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Patch Mode

WAVE

Parameter

Value/Explanation

1–

Specify the on/off status of tones 1–4. If a tone is on, a “

(

” mark is shown.

OFF, ON

Wave Group

Selects the group for the waveform that is to be the basis of the tone.
INTA, B

Waveforms stored in internal

EXP

Waveforms for expansion sounds

Wave No. L (Mono)
Wave No. R

Selects the basic waveform for a tone. Along with the Wave number, the

Wave name appears at the lower part of the display.

When in mono, only the left side (L) is specified. When in stereo, the right

side (R) is also specified.
OFF, 1–2402 (The upper limit will depend on the wave group.)

Wave Gain

Sets the gain (amplification) of the waveform. The value changes in 6 dB

(decibel) steps—an increase of 6 dB doubles the waveform’s gain.

If you intend to use the Booster to distort the waveform’s sound, set this

parameter to its maximum value (p. 7).
-6, 0, +6, +12

Wave Tempo Sync

When you wish to synchronize a Phrase Loop to the clock (tempo), set this

to “ON.”
OFF, ON

MEMO

Phrase loop refers to the repeated playback of a phrase that’s been pulled

out of a song (e.g., by using a sampler).

Wave FXM Switch

Sets whether FXM will be used (ON) or not (OFF).
OFF, ON

MEMO

FXM (Frequency Cross Modulation) uses a specified waveform to apply

frequency modulation to the currently selected waveform, creating

complex overtones. This is useful for creating dramatic sounds or sound

effects.

Wave FXM Color

Specifies how FXM will perform frequency modulation. Higher settings

result in a grainier sound, while lower settings result in a more metallic

sound.
1–4

Wave FXM Depth

Specifies the depth of the modulation produced by FXM.
0–16

Tone Delay Mode

Selects the type of tone delay.
NORM

The tone begins to play after the time specified in the Tone

Delay Time has elapsed.

Note on

No Tone Delay

Delay time

Note off

HOLD

Although the tone begins to play after the time specified

in the Tone Delay Time has elapsed, if the key is released

before the time specified in the Tone Delay Time has

elapsed, the tone is not played.

Note on

Note off

No sound played

OFF-N

Rather than being played while the key is pressed, the tone

begins to play once the period of time specified in the

Tone Delay Time has elapsed after release of the key. This is

effective in situations such as when simulating noises from

guitars and other instruments.

Note on

Note off

Delay time

Parameter

Value/Explanation

OFF-D

Rather than being played while the key is pressed, the tone

begins to play once the period of time specified in the

Tone Delay Time has elapsed after release of the key. Here,

however, changes in the TVA Envelope begin while the key

is pressed, which in many cases means that only the sound

from the release portion of the envelope is heard.

Note on

Note off

Delay time

MEMO

If you have selected a waveform that is a decay-type sound (i.e., a sound that fades away

naturally even if the key is not released), selecting “OFF-N” or “OFF-D” may result in no sound

being heard.

Tone Delay Time

Specifies the time from when the key is pressed (or if the Delay Mode is set

to “OFF-N” or “OFF-D,” the time from when the key is released) until when

the tone will sound.
0–127, note

TMT

Parameter

Value/Explanation

Structure Type
1 & 2, 3 & 4

Determines how tone 1 and 2, or tone 3 and 4 are connected.

The following 10 different Types of combination are available.
1

With this type, tones 1 and 2 (or 3 and 4) are independent.

Use this type when you want to preserve PCM sounds or

create and combine sounds for each tone.

This type stacks the two filters together to intensify the

characteristics of the filters. The TVA for tone 1 (or 3) controls

the volume balance between the two tones.

This type mixes the sound of tone 1 (3) and tone 2 (4),

applies a filter, and then applies a booster to distort the

waveform.

This type applies a booster to distort the waveform, and

then combines the two filters. The TVA for tone 1 (or 3)

controls the volume balance between the two tones and

adjusts booster level.

