STEREO INPUTS
Guitar amps and mic’d sound sources only
provide you with mono signals. However
keyboards, samplers, drum machines and other
electronic media often provide true stereo
outputs with separate left and right signals.
Stereo Inputs on mixers simply allow you to
connect both of these signals individually and
control them from a single fader. Stereo inputs
tend to incorporate fewer facilities than mono
inputs as most keyboards are already equipped
with plenty of internal effects and tone control
options.
NB: Soundcraft jack stereo inputs default to Mono
when the left input is used. RCA phono connectors do
NOT have this option.
SUBGROUPS
These allow the logical assignment of groups of instruments
or vocalists so that they may be controlled by just one pair
of faders, or even a single fader, once individual
instruments’ relative levels have been balanced. They also
act as additional outputs with separate volume/level
controls – ideal for speaker fills or recording a number of
instruments to one tape track.
SECTION 1:
Starting Out
5
10
0
15
15
12
12
9
9
6
6
3
3
0
– +
15
15
12
12
9
9
6
6
3
3
0
– +
5
5
4
4
3
3
2
2
1
1
0
L
R
LEVEL
MIX
LF
10
0
10
0
AUX
1
PRE
AUX
2
POST
/PRE
AUX
3
POST
BAL
10
5
0
5
10
15
20
30
∞
0N
MIX
SUB
PFL
A
STE-C
10
0
1
9
2
8
3
7
4
6
5
SUB
STE-A
HF
L
R
STE-C
22dB
0
11
GAIN
T
INPUT
FADERS
GROUP
FADERS
Note: Inputs are
routed to Groups via
the routing switches
and Pan pots
FIG. 1.4
FIG. 1.5
13924 Inners 7/8/01 2:56 pm Page 5
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