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9

| Blending With Other Libraries |  

Collection User Guide

© 2017 Orchestral Tools | Schwarzer & Mantik GmbH

VI

Blending With Other Libraries

We have spent considerable energy on making our collections fit into your existing workflow and make it
work together effortlessly with other libraries you are using.

1. The right reverb

You can control the amount of room information with the adjustable microphone positions in the Mixer View.
The Tree/Room position is recommended for composing, providing a nice balance between presence and
ambience. Surround and AB are much more reverberant and best used to add character to the sound. Using
the Close position solely allows you to shape the sound even further by using your own reverb - at the
expense of losing the natural sound of the Teldex stage.
In general we suggest the use of an unobtrusive final reverb on top of the samples to blend everything nicely
together in a coherent space and to allow for spatial positioning of instruments within the mix (or, in plain
words: to move instruments further back or to the front in the mix).

2. Volume Control via Kontakt

We have chosen to not normalise the audio samples used in our collections. This means that all samples are
at their natural volume, making some instrument ranges much quieter than you may find in other libraries. This
is intentional to give you the full dynamic spectrum. If you want to raise the overall volume of the patches,
you can either raise the volume of individual patches or raise Kontakt’s master volume slider.

Kontak t Maste r Volum e

Volume Range Slider

Dynamics is what makes an orchestra sound good. And incidentally, it is also what makes many mockups
sound bad. A piano can be really quiet and a forte can be really loud, not something in-between. Because
there is a fixed amount of velocity layers in any sample library, it can happen that a real musician could play
that piano part much quieter than your samples do. On the other hand, having the quietest samples at too
low a volume can make a library hard to use. We thought about this and have a solution: The volume range
slider in the Settings View allows you to set the overall volume range of your instruments between the lowest
and the highest velocity.
If the Volume Range setting is at 0, the samples will have their recorded dynamic range. Move it to the far
right and the lowest velocities will be very quiet while the highest velocities will be pretty loud, giving you
the full possible dynamic range. By default, this slider is set to give you some nice dynamic range compared
to the raw samples while at the same time not leaving you with almost inaudible low velocities. Experiment
with this setting and use it in your templates to bring out the full dynamic range of your orchestrations! The
volume range feature allows you to blend our collections with your other libraries with ease - but then why
would you want other libraries?

Содержание SFX

Страница 1: ...1 Capsule User Guide Berlin Woodwinds SFX www orchestraltools com ...

Страница 2: ...s 8 VI Blending With Other Libraries 9 VII Common MIDI CCs 10 VIII Maximum Voices 11 IX GUI Overview 12 1 Preset System 12 2 UI Views 14 Performance View 14 Mixer View 15 Settings View 18 Controller Table View 21 X Single Articulation Patches 23 1 Standard Articulations 23 2 Sustains 26 3 Time Machine enabled Patches 27 XI Multi Articulation Patches 28 1 Multi Slot View 28 2 Multi Locked View 33 X...

Страница 3: ...2 2 2017 Orchestral Tools Schwarzer Mantik GmbH Rev 2017 10 25 Collection User Guide XIII Appendices 35 1 Controller Table Annotated List 35 2 New Features 46 3 Configuring Kontakt s Outputs 49 ...

Страница 4: ...llowing table lists all collections covered by this User Guide with their current Capsule version as well as the minimum Kontakt version Please note that collections each require their own Capsule version and need to reside in their own folder We strongly advise to keep all collections apart in separate folders to avoid issues If in doubt send us an email and we will be happy to help you out Colle...

Страница 5: ... and the introduction of tools never built before The Runs Builder lets you create the most convincing fast runs based on pre recorded micro runs These are just a few examples of our investment into the future of orchestral sampling Using our extensive set of articulations efficiently is fundamentally important That s why we didn t just develop yet another tool we conceived a radically new workflo...

Страница 6: ...es It has never been so fast and easy to set up your Berlin Orchestra Flexibility in Capsule s single articulation patches is just paramount Now you can create your very own Round Robin rules With only one click you can use the neighboring zones to triple the available number of Round Robin samples to add a more organic feel and to avoid any kind of machine gun effect Also each Round Robin can be ...

Страница 7: ...pective volumes balanced If there are multiple types of the same instrument they are recorded in slightly different positions yet still in their general section area The different snare drums in Berlin Percussion for example have been recorded slightly spread over the general snare drum area within the percussion section This allows you to have a very wide and full sound when combining multiple in...

Страница 8: ...ons and 3 Contrabassoons ins octaves adds a completely new colour to the Berlin Woodwinds lineup and includes common standard articulations All these are divided into patches containing a single articulation as well as multi articulation patches You will find all patches inside the Instruments folder The collection contains the following instruments as they appear in your instruments folder 25 Pic...