This type uses a ring modulator to create new overtones,

and combines the two filters. The tone 1 (3) TVA will control

the volume balance of the two tones, adjusting the depth of

ring modulator.

This type uses a ring modulator to create new overtones,

and in addition mixes in the sound of tone 2 (4) and stacks

the two filters. Since the ring-modulated sound can be

mixed with tone 2 (4), tone 1 (3) TVA can adjust the amount

of the ring-modulated sound.

Содержание juno-ds61

Страница 1: ...Variations Motif 29 Editing the Vocoder Auto Pitch 30 Saving the Vocoder Auto Pitch Settings Write 30 Creating an Original Scale USER SCALE 31 Setting a User Scale 31 Recalling a User Scale 31 System...

Страница 2: ...Unlit When the Velocity setting is 1 127 Sample Import 5 5 When importing a sample the OPTIMIZE window might appear depending on the user memory usage status OK Memory is optimized and then the sampl...

Страница 3: ...bs or the bender modulation lever during recording or playback 1 During recording or playback hold down the MUTE button and press the ERASE button Only while you continue holding down these buttons mo...

Страница 4: ...n the JUNO DS itself Refer to Category List p 5 Patch Level Specifies the volume of the patch 0 127 Patch Pan Specifies the pan of the patch L64 is far left 0 is center and 63R is far right L64 0 63R...

Страница 5: ...eing heard in MONO When making large pitch changes set the Legato Retrigger to ON Portamento Switch Specifies whether the portamento effect will be applied ON or not OFF OFF ON Portamento Mode Specifi...

Страница 6: ...gins to play once the period of time specified in the Tone Delay Time has elapsed after release of the key This is effective in situations such as when simulating noises from guitars and other instrum...

Страница 7: ...y and the Matrix control cannot be used simultaneously to make different tones to sound When using the Matrix control to switch tones set the Velocity Control to OFF OFF Tones are not velocity switche...

Страница 8: ...r un brighten the sound This is the most common filter used in synthesizers BPF Band Pass Filter This leaves only the frequencies in the region of the cutoff frequency and cuts the rest This can be us...

Страница 9: ...FIXED 1 7 TVF Env V Sens Specifies how keyboard playing dynamics will affect the depth of the TVF envelope Positive settings will cause the TVF envelope to have a greater effect for strongly played no...

Страница 10: ...100 Pan Key Random Pan Depth Use this parameter when you want the stereo location to change randomly each time you press a key Higher settings will produce a greater amount of change 0 63 Parameter Va...

Страница 11: ...27 note Rate Detune LFO Rate Detune makes subtle changes in the LFO cycle rate Rate each time a key is pressed Higher settings will cause greater change This parameter is invalid when Rate is set to n...

Страница 12: ...ed a relatively steady state The JUNO DS s looped waveforms also include components of other sounds such as piano string resonant vibrations and the hollow sounds of brass instruments Rx Bender For ea...

Страница 13: ...fects are applied DRY Changes the volume of the original sound CHO Changes the amount of chorus REV Changes the amount of reverb Applying LFO to modulate sounds PIT LFO1 2 Changes the vibrato depth TV...

Страница 14: ...tering a name press the MENU button The NAME MENU window appears The window closes if you press the button once again 2 Move the cursor to INSERT or DELETE and press the ENTER button Function Explanat...

Страница 15: ...izers BPF Band Pass Filter This leaves only the frequencies in the region of the cutoff frequency and cuts the rest This can be useful when creating distinctive sounds HPF High Pass Filter This cuts t...

Страница 16: ...panning to be alternated between left and right each time a key is pressed Higher settings will produce a greater amount of change L or R settings will reverse the order in which the pan will alterna...

Страница 17: ...n 6 MFX Type p 18 7 Output Level 8 Chorus Send Level 9 Reverb Send Level Make these settings in the CHORUS tab of the EFFECTS EDIT screen 10 Chorus Type 11 Chorus Level 12 Output Select Make these set...

