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These controls route the input channel signal to any one or more of eight Auxiliary busses.  These combine the
sends from each channel, mixing them to separate outputs on the rear of the mixer.  Since they are independent
of the main outputs they can provide additional sources for  foldback, effects processors or extra loudspeaker ‘fills’.
The controls are specially chosen to give a particularly smooth control range at the lower end of the scale where
it is most needed  -  quite unique on a mixer of this type.  Leave the knobs turned anticlockwise when not in use.

AUX SEND 1 & 2

These sends are always PRE-FADE, PRE EQ and are unaffected by the ON switch.  They would typically be used
for Foldback or Monitor feeds, for which it is important that the send should be independent of the fader so that,
for instance, the mix to artists headphones is not affected by changes in fader level.  

AUX SEND 3

This send can be pre-fade, pre-EQ and be used in the same way as Aux Sends 1 & 2 for Foldback or as a Monitor
feed, but for Effects it is more appropriate for the Aux Send to fade up and down with the fader (POST-FADE).  A
Master Section AUX3 PRE switch allows you to switch all channel Aux 3 sends from pre- to post-fade across the
whole mixer as required.  The send is unaffected by the position of the ON switch if the master section Aux 3 PRE
is pressed.

AUX SENDS 4-8

These are always POST-FADE and would normally be used to drive effects processing units which are fed back
into the mixer and which must fade out with the input channel.

Aux 4 is an individual mono send, while the 5/6 STE knob feeds the channel signal via the PAN control (see below)
as a stereo pair to either Aux outputs 5 & 6 or, with the 7-8 switch pressed, to Aux outputs 7 & 8.

PAN

This control sets the amount of the channel signal feeding the Right and Left MIX or GROUP outputs, allowing you
to move the source smoothly across the stereo image.  Rotation fully anticlockwise feeds the signal solely to the
Left mix bus, Group 1 or Group 3, while rotation clockwise sweeps the image to the right bus, Group 2 or Group
4.

ON SWITCH

The ON switch enables all post-fade outputs from the channel when pressed.  Note that the Insert point is unaffected
by the ON switch.

OUTPUT ROUTING

The input channel signal is always routed to MIX or GROUPS as selected by the two ROUTING switches.  The
upper switch selects MIX when released or GROUPS when pressed, while the lower switch chooses between
Groups 1-2 when released or Groups 3-4 when pressed.

PEAK INDICATOR

This LED indicator warns when an excessively high signal level is present in the channel.  The signal is sampled
immediately after the EQ section and the LED will illuminate approximately 4dB before clipping.  It will therefore
take into account the effect of any equipment connected to the Insert point.

PFL

When the latching PFL switch is pressed, the pre-fade signal is fed to the headphones or monitor outputs, replacing
the selected source (either Mix or Tape Return).  The PFL/AFL LED on the Master section illuminates to warn that
the headphones, monitor outputs and right PPM meter are now responding to the PFL/AFL selection.  This is a
useful way of listening to any one or more signals without interrupting the main mix, for adjusting signal quality or
simply to check that it is there!  You would also use the PFL switch to set the input GAIN as explained under ‘Initial
Setting Up’.

FADER

SPIRIT FOLIO 4

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Содержание Spirit Folio 4

Страница 1: ...Multitrack Recording The Controls in More Detail Applications Glossary Technical Specifications System Block Diagram 1 1 2 3 5 7 9 11 12 13 20 21 22 23 24 25 27 Mono Input Channel Stereo Input Channel...

Страница 2: ...lore the controls and the effect they have on the sound output the more you will appreciate how you can influence and enhance the final sound SAFETY PRECAUTIONS For your own safety and to avoid invali...

Страница 3: ...ics such as keyboards drum machines synths tape machines or guitars The input is BALANCED for low noise and immunity from interference but you can use UNBALANCED sources by wiring up the jacks as show...

Страница 4: ...s the level of bass frequencies only and is a real bonus on a compact mixer Use this in live PA situations to reduce stage rumble or popping from microphones There are two knobs which work together to...

Страница 5: ...e mixer and which must fade out with the input channel Aux 4 is an individual mono send while the 5 6 STE knob feeds the channel signal via the PAN control see below as a stereo pair to either Aux out...

Страница 6: ...on when not required The control has a shelving response giving 15dB of boost or cut at a fixed frequency LF EQ Turn to the right to boost low bass frequencies adding extra punch to synths guitars and...

