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13
Resources
StudioLive™ Series III
13.2 Stereo Microphone Placement
Owner’s Manual
13.2.3
Acoustic Guitar
原声吉他
Point a small-diaphragm condenser microphone at the 12th
fret, approximately 8 inches away. Point a large-diaphragm
condenser microphone at the bridge of the guitar,
approximately 12 inches from the guitar. Experiment with
distances and microphone placement. Another popular
method is using an XY microphone placement with two
small-diaphragm condenser microphones. (See drum-
overheads picture on the next page.)
将一个小振膜电容式麦克风对准第
12
品(吉他等絃乐器
指板上定音的),大约
8
英寸远。将大振膜电容式麦克
风指向吉他的琴桥,距离吉他大约
12
英寸。测试距离和
麦克风的位置。另一种流行的方法,是用两个小振膜电
容式麦克风进行
XY
麦克风放置。
(
见下页的鼓头图片)。
13.2.4
Bass Guitar (Direct and Speaker)
低音吉他
(
直接和扬声器
)
Plug the electric bass guitar into a passive direct box. Connect the
instrument output from the passive direct box to a bass amplifier. Place a
dynamic microphone an inch or two away from the speaker and connect
it to a StudioLive microphone input. Connect the line output from the
passive direct box to a line input on a different channel of the StudioLive.
For recording, place these signals on separate tracks. During mixing, you
can blend the direct and amplifier signal to taste. This technique can also
be used in live applications.
将电吉他插入一个无源直达箱。将无源直达箱的乐器输出,连接到
低音放大器上。将动圈麦克风放在离音箱一两英寸远的地方,并将
其连接到
StudioLive
麦克风输入。将无源直达箱的线路输出,连接到
StudioLive
不同通道的线路输入上。在录音时,将这些信号放在不同
的轨道上。在混音过程中,可根据自己喜好,尝试混音直放和功放
信号。这种技术在现场应用中也可以使用。
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