Страница 18: ...e popular MFX in realtime p 12 MFX CTRL Parameter Value Explanation Source 1 4 Sets the MIDI message used to change the MFX parameter with the MFX control OFF MFX control will not be used CC01 31 33 9...

Страница 19: ...also apply chorus or reverb to the sound that passes through MFX L R Output to the OUTPUT L MONO jack and OUTPUT R jack in stereo without passing through MFX L R Output to the OUTPUT L MONO jack or O...

Страница 20: ...t assigned to a part Patches also contain the Attack Time Offset setting p 4 The final TVA Envelope attack time value is therefore the sum of the tone s TVA Envelope Time 1 setting the patch s Attack...

Страница 21: ...h MFX You can also apply chorus or reverb to the sound that passes through MFX L R Output to the OUTPUT L MONO jack and OUTPUT R jack in stereo without passing through MFX L R Output to the OUTPUT L M...

Страница 22: ...ed to a part Patches also contain the Attack Time Offset setting p 4 The final TVA Envelope attack time value is therefore the sum of the tone s TVA Envelope Time 1 setting the patch s Attack Time Off...

Страница 23: ...e settings in the MFX1 3 tab of the EFFECTS EDIT screen 6 MFX Type p 24 7 Output Level 8 Chorus Send Level 9 Reverb Send level Make these settings in the CHORUS tab of the EFFECTS EDIT screen 10 Choru...

Страница 24: ...d AFTERTOUCH Aftertouch SYS CTRL1 4 Use the System Control 1 4 Source setting p 34 Destination 1 4 Sets the MFX parameters to be controlled with the Source1 4 The MFX parameters available for control...

Страница 25: ...e cutoff frequency Cutoff Freq in order to round off or un brighten the sound This is the most common filter used in synthesizers BPF Band Pass Filter This leaves only the frequencies in the region of...

Страница 26: ...he TVF envelope Set this to FIXED if you don t want the TVF Envelope to be affected by the keyboard velocity FIXED 1 7 TVF Env V Sens Specifies how keyboard playing dynamics will affect the depth of t...

Страница 27: ...s This allows keyboard dynamics to affect the Time 1 of the TVA envelope If you want Time 1 to be speeded up for strongly played notes set this parameter to a positive value If you want it to be slowe...

Страница 28: ...uency 63 63 TVA Depth Specifies how deeply the LFO will affect the volume 63 63 Pan Depth Specifies how deeply the LFO will affect the pan 63 63 STEP LFO Parameter Value Explanation Step Type When gen...

Страница 29: ...notes will be sounded with the velocity you specify here regardless of how strongly you strike the key Oct Range Adds an effect that shifts arpeggios one cycle at a time in octave units octave range Y...

Страница 30: ...asses through the auto pitch 0 127 Pan Adjusts the stereo position of the sound that passes through auto pitch L64 63R Scale Selects the scale to which Auto Pitch corrects the pitch CHROMATIC Corrects...

Страница 31: ...press the WRITE button The USER SCALE WRITE screen appears If you press the EXIT button to exit the USER SCALE screen without performing the Write operation the unsaved settings revert to their previ...

Страница 32: ...ute Specifies the pad illumination color that indicates a muted track Rhythm Pattern Specifies the pad illumination color when the RHYTHM PATTERN screen is displayed Audio Player Specifies the pad ill...

Страница 33: ...e this selects the next numbered performance PROG DOWN If you re in the patch mode this selects the previous sound If you re in the performance mode this selects the previous numbered performance FAV...

Страница 34: ...ed ON or not be received OFF OFF ON Soft Through If this is ON incoming MIDI messages from the MIDI IN connector will be re transmitted without change from the MIDI OUT connector OFF ON USB Driver Set...

Страница 35: ...If the JUNO DS is connected to your computer via a USB cable the JUNO DS s performance data MIDI data can be recorded into your DAW software and performance data MIDI data played back by your DAW sof...