Страница 7: ...ce they are independent of the main outputs they can provide additional sources for foldback effects processors or extra loudspeaker fills Leave the knobs turned down when not in use This send can be...

Страница 8: ...by the position of the channel faders making them ideal for FOLDBACK or MONITORING Two Stereo Return sections each comprise a pair of unbalanced inputs suitable for 10dBV or 4dBu sources A mono signa...

Страница 9: ...n A MONO switch is provided to turn Aux 7 8 into summed mono outputs if a greater number of mono sends is required Note that in this instance the position of the channel PAN and BAL controls may affec...

Страница 10: ...the fader for smoothest control The BAL control trims the relative levels of Left and Right Mix signals and this is positioned before the Insert point so that the Mix signal can be balanced before any...

Страница 11: ...be present at the Mix outputs at a level set by the Master Faders and the meters will display this same signal DO NOT press this switch if recording via the Mix output to the same tape machine or osc...

Страница 12: ...control when using a MIC input try the LINE input instead The Stereo inputs do not have a GAIN control since the typical source for these inputs will be external tape machines or effects units which...

Страница 13: ...channels routed to mix to make your monitor mix Connect a stereo amplifier and speakers to the monitor outputs or use headphones to listen to this mix Use the Aux 1 or Aux 2 or both send controls on e...

Страница 14: ...cs such as keyboards drum machines synths tape machines or guitars The input is BALANCED for low noise and immunity from interference but you can use UNBALANCED sources by wiring up the jacks as shown...

Страница 15: ...EQ Turn to the right to boost high treble frequencies by up to 15dB at 12kHz adding crispness to cymbals vocals and electronic instruments Turn to the left to cut these frequencies by up to 15dB redu...

Страница 16: ...l via the PAN control see below as a stereo pair to either Aux outputs 5 6 or with the 7 8 switch pressed to Aux outputs 7 8 PAN This control sets the amount of the channel signal feeding the Right an...

Страница 17: ...ass frequencies adding extra punch to synths guitars and drums Turn to the left to reduce hum boominess or improve a mushy sound Set the knob to the centre detented position when not required The cont...

Страница 18: ...placing the selected source either Mix or Tape Return The PFL AFL LED on the Master section illuminates to warn that the headphones monitor outputs and right PPM meter are now responding to the PFL AF...

Страница 19: ...ding Mix Left and Groups 2 and 4 feeding Mix Right Each pair of Groups may feed post fade to two Aux busses as a stereo pair with a choice of Aux 5 6 or 7 8 depending on the position of the 7 8 switch...

Страница 20: ...auve cap colour 2 TRACK RETURN LEVEL The TAPE RETURN jacks are an ideal place to connect the playback of a tape machine without using up any of the LINE inputs This pot sets the level of playback sign...

Страница 21: ...ted via the microphone input The output is taken from Mix L R and connected to the speakers via a suitable power amplifier A compressor limiter is included in the Mix Inserts and a cassette machine co...

Страница 22: ...dividual rotary fader control Aux 7 8 would be ideal since a Group can also feed these Aux sends if required The individual channel Aux Sends allow a separate stereo mix to be created or the MONO butt...

Страница 23: ...ut with the Mix L R Output feeding a 2 Track Tape Machine The tape outputs are brought back to the console for monitoring via the 2 Track Tape Returns Aux 1 2 or 3 globally switched pre fade may used...

Страница 24: ...ing The set up is similar to the previous example but with a 4 track recorder fed from the Group Outputs and brought back for monitoring via 4 line inputs In this case a compressor limiter is shown ap...

Страница 25: ...Headroom the available signal range above the nominal level before clipping occurs High Pass Filter a filter that rejects low frequencies Line level signals at a nominal level of 10 to 6dBu usually c...

Страница 26: ...put Fader cut off 100dB Channel ON switch isolation 110dB Routing switch isolation 85dB Adjacent Channel Mic gain at max 150 termination 95dB Odd to Even Group isolation via PAN control 70dB Auxiliary...

Страница 27: ...cont INPUT OUTPUT IMPEDANCES Mic Inputs 2k Line Inputs 10k Outputs 75 CMRR At max Mic Gain 1kHz 80dB Weight Console 12 7Kg Power Transformer 1 0Kg DIMENSIONS Dimensions are in millimetres and inches i...

Страница 28: ...3 1 2 MONO INPUT CHANNEL STEREO INPUT CHANNEL STEREO RETURNS MASTER SECTION SYSTEM BLOCK DIAGRAM SPIRIT FOLIO 4 27...

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