10
3
3.1
Application Guide
Monitor Placement and Acoustic Space Settings
ErisXT-SeriesE5XT/E7XT/E8XT
Owner’s Manual
Monitor Placement and Acoustic Space Settings
监视器的放置和声学空间的设置
3.1
Application Guide
应用指南
3
Speakers 8” to 12” from wall
Beforeplacingyourstudiomonitorsinyourmixingenvironment,positionyour
deskormonitorstands sothatyourspeakerswillbeatleast8to12inches
awayfromwallsandcorners.Thiswillbeadequatetopreventsoundwaves
fromhittingthewallandreflectingbacktoyou,causing phasecancellation
andotherpotentiallyharmfulacousticinteractions.Thismightnotalwaysbe
possible,and therearesomewaystomitigatecrampedmixing spaces.
在将录音室监听音箱放置在混音环境中之前，请将您的桌子或监听音箱支
架放置在离墙壁和角落至少
8
至
12
英寸的地方。这将足以防止声波撞到墙
上并反射到你身上，造成相位抵消和其他潜在的有害声学交互作用。这可
能并不总是可能的，有一些方法可以缓解拥挤的混音空间。
When a monitor is placed close to a wall,or in acorner, the low
frequencies tend to be emphasized more than if the monitor is some
distance away from any room boundary. Commonly referred to as
“boundary bass boost,” it is most pronounced if the monitor is in a
corner and less pronounced, but still present, if the monitor is near
one wall. While an increased bass response may be desirable in a
listening environment, for studio mixing this can cause mixing to
sound too bright when played on consumer stereo systems because
the audio engineer will instinctively reduce the bass content in the mix
to counterbalance for what they are hearing in the studio.
当监听器靠近墙壁或放在角落时，低频往往比监听器离房间边界有一段距
离时更能得到强调。通常被称为
"
边界低音增强
"
，如果监听器在角落里，
它是最明显的，如果监听器靠近一面墙，则不太明显，但仍然存在。虽然
在聆听环境中，增加低音响应可能是可取的，但对于录音室混音来说，这
可能会导致混音在消费者立体声系统上播放时听起来太亮，因为音频工程
师会本能地减少混音中的低音内容，以平衡他们在录音室中听到的内容。
