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29

Glossar

Glossar

Glossar

Glossar

Glossary

y

y

y

y

AFL (After Fade Listen)

a function that allows the operator to monitor the post-fade signal
in a channel independently of the main mix.

auxiliary send

an output from the console comprising a mix of signals from
channels and groups derived independently of the main stereo
mixes.

balance

the relative levels of the left and right channels of a stereo signal.

balanced

a method of audio connection which ‘balances’ the wanted signal
between two wires and a screen which carries no signal.  Any
interference is picked up equally by the two wires, which results
in cancellation of the unwanted signal.  In this guide, the term
can refer to various circuit architectures.  Connection details are
given in relevant sections.

clipping

the onset of severe distortion in the signal path, usually caused
by the peak signal voltage being limited by the circuit’s power
supply voltage.

DAT

Digital Audio Tape, a cassette-based digital recording format.

dB (decibel)

a ratio of two voltages or signal levels, expressed by the equation
dB=20Log10 (V1/V2). Adding the suffix ‘u’ denotes the ratio is
relative to 0.775V RMS.

DI(direct injection)/DI Box the practice of connecting an electric musical instrument directly

to the input of the mixing console, rather than to an amplifier and
loudspeaker which is covered by a microphone feeding the
console.

equaliser

a device that allows the boosting or cutting of selected bands of
frequencies in the signal path.

fader

a linear control providing level adjustment.

feedback

the `howling’ sound caused by bringing a microphone too close
to a loudspeaker driven from its amplified signal.

foldback

a feed sent back to the artistes via loudspeakers or headphones
to enable them to monitor the sounds they are producing.

frequency response

the variation in gain of a device with frequency.

gain

the amount of amplication in level of the signal.

headroom

the available signal range above the nominal level before clipping
occurs.

impedance balancing

a technique used on unbalanced outputs to minimise the effect
of hum and interference when connecting to external balanced
inputs.

insert

a break point in the signal path to allow the connection of
external devices, for instance signal processors or other mixers at
line level signals. Nominal levels can be anywhere between
-0dBu to +6dBu, usually coming from a low impedance source.

pan (pot)

abbreviation of ‘panorama’: controls levels sent to left and right
outputs.

peaking

the point at which a signal rises to its maximum instantaneous
level, before falling back down again.  It can also describe an
equaliser response curve affecting only a band of frequencies,
(like on a graphic equaliser), “peaking” at the centre of that band.

peak LED

a visual indication of the signal peaking just before the onset of
clipping, which will distort the signal.

SOLO

a function that allows the operator to monitor the pre-fade signal
in a channel independently of the main mix.

Содержание Spirit E series

Страница 1: ...Notice ovals and Notice ovals and Notice ovals and Notice ovals and Notice 3 3 3 3 3 W W W W War ar ar ar arranty ranty ranty ranty ranty 4 4 4 4 4 Impor Impor Impor Impor Important Safety Instr tant...

Страница 2: ...y Symbol Guide For your own safety and to avoid invalidation of the warranty all text marked with these symbols should be read carefully CAUTIONS Must be followed carefully to avoid bodily injury WARN...

Страница 3: ...a com mitment on the part of the vendor Soundcraft shall not be liable for any loss or damage whatsoever arising from the use of information or any error contained in this manual No part of this manua...

Страница 4: ...the risk of the End User whilst in transit both to and from the Dealer or Soundcraft and postage must be prepaid 4 This warranty shall only be valid if a the Equipment has been properly installed in a...

Страница 5: ...e and referred to the Soundcraft dealer from where the equipment was purchased THIS UNIT MUST BE EARTHED Under no circumstances should the mains earth be disconnected from the mains lead ATTENTION Cet...

Страница 6: ...en unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the appa ratus has been damaged in any way such as power supply cord or plug is damaged...

Страница 7: ...1 Live Sound Reinfor Application 1 Live Sound Reinfor Application 1 Live Sound Reinforcement cement cement cement cement 26 26 26 26 26 Application 2 Multispeaker Applications Application 2 Multispea...

Страница 8: ...ew view view view To get you working as fast as possible this manual begins with a 10 second tutorial Here you can find quick information on any feature of the console and a page reference where you c...

Страница 9: ...plug r MONITOR O Ps MONITOR O Ps MONITOR O Ps MONITOR O Ps MONITOR O Ps Jack Jack Jack Jack Jack These are used to feed your monitoring system This can be directly connected to powered monitors or ind...

Страница 10: ...ed on our most expensive consoles are employed in the Spirit E Series bringing you the great Soundcraft quality in a small format console without compromise You will also be glad to know you have a on...

Страница 11: ...ance with cabling connections and configuration of your mixer Choose the mains supply for the sound system with care and do not share sockets or earthing with lighting dimmers Position the mixer where...

Страница 12: ...nterference but you can use UNBALANCED sources by wiring up the jacks as shown although you should then keep cable lengths as short as possible to minimise interference pick up on the cable Note that...

Страница 13: ...e is unbalanced Mono sources can be fed to both paths by plugging into the Left jack only Mix Inserts The unbalanced pre fade Mix insert point is a break in the output signal path to allow the connect...

Страница 14: ...d that all signal cables have their screens connected to ground In some unusual circumstances to avoid earth or ground loops ensure that all cable screens and other signal earths are connected to grou...

Страница 15: ...Master section Compare a suspect channel with an adjacent channel which has been set up identically Use SOLO to monitor the signal in each section Insert contact problems may be checked by using an in...

Страница 16: ...as keyboards drum machines synths tape machines or DI d guitars The input is BALANCED for low noise and top quality from professional equipment but you can use UNBALANCED sources by wiring up the jack...