Страница 36: ...nput device and output device For details on how to do this refer to the owner s manual of your DAW software 7 Make the appropriate control surface settings for the DAW software you selected Settings...

Страница 37: ...to be remembered save the DAW CONTROL settings p 38 Using the JUNO DS As a MIDI Keyboard Your playing on the JUNO DS s keyboard MIDI data can be recorded into your DAW software or used to play softwar...

Страница 38: ...Saving the DAW CONTROL Settings The DAW CONTROL settings revert to their previous state when you turn off the power If you want the DAW CONTROL settings to be remembered even after power off save the...

Страница 39: ...the pedal p 33 No Room The number of stored waveforms has reached the maximum 256 Delete unneeded sample Not Found The file was not found on the USB flash drive Make sure that the file exists on the...

Страница 40: ...6 69 DST0CHORUS 70 DST0FLANGER 71 DST0DELAY 72 ENH0CHORUS 73 ENH0FLANGER 74 ENH0DELAY 75 CHORUS0DELAY 76 FLANGER0DELAY p 57 77 CHORUS0FLANGER Piano 78 SYMPATHETIC RESO Vocoder 79 Di VOCODER Lo Fi 2 80...

Страница 41: ...2 0 4 0 8 0 Width of the middle range 1 Set a higher value for Q to narrow the range to be affected Mid2 Freq 200 8000 Hz Frequency of the middle range 2 Mid2 Gain 15 15 dB Gain of the middle range 2...

Страница 42: ...0 00 Hz note Rate of modulation Attack 0 127 Speed at which the cutoff frequency changes between steps Filter Type Filter type Frequency range that will pass through each filter LPF frequencies below...

Страница 43: ...2 condenser MS STACK 1 large sealed enclosure 12 x 4 condenser MS STACK 2 large sealed enclosure 12 x 4 condenser METAL STACK large double stack 12 x 4 condenser 2 STACK large double stack 12 x 4 con...

Страница 44: ...uency modulation moves towards higher frequencies or lower frequencies UP Higher frequencies DOWN Lower frequencies Low Gain 15 15 dB Gain of the low frequency range High Gain 15 15 dB Gain of the hig...

Страница 45: ...et independently the unique type of modulation characteristic of these speakers can be simulated quite closely This effect is most suitable for electric organ Tones L out R out Rotary L in R in Parame...

Страница 46: ...lance D100 0W D0 100W Volume balance between the direct sound D and the flanger sound W Level 0 127 Output level 25 STEP FLANGER This is a flanger in which the flanger pitch changes in steps The speed...

Страница 47: ...nge High Gain 15 15 dB Gain of the high range Balance D100 0W D0 100W Volume balance between the direct sound D and the chorus sound W Level 0 127 Output level 30 3D FLANGER This applies a 3D effect t...

Страница 48: ...flanger sound that is to be returned to the input negative values invert the phase Balance D100 0W D0 100W Volume balance of the original sound D and flanger sound W Level 0 127 Output level 34 2BAND...

Страница 49: ...o 3 with the microphone becoming more distant as the value increases Mic Level 0 127 Volume of the microphone Direct Level 0 127 Volume of the direct sound Pan L64 63R Stereo location of the output so...

Страница 50: ...B Gain of the high range Balance D100 0W D0 100W Volume balance between the direct sound D and the delay sound W Level 0 127 Output level 44 LONG DELAY A delay that provides a long delay time L in R i...

Страница 51: ...ach delay Low Gain 15 15 dB Gain of the low range High Gain 15 15 dB Gain of the high range Balance D100 0W D0 100W Volume balance between the direct sound D and the delay sound W Level 0 127 Output l...

Страница 52: ...hase HF Damp 200 8000 Hz BYPASS Adjusts the frequency above which sound fed back to the effect is filtered out If you don t want to filter out any high frequencies set this parameter to BYPASS Pan A B...