Страница 9: ...tegrated QuickHelp texts for nearly all UI elements These texts feature short descriptions of the relevant feature You can find more detailed information in this User Guide The texts are displayed in Kontakt s Info Pane To show this pane click on the Info Button in Kontakt s toolbar Hover over an interface element to see its associated QuickHelp text ...

Страница 10: ...ll dynamic spectrum If you want to raise the overall volume of the patches you can either raise the volume of individual patches or raise Kontakt s master volume slider Kontakt Master Volum e Volume Range Slider Dynamics is what makes an orchestra sound good And incidentally it is also what makes many mockups sound bad A piano can be really quiet and a forte can be really loud not something in bet...

Страница 11: ...ider Use CC7 for balancing the collections in your template You can assign this CC freely in the Controller Table CC 3 This CC controls the vibrato mode select patches only You can assign this CC freely in the Controller Table CC64 Sustain All Longs patches as well as of course Longs articulations within Multi Articulation patches use CC64 to hold currently playing notes after you have let go of t...

Страница 12: ...have been set with a default maximum voice limit tailored to how the particular patch is generally used That means that Legato patches will have a higher value than for example Trills Multi Articulation patches have a rather high value to enable complex articulation routings Maxim um Voices If you use a lot of microphone positions esp in Berlin Percussion and or have a very dense orchestration you...

Страница 13: ...em Capsule features a powerful preset system which allows you to transfer values and settings between different articulations and instruments The preset system intelligently applies your settings when you load a preset in any single or multi instruments and will only restore the settings that actually apply to that instrument All instrument as well as mixer settings will be recalled So you can for...

Страница 14: ... that can be saved under a unique name and loaded any time Saving and loading works the same way as with the default preset Just click the respective button at the top right of the UI A standard Save Load dialog will appear giving you access to your file system You can store these presets anywhere you like they do not need to be in the collection folder ...

Страница 15: ...stomize individual articulations set your control preferences and switch between the selected articulations The look of the Performance View differs greatly from patch to patch and even more between Single and Multi Articulation patches This is why this view is covered in the respective sections later in this User Guide in detail Transpose Transpose All patches have a TR transpose section in their...

Страница 16: ...e selected mic position Ctrl Opt Click the slider to reset it to Center Solo Mute These work like the Solo Mute buttons in your sequencer Volume Adjust the fader to lower or raise the volume of the mic position While playing a level meter to the right of the slider will show the current audio level Ctrl Opt Click the fader to reset it to its default value db Indicator Below the volume fader you ca...

Страница 17: ...channels Chain All This button chains all positions together so changes to one position will affect all others equally Of course Auto Gain will only work if at least one channel is not chained Solo Mute Soloes or mutes all channels Purge Enables or disables and loads or unloads all mic positions Purge Releases Enables or disables and loads or unloads all release samples Purge Legato Transitions En...

Страница 18: ...k of the orchestra This is intentional to preserve the orchestral balance and spacing Close Increase the amount of the Close position if you want to have a more direct sound with less response of the room Raising the volume of the Close mics will also increase the playing noises made by the musicians providing added realism for intimate settings Tree Room in BWW The Tree microphones provide a bala...

Страница 19: ...ore sense as a global patch setting or an individual slot setting Dynamics The dynamics area lets you select how the collections shape the dynamics when you play Dynam ics Niente If enabled the lowest dynamic setting usually CC1 at 0 or key velocity at 0 will cause the instrument to be completely silent Use this setting when using your instruments with a breath or wind controller Soft Low Layer If...

Страница 20: ...e high frequencies but also the core resonance Each patch uses its own customized filter setting tailored to the use of that particular patch Cutoff Attack Release This area has three rotary encoders to intelligently adjust the ADSR curve of the samples Attack Release Attack Adjusts the attack of the main instrument samples Attack Curve Adjusts the attack of the main instrument samples Release Adj...

Страница 21: ...ons randomizes the order of played RRs If disabled RRs will be played in sequence Polyphonic RR If enabled only one RR is advanced in the sequence or randomized when playing chords New Note Resets This option resets the RR sequence when a new pitch is played Reset RR after ms If no notes are played the RR sequence resets to the start after the time in milliseconds entered here RR Layers The RR Lay...

Страница 22: ... controller comes in by CC or keyswitch its respective entry in the Controller Table will show a small dot in front of the name The current value of a controller is displayed by a highlighted area at the bottom of the Controller Table Active Controller Assigning Controllers There are several ways to assign a feature to a specific note or controller Auto Assign You can directly assign any feature i...