Страница 17: ...EQ There are two knobs which work together to form a SWEPT MID EQ The lower knob provides 15dB of boost and cut just like the HF EQ knob but the frequency at which this occurs can be set by the upper...

Страница 18: ...the fader See the Initial Setup section on page 23 for help in setting a suitable signal level 0 SOLO When the latching SOLO switch is pressed the pre fade pre mute signal is fed to the headphones co...

Страница 19: ...ight to boost low bass frequencies adding extra punch to synths guitars and drums Turn to the left to reduce hum boominess or improve a mushy sound Set the knob to the centre detented position when no...

Страница 20: ...in setting the right level 8 SOLO When the latching SOLO switch is pressed the pre fade pre mute signal is fed in mono to the headphones control room output and meters where it replaces the MIX The S...

Страница 21: ...rectly set to give maxi mum travel on the faders for smoothest control 4 MIX OUTPUTS INSERTS The Mix LEFT and RIGHT outputs are sent from the XLR sockets as balanced signals The Mix INSERT points are...

Страница 22: ...UTS The Monitor Outputs are on 3 pole A gauge jacks and are balanced connections w PHONES LEVEL This control sets the output level to the Headphone outputs If headphones are plugged into the PHONES ja...

Страница 23: ...are no exact rules let your ears be the judge In the end the position that gives the desired effect is the correct position INITIAL SETUP Once you have connected up your system see the sections on co...

Страница 24: ...er to increase output level Note Note Note Note Note The level of any source signal in the final output is affected by many factors princi pally the Input Gain control Channel Fader and Mix Faders You...

Страница 25: ...EARS FITTING RACKMOUNT EARS FITTING RACKMOUNT EARS FITTING RACKMOUNT EARS FITTING RACKMOUNT EARS Note when rackmounting the E6 and E8 a rack extender is available from Soundcraft to make the console...

Страница 26: ...CATION 1 LIVE SOUND REINFORCEMENT Using Delay in REINFORCEMENT SYSTEMS Using Delay in REINFORCEMENT SYSTEMS Using Delay in REINFORCEMENT SYSTEMS Using Delay in REINFORCEMENT SYSTEMS Using Delay in REI...

Страница 27: ...PPLICATION 3 PLACES OF WORSHIP This configuration uses the Aux 2 output to drive an induction loop for the hard of hearing Aux 1 output is used to generate foldback monitoring for the speaker singer T...

Страница 28: ...LICATION 4 RECORDING The insert points on channels 1 8 may be used to feed a multitrack recorder as shown link the send and return signals The Mix outputs are used for a preliminary stereo mix on a DA...

Страница 29: ...r a device that allows the boosting or cutting of selected bands of frequencies in the signal path fader a linear control providing level adjustment feedback the howling sound caused by bringing a mic...

Страница 30: ...after the monitor or master fader and therefore affected by fader position pre fade the point in the signal path before the monitor or master fader position and therefore unaffected by the fader posi...

Страница 31: ...Frequency r equency r equency r equency r equency response esponse esponse esponse esponse Mic Line input to any output 0 5dB 20Hz 20kHz THD Noise THD Noise THD Noise THD Noise THD Noise Mic gain 30d...

Страница 32: ...ERAGE POWER CONSUMPTION QUIESCENT AVERAGE POWER CONSUMPTION QUIESCENT AVERAGE POWER CONSUMPTION QUIESCENT E6 13 Watts E8 14 5 Watts E12 17 Watts MIN MAX OPERA MIN MAX OPERA MIN MAX OPERA MIN MAX OPERA...

Страница 33: ...33 E6 Dimensions E6 Dimensions E6 Dimensions E6 Dimensions E6 Dimensions...

Страница 34: ...34 USER GUIDE USER GUIDE USER GUIDE USER GUIDE USER GUIDE E8 Dimensions E8 Dimensions E8 Dimensions E8 Dimensions E8 Dimensions...

Страница 35: ...35 E12 Dimensions E12 Dimensions E12 Dimensions E12 Dimensions E12 Dimensions...

Страница 36: ...36 USER GUIDE USER GUIDE USER GUIDE USER GUIDE USER GUIDE TYPICAL CONNECTING LEADS TYPICAL CONNECTING LEADS TYPICAL CONNECTING LEADS TYPICAL CONNECTING LEADS TYPICAL CONNECTING LEADS...

Страница 37: ...37...

Страница 38: ...38 USER GUIDE USER GUIDE USER GUIDE USER GUIDE USER GUIDE SYSTEM BLOCK DIAGRAM SYSTEM BLOCK DIAGRAM SYSTEM BLOCK DIAGRAM SYSTEM BLOCK DIAGRAM SYSTEM BLOCK DIAGRAM...

Страница 39: ...CONTROL POSITION MARK UP SHEET CONTROL POSITION MARK UP SHEET CONTROL POSITION MARK UP SHEET To assist you in restoring the console to a previous setting you may copy this sheet as many times as you...

Страница 40: ...NTROL POSITION MARK UP SHEET CONTROL POSITION MARK UP SHEET CONTROL POSITION MARK UP SHEET CONTROL POSITION MARK UP SHEET To assist you in restoring the console to a previous setting you may copy this...

Страница 41: ...CONTROL POSITION MARK UP SHEET CONTROL POSITION MARK UP SHEET CONTROL POSITION MARK UP SHEET To assist you in restoring the console to a previous setting you may copy this sheet as many times as you...

Страница 42: ...42 USER GUIDE USER GUIDE USER GUIDE USER GUIDE USER GUIDE...

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