Страница 53: ...irect Level 0 127 Volume of the original sound Level 0 127 Output level 56 LOFI NOISE In addition to a lo fi effect this adds various types of noise such as white noise and disc noise R in R out L in...

Страница 54: ...Flutter 0 127 Depth of short cycle rotational irregularity Random 0 127 Depth of indefinite cycle rotational irregularity Total Wow Flutter 0 127 Depth of overall rotational irregularity Balance D100...

Страница 55: ...ound D and the reverb sound W Level 0 127 Output level 65 GATED REVERB This is a special type of reverb in which the reverberant sound is cut off before its natural length L in R in L out R out Gated...

Страница 56: ...between the sound that is sent through the chorus W and the sound that is not sent through the chorus D Level 0 127 Output level 73 ENH0FLANGER Feedback Flanger L in R in L out R out Mix Mix Enhancer...

Страница 57: ...edback 98 98 Adjusts the proportion of the flanger sound that is fed back into the effect Negative settings will invert the phase Flanger Balance D100 0W D0 100W Adjusts the volume balance between the...

Страница 58: ...elay time Type DELAY PAN DELAY 0 127 HF Damp Adjusts the frequency above which the high frequency content of the reverb sound will be cut or damped If you do not want to cut the high frequencies set t...

Страница 59: ...rgan1 B 0187 RockOrgan1 C 0188 Rtry Org A L 0189 Rtry Org A R 0190 Rtry Org B L 0191 Rtry Org B R 0192 Rtry Org C L 0193 Rtry Org C R 0194 LoFi RtryOrg 0195 Vint Org 1 0196 Vint Org 2 0197 Vint Org 3...

Страница 60: ...inv 0588 Synth Saw 1 0589 JD Syn Saw 0590 JD Fat Saw 0591 JP 8 Saw 0592 OB2 Saw HD 0593 700 Saw A 0594 700 Saw B 0595 700 Saw C 0596 D 50 Saw 0597 LA Saw 0598 Air Wave 0599 GR 300 Saw 0600 Juno Sqr HD...

Страница 61: ...ave1 1006 SlapBs Wave2 1007 JUNO 60 Bass 1008 JP 4 Bass 1009 SH 101 Bs 1010 KG Poly Bs 1011 Solid Bass 1012 Mini Bs A 1013 Mini Bs B 1014 Mini Bs C 1015 Flute Vib A 1016 Flute Vib B 1017 Flute Vib C 1...

Страница 62: ...1419 Br SideStk L 1420 WoodSideStkL 1421 707 Rim 1422 StudioLo Tom 1423 StudioMidTom 1424 StudioHi Tom 1425 Jz Tom Lo 1426 Jz Tom Md 1 1427 Jz Tom Md 2 1428 Jz Tom Hi 1 1429 Jz Tom Hi 2 1430 PopFrTmLo...

Страница 63: ...go 3 Lo 1834 Agogo 3 Hi 1835 Asian Gong 1 1836 GamelanGong1 1837 Wind Bell 1 1838 Kane 1 1839 JingleBell 2 1840 Wind Chime 2 1841 Sarna Bell 1842 Berimbau Opn 1843 Berimbau Up 1844 Berimbau Dn 1845 Be...

Страница 64: ...Acd Harmon p 2218 Acd Harmon f 2219 Acd Piccolo 2220 Acd Oboe 1 p 2221 Acd Oboe 1 f 2222 Acd Oboe 2 p 2223 Acd Oboe 2 f 2224 Acd Organ1 p 2225 Acd Organ1 f 2226 Acd Organ2 p 2227 Acd Organ2 f 2228 Ac...

Страница 65: ...Nggr Flam 1 0085 Nggr Flam 2 0086 Nggr Flam 3 0087 Nggr Flam 4 0088 Nggr Mute p 0089 Nggr Mute mf 0090 Nggr Mute f 0091 Nggr Mute ff 0092 Nggr Roll 1 0093 Nggr Roll 2 0094 Nggr Roll 3 0095 Nggr Roll 4...