Страница 23: ...ange of the patch or on the same key as one of the keyswitches in a Multi Articulation patch that note will be moved one octave so the assignments do not clash This behaviour cannot be overridden Controller Curve The middle of the Controller Table prominently features a graphical display of the current control curve You can draw your desired curve in with the mouse or use the preset button to open...

Страница 24: ...onding articulations when loaded inside a Multi Articulation patch 10 1 Standard Articulations All Single Articulation patches in all Orchestral Tools collections share a set of common UI elements and features that work across articulation types This section describes these common elements Performance View Single Articulation patches in their Performance View contain the Main Knob for velocity lay...

Страница 25: ...ive layer If no text is visible you are in the middle of two layers Note that this display represents the actual recorded samples So if you have p mf f in the display that not only tells you that there are three actual layers per note but also which one is currently active This is a huge help when creating realistic mockups because you are told by the library that right now those violas are playin...

Страница 26: ...any time but rather use the recorded dynamic layers in their correct place and switch between them When Dynamic Switch is enabled all velocity mapped keys in the current articulation will not crossfade between dynamic layers but rather switch between them at breakpoints Note that this setting does not influence X Fade controlled keys like for example Rolls This setting is available in all short no...

Страница 27: ...n for every instrument capable of producing one Continuous Sustains Sustained Articulations usually hold their timbre in which case they are always looped That means that when the note is held part of the sample will be repeated indefinitely until the note is released This allows for very long lines at especially for wind instruments the expense of realism if unrealistically long notes are played ...

Страница 28: ...room is preserved It is advisable to use the TM slider within sensible limits The extreme ends of the spectrum will yield results that are interesting for sound design but have little in common with the original instrument Less is more TM patches load the shole sample content into memory so they take more RAM than their regular counterparts You should only use them if you actually want to use the ...

Страница 29: ... notable difference is the legato behaviour Since the Multi Articulation Patches allow you to use legato transitions or behaviour scripted legato with any articulation there are no 1 1 counterparts to the regular Single Articulation legato patches 11 1 Multi Slot View The Slot View of Multi Articulation Patches looks vastly different to its Performance View counterpart for Single Articulation patc...

Страница 30: ...r Single Articulation counterparts Performance View Legato Styles You can select up to three different legato zones accessed by playing speed If you only need one or two types of legato just set two or even three slots to the same legato type The other settings displayed on this page correspond to the settings of that particular Single Articulation in the Settings View Note The settings made on th...

Страница 31: ...es between legato articulations If the slot switched to does not have legato enabled the original slot will still be connected and afterwards muted but without a further transition after the initial connection Tip Ctrl Cmd Click on the KS buttons to move the keyswitches directly adjacent to the lowest playable note of the patch On very low instruments the keyswitches will be moved adjacent to the ...

Страница 32: ...troller Table will switch between the selected slots For this by default the range of the CC is divided by the number of selected keyswitches for example 128 4 if four slots are selected Vel Switch This option works in a similar way to CC Switch but instead of a MIDI CC the slots will be switched by key velocity Again by default the number of selected keyswitches determines the value range in whic...

Страница 33: ...es respectively whereas the middle slot s will use a much broader value range If CC Switch is selected the boxes control the CC values where the switch will take place You can for example set the second slot to trigger from CC value 10 the third one from 90 and the fourth one only if a CC value of 127 is received Custom thresholds are not available in the XFade modes CC XFade or 2D XFade Switching...

Страница 34: ...iew When locked all samples not currently used are purged from memory As long as Locked View is active not articulations can be changed and the instrument is immune to any settings changes via CC as well Interface When the Locked View is shown the Multi Articulation UI changes to an interface more alike to Single Articulation Patches The Main Knob in the middle of the interface shows the current v...

Страница 35: ...t eMail support If your question is not answered on the Helpdesk you can reach OT Support by email to support at orchestraltools dot com For direct help with download issues using Continuata Connect please contact support at continuata dot com Just send us an email describe your issue and we will get back to you usually the same working day OT Support is staffed every working day 09 00 to 16 00 Or...

Страница 36: ...note or both Default Value Some controls have a default value set by Orchestral Tools If they do this will tell you what it is Description Provides a short description what the controller does Dynamics Dynamic XFade Used by All Long articulations but can be set and used for Shorts too Assignable to MIDI CC Default Value CC1 Modwheel Description The assigned CC controls the dynamics of the instrume...

Страница 37: ...iggers a Sustains Soft release of the current note s when enabled even if the current sustain is a Sus Imm or Acc True Damping Used by All BPC Range articulations that support True Damping Assignable to MIDI CC Default Value Off Description The assigned CC switches the True Damping behaviour on or off Dynamic Switch Used by All Berlin Percussion Single Artic patches with velocity controlled articu...

