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REC and MIX Busses

In addition to the

CHOP

, the channel’s main fader can feed the record and/or mix bus.

These are selected using the

REC

and

MIX

bus buttons at the bottom of the Master

Channel which light up to indicate the presence of routing. This routing is also indicated

by the lighting of the

REC

and

MIX

symbols at the bottom of the meter section above

the channel (shown left). You will notice that throughout the desk, references to the

REC

bus are red, references to the

MIX

bus are yellow, and references to the

MON

bus are green.

The signal level being sent to the record and mix busses is controlled by the fader at the bottom of the channel. The channel’s

feed to the record and mix busses is panned using the pan pot towards the bottom of the routing section of the channel strip

(shown below), which includes a Total Recall LED. The pot is indented in the middle, where the signal is feeding both the left and

right busses equally.

DAW Monitor Mode

When

INPUT

has been selected as the channel source, pressing the

DAW MONITOR

button in the Master Channel (shown right) enables the

TRK

button, located below the channel strip’s pan pot (shown left) and configures the channel

for recording following the classic in-line style of previous generation SSL consoles. The

signal received from the input is routed through any processing applied via the Insert

Matrix and then to the DAW via the channel output.
With

DAW MONITOR

mode active, pressing

TRK

switches the monitoring source for that channel between

the CHANNEL OUT (post-gain) output (the DAW send) and the DAW RTN input (pre-gain).

Both the Master Channel’s

DAW MONITOR

button and the channel strip’s

TRK

button light up to indicate that DAW Monitor

mode is active. The colour of the

TRK

button also indicates which monitoring source is selected: green for DAW return and

yellow for channel out.
When the

DAW MONITOR

mode is active, full zero latency drop in and Record monitoring is available via the

AUTO MON

button above it.

AUTO MON

allows the desk to take control of the

TRK

buttons, automatically switching the monitoring

source on any channels in

DAW MONITOR

mode depending on the status of the DAW transport and track record tally:

- When the transport is idle the monitoring source for these channels will be the channel output.
- When the transport is in Play the monitoring source will be the DAW return.
- When the DAW (and the DAW track associated with the channel) is in record, the monitor source flips back to the

channel output in conjunction with the SuperCue monitor function (see Page 34).

Note that for the

DAW MONITOR

function to switch between corresponding DAW sends and returns, each DAW

track output must be sending to the Matrix channel which is feeding its input.
Note also that in order to use

DAW MONITOR

mode, the channel input must be set to

INPUT

, and the

CHOP

source must not be post-fader.

Cut and Solo