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4

Getting Started

The following steps will help you set up your mixer, and get the 

levels and adjustments just right.

ZERO THE CONSOLE:

1.

  Turn everything off, including the mixer’s POWER 

switch and PHANTOM POWER switch.

2.

  Turn down the channel strip GAIN, AUX 1, AUX 2, 

and LEVEL controls.

3.

  Center the channel strip EQ and PAN controls.

4. 

Turn down the AUX RETURNS, CONTROL ROOM, 

and PHONES controls.

5. 

Turn down the MAIN MIX control.

CONNECTIONS:

1.

   Connect your speakers to your amplifi er’s outputs 

(unless, of course, you have powered speakers).

2.

   Plug all the sound system components into suitable 

AC outlets, properly grounded and capable of 

delivering adequate current.

3.

   Using TRS cables, make connections from your 

mixer’s MAIN OUT to your amplifi cation system’s 

line inputs. 

4.

  Connect your microphones and instruments to the 

mixer: Connect microphones to the mono channel 

MIC jacks. (For condenser microphones, engage 

the PHANTOM POWER switch.) Connect high-

impedance line-level instruments (electric guitar, 

bass guitar) to the mono channel INST IN, or other 

line-level signal source to the stereo channel LINE 

IN jacks.

 

Note:

 Normally, you would plug in only one 

microphone or one instrument into each mono 

channel.

5.

  Zero the console, as shown above.

6.

  Turn all the power switches on, leaving the 

amplifi er’s switch for last.

7.

  Turn up the MAIN MIX control to the 9 o’clock 

position, for now. We’ll crank it up later on.

8.

  Now you are ready to set the levels.

SET THE LEVELS (Channels 1 and 2):

1.

   Choose one of the microphones or instruments 

you connected to the mono MIC or INST input. 

Make some noise. If it’s a microphone, sing at your 

normal singing volume. If it’s an instrument, play it 

at its normal output level.

2.

   While making noise, turn up that channel’s GAIN 

until the adjacent LEVEL SET LED starts blinking.

3.

   Raise that channel’s LEVEL to unity gain (

U

 label). 

You should be hearing your noise now.

4.

   If necessary, apply channel EQ changes. (You may 

need to compensate for level changes afterward 

with the channel LEVEL control.)

5.

   Repeat steps 1 through 4 for the other Mic/Line 

channel.

6.

  Stop making noise. Everyone: start making music.

7.

  Now turn up the MAIN MIX control to a 

comfortable listening level.

SET THE LEVELS (Channels 3/4 and 5/6):

1.

  Make some noise with the mono or stereo 

instrument connected to the LINE IN jacks on 

Channels 3/4. Play it at its normal output level.

2.

  Raise that channel’s LEVEL control until it 

is approximately equal in volume to the 

microphones or instruments connected to 

channels 1 and 2.

3.

  If necessary, apply channel EQ changes. (You may 

need to compensate for level changes afterward 

with the channel LEVEL control.)

4.

  Repeat steps 1 through 3 for Channels 5/6.

TWEAK THE MIX:

1.

  If you are using an external processor connected 

between the AUX SEND 2 and the AUX RETURN jacks, 

use each channel’s AUX 2 FX control to send signal 

to the processor, and add the processor’s signal to 

the mix using the AUX RETURN TO MAIN MIX control.

2.

  Now that you have a rough mix going, you 

may need to readjust the MAIN MIX control to 

a comfortable listening level. The LED VU meters 

should indicate by lighting most of the green LEDs 

when music is playing, and occasionally light the 

yellow LEDs.

3.

  Depending on how much time you have, keep 

tweaking. Walk the room to see how it sounds 

away from your mixer. Keep tweaking. 

Содержание Blend 6

Страница 1: ...owner s manual by...

Страница 2: ...from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits radio lectriques d pas...

Страница 3: ...not a bad idea to write your product information here for future reference i e insurance claims tech support return authorization etc Contents Safety Instructions 2 Getting Started 4 Introduction 6 H...

Страница 4: ...ST input Make some noise If it s a microphone sing at your normal singing volume If it s an instrument play it at its normal output level 2 While making noise turn up that channel s GAIN until the adj...

