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MIDITEMP MP 22-W, MP 22-CD, MP 88-W, MP 88-CD, PMM 88-E, MT 16-X
MIDITEMP MP 22-W, MP 22-CD, MP 88-W, MP 88-CD, PMM 88-E, MT 16-X
MIDITEMP MP 22-W, MP 22-CD, MP 88-W, MP 88-CD, PMM 88-E, MT 16-X
MIDITEMP MP 22-W, MP 22-CD, MP 88-W, MP 88-CD, PMM 88-E, MT 16-X
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3.4 Output Assignment (OUT)
This function allows you to assign whole Songs or individual tracks to the MULTIPLAYER’s
MIDI outputs. In this way you can split the data from the 64 possible tracks across the disposal MIDI
outputs in any way you choose. And this individually for each Song memory place in an Assign!
These patches are then saved in the Assign file by using “Save Assignment“ (see page 51).
Everytime you load a Song into a Song memory place the MULTIPLAYER automatically
assigns the tracks to those MIDI outputs defined in the “Defaull Output Assign“ (see page 54). If you
still use the factory default (which is only intended as a test set-up) you should find the settings: for
the MP 88-W 1/2/7/8 (MP22-W on 1/2/SC).
Assigning individual tracks to separate outputs is heartly recommended. You will improve
the timing of you MIDI data on playback (since all tracks, and all MIDI channels are played on all
outputs) because the mass of data is divided between several output ports and Soundgenerators.
&
If you use Songs which are in the MIDI file format, up to 16 tracks are automatically
available. In most cases, using SMF’s is the easiest way of working. If you buy ready-made
Songs, you should be able to simply load and play.
There are two formats used by the SMF’s: SMF0
There are two formats used by the SMF’s: SMF0
There are two formats used by the SMF’s: SMF0
There are two formats used by the SMF’s: SMF0 and SMF1
and SMF1
and SMF1
and SMF1. The difference is an SMF0
. The difference is an SMF0
. The difference is an SMF0
. The difference is an SMF0
organizes all MIDI channels to one track – SMF1 uses for each MIDI channel a seperate
organizes all MIDI channels to one track – SMF1 uses for each MIDI channel a seperate
organizes all MIDI channels to one track – SMF1 uses for each MIDI channel a seperate
organizes all MIDI channels to one track – SMF1 uses for each MIDI channel a seperate
track (or maybe several tracks for one MIDI channel [e.g. it makes sense to divide a drum
track (or maybe several tracks for one MIDI channel [e.g. it makes sense to divide a drum
track (or maybe several tracks for one MIDI channel [e.g. it makes sense to divide a drum
track (or maybe several tracks for one MIDI channel [e.g. it makes sense to divide a drum
track on channel 10 (GM) up to several drum instrument tracks to send each to an individual
track on channel 10 (GM) up to several drum instrument tracks to send each to an individual
track on channel 10 (GM) up to several drum instrument tracks to send each to an individual
track on channel 10 (GM) up to several drum instrument tracks to send each to an individual
Sound device]). The track names (if there are any) you can read with this function
Sound device]). The track names (if there are any) you can read with this function
Sound device]). The track names (if there are any) you can read with this function
Sound device]). The track names (if there are any) you can read with this function
Each manufacturer of SMF’s offers the possibility to order the Song as SMF0 or SMF1!
Each manufacturer of SMF’s offers the possibility to order the Song as SMF0 or SMF1!
Each manufacturer of SMF’s offers the possibility to order the Song as SMF0 or SMF1!
Each manufacturer of SMF’s offers the possibility to order the Song as SMF0 or SMF1!
THERE IS NO WAY TO CONVERT SMF0 INTO SMF1
THERE IS NO WAY TO CONVERT SMF0 INTO SMF1
THERE IS NO WAY TO CONVERT SMF0 INTO SMF1
THERE IS NO WAY TO CONVERT SMF0 INTO SMF1 WITH THE MULTIPLAYER!
WITH THE MULTIPLAYER!
WITH THE MULTIPLAYER!
WITH THE MULTIPLAYER!
On the other hand, if you are transfering a Song from an external device, and it contains
more than 16 tracks, there is often far more work involved in converting it to a MIDI file
than simply playing it across via MIDI. There are also sequencers which do not make full (or
indeed any!) use of the MIDI file format. Since splitting the data into tracks is not nearly so
important in the MULTIPLAYER as it is in a software sequencer, we heartly recommend
playing in via MIDI.
If the whole Song has been recorded on one input, you can simply assign the whole track to
one output. Since track information is not included in MIDI, a Song which is recorded all in
one go consists of a single track.
If you would like to assign different tracks of the Song to different outputs you will need to
record each of the tracks seperately (mute the tracks to be separated, then play the Song in;
unmute these tracks and mute the rest of them, then play again ...). If your sequencer has
more than one MIDI output you will cut down the number of recordings required.