Страница 66: ...78 Oc S05 FullStrings2 STR 087 073 078 0079 Oc S06 Film Octaves STR 087 073 079 No Name Sub category MSB LSB PC 0080 Oc S07 GX Strings STR 087 073 080 0081 Oc S08 Slow Str XP STR 087 073 081 0082 Oc S...

Страница 67: ...VelSpdWurly EP 087 064 051 0052 Pf 052 Phase EP 1 EP 087 064 052 No Name Sub category MSB LSB PC 0053 Pf 053 Phase Stg EP EP 087 064 053 0054 Pf 054 Flanger EP EP 087 064 054 0055 Pf 055 TEL Stage EP...

Страница 68: ...Ky 102 Vibe Trem 1 MLT 087 065 084 0213 Ky 103 Vibe Trem 2 MLT 087 065 085 0214 Ky 104 Pure Vibe MLT 087 065 086 No Name Sub category MSB LSB PC 0215 Ky 105 Ringy Vibes MLT 087 065 087 0216 Ky 106 Ai...

Страница 69: ...118 0375 Gt 141 Super G DX SBS 087 066 119 0376 Gt 142 Kickin Bass SBS 087 066 120 No Name Sub category MSB LSB PC 0377 Gt 143 OilDrum Bass SBS 087 066 121 0378 Gt 144 Dust Bass SBS 087 066 122 0379 G...

Страница 70: ...2 SAX 087 068 024 0537 Br 059 Horny Sax SAX 087 068 025 0538 Br 060 JUNO Sop Sax SAX 087 068 026 No Name Sub category MSB LSB PC 0539 Br 061 Solo Sop Sax SAX 087 068 027 0540 Br 062 JUNO AltoSax SAX...

Страница 71: ...069 057 0698 Sy 144 Memory Pluck SYN 087 069 058 0699 Sy 145 Metalic Bass SYN 087 069 059 0700 Sy 146 Aqua SYN 087 069 060 No Name Sub category MSB LSB PC 0701 Sy 147 Round SQR SYN 087 069 061 0702 Sy...

Страница 72: ...0 091 0860 Sy 306 WaitnOutside FX 087 070 092 0861 Sy 307 Breath Echo FX 087 070 093 0862 Sy 308 SoundStrange FX 087 070 094 No Name Sub category MSB LSB PC 0863 Sy 309 Cosmic Pulse FX 087 070 095 086...

Страница 73: ...1014 Vo 131 JP 8 Phase SPD 087 071 118 1015 Vo 132 Nu Epic Pad SPD 087 071 119 1016 Vo 133 Flange Dream SPD 087 071 120 1017 Vo 134 Evolution X SPD 087 071 121 1018 Vo 135 Angelis Pad SPD 087 071 122...

Страница 74: ...tic Bs BS 121 0 33 0079 Gt 201 Fingered Bs BS 121 0 34 No Name Sub category MSB LSB PC 0080 Gt 202 Finger Slap BS 121 1 0081 Gt 203 Picked Bass BS 121 0 35 0082 Gt 204 Fretless Bs BS 121 0 36 0083 Gt...

Страница 75: ...PRC 121 0 114 0205 Ky 162 Steel Drums MLT 121 0 115 0206 Wr 073 Woodblock PRC 121 0 116 0207 Wr 074 Castanets PRC 121 1 0208 Wr 075 Taiko PRC 121 0 117 0209 Wr 076 Concert BD PRC 121 1 0210 Wr 077 Mel...

Страница 76: ...086 065 002 0003 Dr S03 EEU Oriental 086 065 003 0004 Dr S04 808 Kit 086 065 004 0005 Dr S05 909 Kit 086 065 005 0006 Dr S06 EDM Kit 1 086 065 006 0007 Dr S07 EDM Kit 2 086 065 007 0008 Dr S08 Drum Bs...

