SoundCraft Spirit SX, Руководство по смешиванию

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mixer’s block diagram and use outputs coming after the
effects return for this purpose.
• Do not record in the same room in which you are playing
unless your monitor speakers are muted. At the very least,
your recorded track will pick up the mix from the monitor
speakers, but more likely howl-round and feedback will
occur which will damage your equipment. If you a
recording a band, it is best to put them in an entirely
different room altogether.
• Setting recording levels - for the best results, as it is
important to set the highest record levels you can on your
multitrack without getting overload or distortion. If you set
levels too low, you will end up with a weak signal and
background hiss. All multitrack recorders allow you to set
record levels before a take. Consult the recorder’s manual as
to how best to achieve this.
E. Simple Multitrack Mixdown
The diagram below shows how a simple set-up will look for
the mixdown process. Some repatching has occured to free
up the input channels which were used as mutitrack tape
sends. Tape returns can then be plugged into the mixer in
sequence from channel 1 upwards, leaving any spare inputs
for sequenced MIDI instruments. Effects, amps and
speakers may be left as before.
NB: Mixdown hints and tips may be found in “Creating a Mix” at
the end of this section.
SECTION 6: In the Studio
27
EFFECTS
Mix L&R
Stereo Input
Monitor
Aux Post
Line
2 T
rack
Stereo Inputs
Mix
L&R
Line Inputs
Aux Pre
Out
In
Out
In
Out
Out
In
In
Line Inputs
S I M P L E M U L T I T R A C K M I X D O W N
NEARFIELD
MONITOR
NEARFIELD
MONITOR
MULTITRACK
RECORDER
KEYBOARDS OR
SYNTHESISERS
STEREO
POWER
AMP
ENGINEER’S
HEADPHONES
PERSONAL COMPUTER
MIDI
MIDI
MIDI
MIDI
DAT
FIG. 6.2
SOUND
MODULE
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