Softube AAX DSP, Руководство пользователя, Страница: 41 / 182

SOFTUBE USER’S GUIDE |
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lose the low end, stop and go
back a couple of millimeters
(yes, we are metric).
High Cut
Same as the Low Cut, but for
high frequencies.
Tone
When this knob is set at
12 o’clock (FLAT), it doesn’t
change the sound at all. Turn-
ing it clockwise will give you a
fatter and more scooped sound
much like the tone stack in the
amplifier. Turning it counter-
clockwise will give you a sound
with lots of mid.
Changing the
Low Cut
and
High Cut
will drasti-
cally change the characteristics of the
Tone
knob.
Technically speaking, the center frequencies of the
Tone
knob filters will change when you change the bandwidth
(the settings of
Low
and
High Cut
combined).
Limiter
Use the limiter to increase the
amount of compression. This
function can, for instance, be
The Mix Panel
SO, WHAT ELSE DO YOU NEED EXCEPT a good
sounding amp? Since a lot of engineers and produc-
ers prefer to work with both the raw D.I. signal and
the mic:ed signal (using the amp signal for charac-
ter and the D.I. signal for focus or low end), we de-
cided to incorporate that work flow into Bass Amp
Room. But instead of having two tracks (one with
the microphone signal and one with the direct bass
line), you can easily blend the two signals directly in
Bass Amp Room. And, to make life easier, we added
a couple of very powerful tone controls and a state-
of the art single knob compressor in the D.I. section.
That way you will be able to get a really good bass
sound just by using the D.I!
Direct Inject (D.I.) Knobs
Low Cut
A 12dB/octave low cut filter.
This control is intended for
filtering out unwanted fre-
quencies, but can, of course,
be used more creatively. Keep
increasing the knob until you
cannot hear any difference in
the sound. When you start to
Low Cut Tone High Cut Output Volume Limiter DI/Amp Balance
Solo DI Phase Invert (Amp)
Solo Amp