Страница 77: ...Timbale High Timbale Low Timbale Low Timbale EM DofSak 1 Low Timbale Low Timbale High Agogo High Agogo EEU TapanH High Agogo High Agogo Low Agogo Low Agogo EM DofSak 2 Low Agogo Low Agogo Cabasa Caba...

Страница 78: ...ow Timbale Shaker Shaker2 Mid Tom2 High Agogo Triangle1 Syn ClHH2 M1 Cl Hihat3 M1 Low Agogo Cabasa Atmosphere1 Mid Tom3 Cabasa Guiro Syn OpHH M1 Op Hihat2 M1 808 Maracas Street OpHH Atmosphere2 Mid To...

Страница 79: ...e Low Timbale Low Timbale TR808 ClHH M1 TR808 ClHH M1 High Agogo High Agogo High Agogo TR808 Tom2 TR808 Tom2 Low Agogo Low Agogo Low Agogo Noise ClHH M1 Noise ClHH M1 Cabasa Cabasa Cabasa TR808 Tom3 T...

Страница 80: ...1 Noise ClHH M1 Low Timbale Maracas Shaker Shaker2 Mid Tom2 High Agogo Shaker Triangle1 Syn ClHH2 M1 Cl Hihat3 M1 Low Agogo Triangle1 Cabasa Atmosphere1 Mid Tom3 Cabasa Cabasa Guiro Syn OpHH M1 Op Hih...

Страница 81: ...ale Low Timbale Low Timbale TR808 ClHH M1 TR808 ClHH M1 High Agogo High Agogo High Agogo TR808 Tom2 TR808 Tom2 Low Agogo Low Agogo Low Agogo Noise ClHH M1 Noise ClHH M1 Cabasa Cabasa Cabasa TR808 Tom3...

Страница 82: ...1 M1 Noise ClHH M1 Low Timbale Maracas Shaker Shaker2 Mid Tom2 High Agogo Shaker Triangle1 Syn ClHH2 M1 Cl Hihat3 M1 Low Agogo Triangle1 Cabasa Atmosphere1 Mid Tom3 Cabasa Cabasa Guiro Syn OpHH M1 Op...

Страница 83: ...mbal2 Ride Cymbal2 BongoHiSlap2 High Bongo High Bongo High Bongo High Bongo Cabasa Roll Low Bongo Low Bongo Low Bongo Low Bongo Caixa Mute MuteHi Conga MuteHi Conga MuteHi Conga MuteHi Conga Caixa Mut...

Страница 84: ...de Cymbal2 Ride Cymbal2 Ride Cymbal2 Concert Cym1 Door Creak High Bongo High Bongo High Bongo High Bongo Door Low Bongo Low Bongo Low Bongo Low Bongo Scratch Ana Hi Conga MuteHi Conga MuteHi Conga Mut...

Страница 85: ...100 4 100 5 100 6 100 7 100 8 100 014 6 8 Jazz 1 136 2 136 3 136 4 136 5 136 6 136 7 136 8 136 015 Bossa 1 160 2 160 3 160 4 160 5 160 6 160 7 160 8 160 016 Hip Hop 1 95 2 95 3 95 4 95 5 95 6 95 7 95...

Страница 86: ...61 Seq Ptn 55 p 062 Seq Ptn 56 p 063 Seq Ptn 57 p 064 Seq Ptn 58 p 065 Seq Ptn 59 p 066 Seq Ptn 60 p 067 Bassline 1 1 068 Bassline 2 1 069 Bassline 3 1 070 Bassline 4 1 071 Bassline 5 1 072 Bassline 6...

Страница 87: ...of the stand so that the rubber feet of the JUNO DS straddle the stand Top view Adjust so that the height does not exceed 1 meter Adjust the stand to a level no higher than the fifth level from the bo...

Страница 88: ...G8B Align the front of the JUNO DS with the rubber base of the stand Top view 5 5 Keep the rubber feet of the JUNO DS on the inside of the stand 5 5 Ensure that the rubber base of the stand does not...

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