Страница 38: ...he assigned CC toggles Alternative Transitions 1st Legato Zone Used by All Legato Single Articulations Assignable to MIDI CC MIDI Note Default Value A 1 Description The assigned CC makes the current Legato Patch use the 1st Legato style 2nd Legato Zone Used by All Legato Single Articulations using a 2nd Legato Zone Assignable to MIDI CC MIDI Note Default Value Bb 1 Description The assigned CC make...

Страница 39: ...Selected Berlin Woodwinds Soloists Legato Single Articulations Assignable to MIDI CC MIDI Note Default Value Off Description The assigned CC or MIDI Note treats the velocity of the first note in a sequence as usual i e low velocity decresc but any following note with the opposite setting i e cresc in this case Breath Noise Used by Berlin Woodwinds Soloists Legato Single Articulations Assignable to...

Страница 40: ...ue CC50 Description The assigned CC moves the tempo mode slider Auto Tempo Used by All patches using Time Stretching in all collections Assignable to MIDI CC Default Value Off Description The assigned CC switches between patches automatically selecting the best sounding option for the Tempo Slider and you needing to move this slider manually Manual Tempo Used by All patches using Time Stretching i...

Страница 41: ...ange Used by All Single Articulation patches in all collections Assignable to MIDI CC Default Value Off Description The assigned CC adjusts the volume scaling of the recorded velocity layers to allow for greater or narrower dynamic range Lock to Beat Used by All Time machine enabled patches in all collections Assignable to MIDI CC Default Value Off Description The assigned CC lets the played sampl...

Страница 42: ...rols the time stretching parameter Pedal Sound Used by All patches with recorded pedal noise Assignable to MIDI CC Default Value Off Description The assigned CC controls the level of pedal noise Hammer On Pull Off Used by All Electric Guitar patches Assignable to MIDI CC MIDI Note Default Value Off Description The assigned CC or MIDI Note moves the attack startpoint of any played note to omit the ...

Страница 43: ...ls the amount of wet signal in the patch Teldex IR Predelay Used by All Soloists Series patches Assignable to MIDI CC Default Value Off Description The assigned CC controls the pre delay time in the patch NAME Fader Used by All patches in all collections Assignable to MIDI CC Default Value Depends on Mic Position Description The assigned CC controls the fader level of the mic position NAME Solo Us...

Страница 44: ...All patches in all collections Assignable to MIDI CC Default Value Depends on Mic Position Description The assigned CC controls the panning of the mic position NAME Purge Used by All patches in all collections Assignable to MIDI CC Default Value Depends on Mic Position Description The assigned CC loads or unloads the mic position ...

Страница 45: ...ets polyphonic keyswitching to switch by sending the X Axis MIDI CC MI CC XFade Mode Used by All Multi Articulation patches Assignable to MIDI CC Default Value CC27 Description The assigned CC sets polyphonic keyswitching to crossfade by sending the X Axis MIDI CC MI 2D XFade Mode Used by All Multi Articulation patches Assignable to MIDI CC Default Value CC28 Description The assigned CC sets polyp...

Страница 46: ...by All Multi Articulation patches Assignable to MIDI CC Default Value Off Description The assigned CC switches between Slots Leg Artic n On Off Used by All Multi Articulation patches Assignable to MIDI CC Default Value CC30 Description The assigned CC switches the legato on or off for the respective slot in the Multi Articulation patch ...

Страница 47: ...l patches with the TR section in the bottom left This feature shifts the playable range only preserving keyswitches and works great for creating octave shifts Legato Transition Volume The Mixer View now has a knob to adjust the volume of the legato transitions This knob is assignable to a CC in the Controller Table Clear all slots for Multi Articulation Patches All Multi Articulation patches now h...

Страница 48: ...igger the note Poly KS Fade will now show the state When you use Poly KS XFade you can now see the current state at the bottom of the articulation view The current setting will light up Locked View All Multis now have a Locked View represented by a lock icon in the lower left It works this way Set up the multi patch as you want it then press the lock button Everything else not selected will be pur...

Страница 49: ...i If enabled this option will make the instrument play True Damping samples when CC64 is not active CC64 will let the samples ring out Dynamic Switch BPC and BPC A When enabled all velocity mapped keys in the current articulation will not crossfade between dynamic layers but rather switch between them at breakpoints ...

Страница 50: ...sequencer By default Kontakt only has a few outputs activated This section tells you how to enable more outputs and how to save this as the default configuration so you only need to do it once 1 Show the Outputs Pane by clicking the Output button in Kontakt s menu bar 2 Click on Add Channels and choose the options as shown below Depending on which version of the plugin you loaded you can select as...

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