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80 | SUMMIT AUDIO EQF-100 FULL RANGE EQUALIZER
stereo) are selected depends on your host software.
Credits
Arvid Rosén – modeling, Niklas Odelholm – extra
features and modeling, Mattias Danielsson – test-
ing, Torsten Gatu – framework programming,
and Oscar Öberg – framework programming, Ulf
Ekelöf – 3D rendering.
Boosting a frequency
Select which frequency you want to boost, put the
Boost/Cut/Bypass switch to plus and increase the
gain. Use the bandwidth control to affect more or
less of the surrounding frequencies. A lower number
on the bandwidth knob means a narrower band-
width. If the frequency you want to boost is on the
high or low band, set the Shelving/Resonant switch
to resonant.
Setting up a low or high filter
Set all four Boost/Cut/Bypass switches to Out. Ad-
just the two filter settings to the desired frequencies.
Notch filtering
Find the approximate frequency to be attenuated
(low, mid-low, mid- high, high). Set the bandwidth
to wide (ten), the Boost/Cut/Bypass switch to Cut
(minus), and the filter type to resonant (high and
low bands only). Turn the gain all the way up (for
the highest amount of cut) and start narrowing the
bandwidth. Use the frequency select and bandwidth
to narrow in on the frequency to be attenuated. De-
crease the gain knob (decreasing the amount of cut)
until the frequency is cut with the least effect on the
surrounding frequencies.
Low or high shelving
Set the low or high EQ sections to shelving filter.
Select the frequency where roll-off or boosting is
to begin. Select plus or minus on the Boost/Cut/
Bypass switch and turn up the gain knob to cut or
boost above the high frequency selected or below
the selected low frequency.
Mono and Stereo Operation
The Summit Audio EQF-100 plug-in can oper-
ate in both stereo and mono modes. In stereo both
channels are linked, but processed individually. How
the different modes (stereo, mono and mono-to-