Страница 5: ...O MONO MIC INPUT INPUT MIC INPUT INPUT INST INPUT INPUT IN OUT L R PHONES L R L R R AUX SENDS DS IN IN OUT OUT AUX RETURN MAIN MIX N MIX CTRL R L ROOM FX MON CD TAPE MONO L 1 MON MON 2 FX FX AUX SEND...

Страница 6: ...tor Inter Planetary Space Drive control OK we made that last one up but we can pencil it in for next time Introduction Thank you for choosing a TAPCO Blend 6 mixer by Mackie The TAPCO family of mixers...

Страница 7: ...BAL UNBAL UNBAL L R LINE IN 5 6 BAL BAL UNBAL UNBAL L R LINE IN 1 2 MONO MONO MIC INPUT INPUT MIC INPUT INPUT INST INPUT INPUT IN OUT L R PHONES L R L R R AUX SENDS DS IN IN OUT OUT AUX RETURN MAIN MI...

Страница 8: ...e world to be adjusted to optimal internal operating levels Through the mono channels MIC XLR inputs there is 50 dB of gain with the knob fully up Through a mono channels INST IN TRS inputs there is 2...

Страница 9: ...stereo signals For instance channel 3 L and 4 R mix together to feed that channel s AUX send knobs 8 AUX 1 MON AUX 1 MON is designed to send a separate mono mix to your stage monitors via the AUX 1 SE...

Страница 10: ...levision audio etc Signals coming into these inputs are routed directly to the main mix when the CD TAPE TO MAIN MIX 21 button is pushed in The signals can also be routed to the CONTROL ROOM 25 output...

Страница 11: ...ed to the CD TAPE inputs push down this switch to add the CD TAPE signal to the main mix This is useful if you want to play some entertainment while the band is taking a break Use the MAIN MIX control...

Страница 12: ...MAIN 24 output The TAPE OUTPUT level is affected by the MAIN MIX 22 control 29 PHONES OUTPUT The stereo signal at this output jack is the same as the CTRL ROOM 25 outputs but it is not affected by th...

Страница 13: ...acking box and must have the RA number on the box Once it s repaired we ll ship it back the same way in which it was received This paragraph does not necessarily apply to non warranty repair Warranty...

Страница 14: ...hones 1 4 TRS Stereo Unbalanced Wiring Sleeve Shield Tip Left Ring Right 1 4 TS Phone Plugs and Jacks TS stands for Tip Sleeve the two connections available on a mono 1 4 phone jack or plug They are u...

Страница 15: ...els Mic Input 18 dBu Gain 3 dB Inst Input 18 dBu Gain 22 dB Stereo Line Input Tape Input and Aux Return 18 dBu Maximum Voltage Gain Mic Input to Main Output 74 dB Tape Output 74 dB Aux Sends 74 dB Con...

Страница 16: ...hange these specifications at any time without notice During a recent Garden Fete put on by the Society for the Prevention of Misunderstandings SRSoF this mixer was accidentally awarded first prize in...

Страница 17: ...PCO BLEND 6 BLOCK DIAGRAM SSE 01 04 L L R R PAN AUX 2 FX SUM THING SUM THING ELSE AUX RETURN TO MAIN MIX AUX RETURN TO AUX 1 MON AUX 1 MON L R L R LEFT MAIN BUS RIGHT MAIN BUS AUX 1 MON BUS AUX 2 FX B...

Страница 18: ...MAX MAX MAX U U MAX MAX MAX MAX MAX MAX U U U U MAX MAX MAX MAX LEVEL U MAX MAX U MAX MAX U MAX MAX U U MAX MAX 1 2 3 4 PAN PAN PAN PAN GAIN U 22dB 25dB 3 50 MIC GAIN U 22dB 25dB 3 50 MIC TAPCO Blend...

Страница 19: ...nologies to any location within the boundaries of the USA G LOUD Technologies warrants all repairs performed for 90 days or for the remainder of the warranty period This warranty does not extend to da...

Страница 20: ...tapcogear com...

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