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Manual-3

REAR PANEL DESCRIPTION

 MIC/LINE INPUT jacks 1-4. 

These XLRs connect either balanced Microphone or Line signals, depending on the recessed

front panel LINE switch setting (see Front Panel, 

). Rane adheres to the international and U.S. standard for balanced pin

configurations: Pin 1 is chassis ground (neutral), pin 2 is positive, and pin 3 is negative

.

 PHANTOM POWER switch

 applies 15 volt phantom power to Inputs 1-4 that are mic-selected (front panel LINE LED

off

).

 MONO BALANCED LINE INPUT jacks 5-8.

 These XLR inputs split the Input signal to both Left and Right Outputs

equally. Wiring is per #1 above. Choose between this XLR or the ¼" jacks (see 

 below), they do not sum.

 ¼" LINE INPUT jacks. 

These pairs of balanced Tip-Ring-Sleeve jacks accommodate stereo line level signals using Left

and Right connections. If the source signal is mono, use the LEFT/MONO jack and the internal switching  auto-splits to both
Outputs equally. These are TRS (tip-ring-sleeve) ¼" jacks accommodating either balanced or unbalanced signals. In most
cases an unbalanced signal may utilize a mono ¼" plug (tip-sleeve). For balanced signals use microphone cable (two
conductor with shield) with TRS ¼" plugs. See the Sound System Interconnection RaneNote included with this manual for
proper connector wiring.

 LEFT and RIGHT OUTPUT jacks.

 These XLRs connect the main Outputs to a power amplifier, signal processor,

recorder, or sound system, with the OUTPUT LEVEL switch (see 

 below) set for the correct level. Pin connections are the

same as above in 

.

 OUTPUT LEVEL switches

 attenuate the available line level down to a level compatible with microphone preamp inputs.

Put these in the 

out 

position when LINE level Outputs are desired, and depress them 

in 

for MIC level Outputs.

 POWER supply input. 

This is not a telephone jack.

 The MLM 82 is supplied from the factory with an RS 1 remote power

supply suitable for connection to this input jack. The power requirements call for an 18 volt AC center-tapped transformer
only. Call the Rane factory for replacement or substitution.

 Chassis ground point.

 A #6-32 screw is provided for chassis grounding purposes. See the note below for details.

 

CHASSIS GROUNDING

The MLM 82 is supplied with an external power supply (the RS 1). 

This power supply does not ground the unit. 

On

the rear chassis a 6-32 screw is provided to allow for attachment of the grounding wire. This chassis ground point must be
connected to earth ground either through another product which utilizes a three-prong grounded AC power cord or by
attaching the wire to a known earth ground, (the screw on a grounded AC outlet.)

If after hooking up your system it exhibits excessive hum or buzzing, there is an incompatibility in the grounding

configuration between units somewhere. Your mission, should you accept it, is to discover how your particular system
wants to be grounded. Here are some things to try:
 1. Try combinations of lifting grounds on units that are supplied with ground lift switches or links.
 2. If your equipment is in a rack, verify that all chassis are tied to a good earth ground, either through the line cord ground-

ing pin or the rack screws to another grounded chassis.

3. Try moving the device away from high magnetic field sources, such as large transformers used in power amplifiers.

 Please refer to the RaneNote “Sound System Interconection” for further information on system grounding.

Содержание MLM 82

Страница 1: ...d directly to a power amplifier equalizer or recorder input choose LINE level If the MLM 82 is connected to a microphone jack of an existing sound system choose MIC level Follow the silk screening on the rear for proper wiring hookup Once Inputs Outputs and power are properly connected with the OUTPUT LEVELS counterclockwise off set the Input LEVELS as high as possible without causing the SIG OL i...

Страница 2: ...d for this Input Use a small probe such as a 0 Phillips screwdriver to actuate the switches 햵 STEREO LINE INPUT LEVEL controls 5 8 determine the amount of stereo or mono line Input to be delivered to the Outputs 햶 OUTPUT OverLoad LED illuminates within 3 dB of an approaching overload condition To avoid this the associated OUTPUT LEVEL control may be decreased or the problem causing individual Inpu...

Страница 3: ...evel compatible with microphone preamp inputs Put these in the out position when LINE level Outputs are desired and depress them in for MIC level Outputs 햸 POWER supply input This is not a telephone jack The MLM 82 is supplied from the factory with an RS 1 remote power supply suitable for connection to this input jack The power requirements call for an 18 volt AC center tapped transformer only Cal...

Страница 4: ...o clipping is occuring or immi nent Check these conditions A The LEVEL control may be turned too high B The output of the preceding device may need to be reduced C The Input may be switched to mic but the source may be line level Switch the Input to LINE LED on The STEREO LINE INPUTS 5 through 8 do not have overload indicators because they are unity gain and can t be overloaded by a 20 dBu signal ...

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