Roland TM-6 PRO, Список данных

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31
TRIGGER SETUP
Parameter Value Explanation
Spkr Type
SMALL 1, 2,
MIDDLE,
JC-120,
BUILT-IN 1–5,
BG STACK 1, 2,
MS STACK 1, 2,
METAL STACK,
2-STACK, 3-STACK
Type of speaker
Mic Setting 1–3
Adjusts the location of the
microphone that’s capturing the
sound of the speaker.
This can be adjusted in three steps,
from 1 to 3, with the microphone
becoming more distant as the value
increases.
Mic Level 0–127 Volume of the microphone
Direct Level 0–127
Volume of the direct sound (the
sound with the speaker turned off)
Pan L64–63R Stereo location of the output
Level 0–127 Output level
LOW BOOST
Boosts the volume of the lower range, creating powerful lows.
Parameter Value Explanation
Boost Frequency 50–125Hz
Basic frequency at which the lower
range will be boosted
Boost Gain(#)
0–+12dB
Amount by which the lower range
will be boosted
Boost Width
WIDE, MID,
NARROW
Width of the lower range that will be
boosted
Low Gain -15–+15dB Gain of the low frequency range
High Gain -15–+15dB Gain of the high frequency range
Level
0–127 Output level
ENHANCER
Controls the overtone structure of the high frequencies, adding
sparkle and tightness to the sound.
Parameter Value Explanation
Sens
0–127 Sensitivity of the enhancer
Mix(#)
0–127
Level of the overtones generated by
the enhancer
Low Gain -15–+15dB Gain of the low range
High Gain -15–+15dB Gain of the high range
Level 0–127 Output level
RING MODULATOR
This is an effect that applies amplitude modulation (AM) to the
input signal, producing bell-like sounds. You can also change the
modulation frequency in response to changes in the volume of the
sound sent into the effect.
Parameter Value Explanation
Frequency(#) 0–127
Adjusts the frequency at which
modulation is applied.
Sens
0–127
Adjusts the amount of frequency
modulation applied.
Polarity
UP, DOWN
Direction in which the frequency
modulation will move
UP: Towards higher frequencies
DOWN: Towards lower frequencies
Low Gain -15–+15dB Gain of the low range
High Gain -15–+15dB Gain of the high range
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level
0–127 Output level
PITCH SHIFTER
A stereo pitch shifter.
Parameter Value Explanation
Coarse(#) -24–+12 semi
Adjusts the pitch of the pitch shifted
sound in semitone steps.
Fine(#) -100–+100 cent
Adjusts the pitch of the pitch shifted
sound in 2-cent steps.
Tempo Sync OFF, ON
Specifies whether the delay time
value of the delay is specified as a
note value (ON) or not (OFF).
Delay Time 1–1300ms, note
Adjusts the delay time from the
direct sound until the pitch shifted
sound is heard.
Feedback -98–+98%
Adjusts the proportion of the pitch
shifted sound that is fed back into
the effect. Negative “-” settings will
invert the phase.
Low Gain -15–+15dB Gain of the low range
High Gain -15–+15dB Gain of the high range
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output level
AUTO PAN
Cyclically modulates the stereo location of the sound.
Parameter Value Explanation
Mod Wave
TRI, SQR, SIN,
SAW1, SAW2, TRP
Modulation wave
TRI:
Triangle wave
SQR: Square wave
SIN: Sine wave
SAW1:
Sawtooth wave (upward)
SAW2:
Sawtooth wave (downward)
TRP: Trapezoidal wave
SAW1 SAW2
R R
L L
Tempo Sync
OFF, ON
Specifies whether the rate of
modulation applied to the effect is
specified as a note value (ON) or not
(OFF).
Rate(#)
0.05–10.00Hz,
note
Frequency of the change
Depth 0–127 Depth to which the effect is applied
Low Gain -15–+15dB Gain of the low range
High Gain -15–+15dB Gain of the high range
Level 0–127 Output level