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Resources
StudioLive™ Series III
13.3 Compression Setting Suggestions
Owner’s Manual
13.3
Compression Setting Suggestions
压缩设置的建议
The following are the compression presets that were used in the PreSonus BlueMax.
We have included them as a jumping-off point for setting up compression on the
StudioLive.
以下是在
PreSonus BlueMax
中使用的压缩预置。把它们作为在
StudioLive
上设置压缩的一个跳板。
13.3.1
Vocals
人声方面
Soft.
This is an easy compression with a low ratio setting for ballads, allowing a wider
dynamic range. It’s good for live use. This setting helps the vocal“sit in the track.”
Soft.
这是一个简单的压缩器,为民谣设置了低比率,允许更宽的动态范围。它
很适合现场使用。这个设置有助于人声
"
陷入音轨中
"
。
THRESHOLD
RATIO
ATTACK
RELEASE
-8.2dB
1.8:1
0.002ms
38ms
Medium.
This setting has more limiting than the Soft compression setting,
producing a narrower dynamic range. It moves the vocal more up front in the mix.
Medium.
这个设置比
Soft
压缩设置有更多的限制性,产生更窄的动态范围。
它使人声在混音中更加靠前。
THRESHOLD
RATIO
ATTACK
RELEASE
-3.3dB
2.8:1
0.002ms
38ms
Screamer.
This setting is for loud vocals. It is a fairly hard compression setting for
a vocalist who is on and off the microphone a lot. It puts the voice “in your
face.”
Screamer.
这个设置是为大音量的人声准备的。这是一个相当
hard
(硬拐点)
的压缩设置,适用于经常使用和离开麦克风的主唱。声音
"
就在你的面前
"
。
THRESHOLD
RATIO
ATTACK
RELEASE
-1.1dB
3.8:1
0.002ms
38ms
13.3.2
Percussion
打击乐
Snare/Kick.
This setting allows the first transient through and compresses
the rest of the signal, giving a hard“snap” up front and a longer release.
这个设置,允许第一个瞬态通过,并压缩其余的信号,使前面有一
个硬的
"snap"
(啪),而释放的时间更长。
THRESHOLD
RATIO
ATTACK
RELEASE
-2.1dB
3.5:1
78ms
300ms
Left/Right (Stereo) Overheads.
The low ratio and threshold in this
setting gives a “fat” contour to even out the sound from overhead
drum mics. Low end is increased, and the overall sound is more
present and less ambient. You get more“boom”and less“room.”
这个设置中的低比率和阈值,给出了一个
"fat"
的轮廓,使来
自顶置鼓麦克风的声音变得均匀。低音增加了,整体的声音
更有存在感,不是氛围感。你会得到更多的
"boom"
,更少的
"room"
。
THRESHOLD
RATIO
ATTACK
RELEASE
-13.7dB
1.3:1
27ms
128ms
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