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APPENDIX C: UPQ-D SERIES SPECIFICATIONS
UPQ-D SERIES ACOUSTICAL, ELECTRICAL, AND PHYSICAL SPECIFICATIONS
ACOUSTICAL
UPQ-D1
UPQ-D2
UPQ-D3
Operating Frequency
Range
55 Hz – 18 kHz
55 Hz – 18 kHz
55 Hz – 18 kHz
Note:
Recommended maximum operating frequency range. Response depends on loading conditions and room
acoustics.
Frequency Response
58 Hz – 18 kHz ±4 dB
61 Hz – 16.5 kHz ±4 dB
57 Hz – 18 kHz ±4 dB
Note:
Measured free field with 1/3 octave frequency resolution at 4 meters.
Phase Response
80 Hz to 18 kHz ±45°
80 Hz to 18 kHz ±45°
80 Hz to 18 kHz ±45°
Linear Peak SPL
135.5 dB with crest factor >17 dB
(M-noise)
, 132 dB (Pink Noise), 135
dB (B-noise)
138 dB with 19 dB crest factor
(M-noise)
, 134.5 dB (Pink Noise),
137 dB (B-noise)
135 dB with crest factor >17 dB
(M-noise)
, 132 dB (Pink Noise),
134 dB (B-noise)
Note:
Linear Peak SPL is measured in free-field at 4 m referred to 1 m. Loudspeaker SPL compression measured
with M-noise at the onset of limiting, 2-hour duration, and 50-degree C ambient temperature is < 2 dB.
M-noise
is a full bandwidth (10 Hz–22.5 kHz) test signal developed by Meyer Sound to better measure the loud-
speaker’s music performance. It has a constant instantaneous peak level in octave bands, a crest factor that
increases with frequency, and a full bandwidth Peak to RMS ratio of 18 dB. The presence of a greater-than (>) sym-
bol with regard to crest factor indicates it may be higher depending on EQ and boundary loading.
Pink noise
is a full bandwidth test signal with Peak to RMS ratio of 12.5 dB.
B-noise
is a Meyer Sound test signal used to ensure measurements reflect system behavior when reproducing the
most common input spectrum, and to verify there is still headroom over pink noise.
Coverage
80° H x 50° V (–6 dB)
100° H x 60° V (–10 dB)
50° x 50° (–6 dB)
60° x 60° (–10 dB)
80° x 80° (–6 dB)
100° x 100° (–10 dB)
TRANSDUCERS
Low Frequency
One high-power 15-inch cone driver; 2
:
nominal impedance
High Frequency
One 4-inch diaphragm compression driver; 8
:
nominal impedance
AUDIO INPUT
Type
Differential, electronically balanced
Maximum Common
Mode Range
±15 V DC, clamped to earth for voltage transient protection
Connectors
XLR 3-pin female input with male loop output; optional XLR 5-pin connector to accommodate both balanced audio
and RMS signals.
Input Impedance
10 k
:
differential between pins 2 and 3
Wiring
Pin 1: Chassis/earth through 1 k
:
, 1000 pF, 15 V clamp network to provide virtual ground lift at audio frequencies
Pin 2:
Pin 3: Signal – (optional polarity reversal switch)
Case: Earth ground and chassis
Note:
Pins 4 and 5 (RMS) only included with XLR 5-pin connector that accommodates both balanced audio and
RMS signals.
Nominal Input Sensitivity
0 dBV (1 V rms) continuous average is typically the onset of limiting for noise and music
Input Level
Audio source must be capable of pro20 dBV (10 V rms) into 600
:
to produce maximum peak SPL over the
operating bandwidth of the loudspeaker
Содержание UPQ-D Series
Страница 6: ...IMPORTANT SAFETY INSTRUCTIONS vi...
Страница 12: ...CHAPTER 1 INTRODUCTION 12...
Страница 18: ...CHAPTER 2 POWER REQUIREMENTS 18...
Страница 22: ...CHAPTER 3 AMPLIFICATION AND AUDIO CONNECTORS 22...
Страница 24: ...CHAPTER 4 ADDING LOW FREQUENCY CONTROL 24...
Страница 30: ...CHAPTER 5 QUICKFLY RIGGING 30 Figure 26 MPA UPQ with Loudspeakers Arrayed at 34 34...
Страница 38: ...APPENDIX A MEYER SOUND WEATHER PROTECTION 38...
Страница 46: ...APPENDIX C UPQ D SERIES SPECIFICATIONS 46...
Страница 47: ......