....................................
11
7
. 2
Men
us
.....................................................
12
( 1 )
SHUTTER (Electronic shutter)
................
12
(1. 1)
Changing the setting in MANU mode
.....................................
1
3
(1. 2) Changing the setting in
SS (synchro
. scan) mode
.................
1
4
(1. 3) Changing the setting in
E.TRG mode
.....................................
1
5
(1. 3. 1)
Changing the setting in 1P SNR mode
...............................
1
5
(1. 3. 2) Changing the setting in
1P SR mode
.................................
1
6
(1. 3. 3) Changing the setting in
PW SNR mode
.............................
1
7
(1. 3. 4) Changing the setting in
PW SR mode
................................
1
8
(1. 3. 5) Changing the setting in
RR mode
.......................................
1
8
(1. 4) Changing each setting in
A
U
T
O
mode
......................................
1
9
( 2 )
GAIN (Video gain)
...................................
20
(2. 1) Changing the setting in GAIN
..........
2
0
( 3 )
WHT BAL (White balance)
......................
21
(3.
1) Changing the setting in A
W
B
(A
utomatic
White Balance) mode
....
2
1
(3. 2) Changing the setting in MANU
(Man
ual) mode
.................................
2
1
( 4 )
P
R
OCESS
..............................................
22
(4. 1) Changing gamma correction
............
2
2
(4. 2) Changing master pedestal
...............
2
2
T
A
BLE OF CONTENTS
(4. 3) Changing R pedestal
........................
2
2
(4. 4) Changing B pedestal
........................
2
2
( 5 )
SHADING
...............................................
23
(5. 1)
Changing
V
.SHAD
. (V
er
tical Shading)
correction mode
...............................
2
4
(5.
2)
Changing the man
ual
V
.SHAD
. (V
er
tical
Shading) correction setting
..............
2
4
(5. 3)
Changing C
.SHAD
. (Cor
ner Shading)
correction mode
...............................
2
4
(5. 4)
Changing the man
ual C
.SHAD
. (Cor
ner
Shading) correction setting
..............
2
4
( 6 )
SYNC
......................................................
25
(6. 1)
Adjusting hor
iz
ontal phase
...............
2
5
( 7 )
OPTION
..................................................
25
(7. 1)
Changing ser
ial communication
b
a
u
d
ra
te
..........................................
2
5
( 8 )
Retur
ning to f
actor
y settings
...................
26
7.
3 Synchro
. Scan Oper
ation
........................
26
( 1 )
Setting b
y
2H
..........................................
26
( 2 )
Setting b
y
the fr
ame
................................
26
7.
4 E.
TRG (Exter
nal tr
igger)
.........................
27
( 1 )
1P SNR (1 Pulse
T
rigger Sync Non Reset)
...........
27
(1.
1)
1 Pulse
T
rigger SYNC-NON RESET
Picture Output
Timing
......................
2
7
( 2 )
1P SR (1 Pulse
T
rigger Sync Reset)
.......
28
(2. 1)
1
Pulse
T
rigger
SYNC-RESET
Picture Output
Timing
......................
2
8
( 3 )
PW SNR (Pulse width tr
igger
SYNC-NON RESET)
..............................
29
(3. 1)
Pulse Width T
rigger
SYNC-NON
RESET Picture Output
Timing
.........
2
9
( 4 )
PW SR (Pulse width tr
igger
SYNC-RESET)
.......................................
30
(4. 1)
1
Pulse
Width
T
rigger
SYNC-RESET
Picture Output
Timing
......................
3
0
( 5 )
RR (Reset restar
t)
..................................
31
(5. 1)
Long T
e
rm
Exposure
........................
3
1
(5. 2)
Input
Timing Char
t Example
............
3
1
7.
5 P
a
rtial Read
............................................
32
( 1 )
P
ar
tial Scanning OFF
(All pix
els scanning)
................................
32
( 2 )
P
ar
tial Scanning ON
...............................
32
( 3 )
When P
a
rtial Scanning Mode is ON
.......
32
7.
6 Exter
nal Sync
..........................................
33
( 1 )
Exter
nal sync signal polar
ity
...................
33
( 2 )
Exter
nal sync frequency r
ange
...............
33
Cop
yright and Right of P
o
rtrait
There ma
y be a conflict with the Cop
yr
ight La
w and other la
ws when a customer uses
, displa
ys
,
distr
ib
utes
, or e
xhibits an image pic
k
ed up b
y
the camer
a without per
mission from the cop
yr
ight
holder
. Please also note that tr
ansf
er of an image or file co
v
ered b
y
cop
yright is restr
icted to use
within the scope per
mitted b
y
the Cop
yr
ight La
w
.