53
MFX/Chorus/Reverb Parameters
54: ANALOG LONG DELAY
A delay in which the delay time can be varied smoothly, and allowing an extended
delay to be produced.
L in
R in
L out
R out
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
2-Band
EQ
Feedback
Time Control Delay
Parameter
Value
Explanation
Delay Time #
0–2600[msec], note
Adjusts the time until the delay is heard.
Acceleration
0–15
Adjusts the speed which the Delay Time changes
from the current setting to a specified new
setting.
The rate of change for the Delay Time directly
affects the rate of pitch change.
Feedback #
-98–+98[%]
Adjusts the amount of the delay that’s fed back
into the effect. Negative (-) settings invert the
phase.
HF Damp
200–8000[Hz],
BYPASS
Adjusts the frequency above which sound fed
back to the effect is filtered out. If you do not
want to filter out any high frequencies, set this
parameter to BYPASS.
Pan #
L64–63R
Stereo location of the delay
Low Gain
-15–+15[dB]
Gain of the low range
High Gain
-15–+15[dB]
Gain of the high range
Balance #
D100:0W–D0:100W
Volume balance between the direct sound (D)
and the delay sound (W)
Level
0–127
Output level
55: TAPE ECHO
A virtual tape echo that produces a realistic tape delay sound. This simulates the
tape echo section of a Roland RE-201 Space Echo.
Echo Level
Echo Level
L in
R in
L out
R out
Tape Echo
Direct Level
Direct Level
Parameter
Value
Explanation
Mode
S, M, L, S+M, S+L,
M+L, S+M+L
Combination of playback heads to use
Select from three different heads with different
delay times.
S: short, M: middle, L: long
Repeat Rate #
0–127
Tape speed
Increasing this value will shorten the spacing of
the delayed sounds.
Intensity #
0–127
Amount of delay repeats
Bass
-15–+15[dB]
Boost/cut for the lower range of the echo sound
Treble
-15–+15[dB]
Boost/cut for the upper range of the echo sound
Head S Pan
L64–63R
Independent panning for the short, middle, and
long playback heads
Head M Pan
Head L Pan
Tape Distortion
0–5
Amount of tape-dependent distortion to be
added
This simulates the slight tonal changes that can be
detected by signal-analysis equipment. Increasing
this value will increase the distortion.
Wow/Flutter Rate
0–127
Speed of wow/flutter (complex variation in pitch
caused by tape wear and rotational irregularity)
Wow/Flutter Depth
0–127
Depth of wow/flutter
Echo Level #
0–127
Volume of the echo sound
Direct Level #
0–127
Volume of the original sound
Level
0–127
Output level
56: LOFI NOISE
In addition to a lo-fi effect, this adds various types of noise such as white noise and
disc noise.
R in
R out
L in
L out
Lo-Fi
Lo-Fi
Noise Gen.
2-Band
EQ
2-Band
EQ
Parameter
Value
Explanation
LoFi Type
1–9
Degrades the sound quality. The sound quality
grows poorer as this value is increased.
Post Filter Type
Type of filter that follows the LoFi effect
OFF
No filter is used
LPF
Cuts the frequency range above the Cutoff.
HPF
Cuts the frequency range below the Cutoff.
Post Filter Cutoff
200–8000[Hz]
Center frequency of the filter
W/P Noise Type
WHITE, PINK
Switch between white noise and pink noise.
W/P Noise LPF
200–8000[Hz],
BYPASS
Center frequency of the low pass filter applied to
the white/pink noise (BYPASS: no cut)
W/P Noise Level #
0–127
Volume of the white/pink noise
Disc Noise Type
LP, EP, SP, RND
Type of record noise
The frequency at which the noise is heard
depends on the selected type.
Disc Noise LPF
200–8000[Hz],
BYPASS
Adjusts the cutoff frequency of the low pass filter
applied to the record noise. If you don’t want to
filter out any high frequencies, set this parameter
to BYPASS.
Disc Noise Level #
0–127
Volume of the record noise
Hum Noise Type
50, 60[Hz]
Frequency of the hum noise
Hum Noise LPF
200–8000[Hz],
BYPASS
Center frequency of the low pass filter applied to
the hum noise (BYPASS: no cut)
Hum Noise Level #
0–127
Volume of the hum noise
Low Gain
-15–+15[dB]
Gain of the low range
High Gain
-15–+15[dB]
Gain of the high range
Balance #
D100:0W–D0:100W
Volume balance between the direct sound (D)
and the effect sound (W)
Level
0–127
Output level
57: LOFI COMPRESS
This is an effect that intentionally degrades the sound quality for creative purposes.
L in
R in
L out
R out
Compressor
Lo-Fi
Lo-Fi
Compressor
2-Band
EQ
2-Band
EQ
Parameter
Value
Explanation
Pre Filter Type
Selects the type of filter applied to the sound before it passes through
the Lo-Fi effect.
1
Compressor off
2–6
Compressor on
LoFi Type
1–9
Degrades the sound quality. The sound quality
grows poorer as this value is increased.
Post Filter Type
Type of filter
OFF
No filter is used
LPF
Cuts the frequency range above the Cutoff
HPF
Cuts the frequency range below the Cutoff
Post Filter Cutoff
200–8000[Hz]
Basic frequency of the Post Filter
Low Gain
-15–+15[dB]
Gain of the low range
High Gain
-15–+15[dB]
Gain of the high range
Balance #
D100:0W–D0:100W
Volume balance between the direct sound (D)
and the effect sound (W)
Level #
0–127
Output level
3
3
3
3
