Make Noise soundhack Mimeophon, Руководство пользователя, Страница: 18 / 20

Patch Corner (cont.)
1 8
Octaviocho (Tony)
Use VCO with multiple wave shape outputs (STO, DPO). Patch your voice to be processed using VCO (see "Make
Noise System Tutorial 1a: Basic Sequencing"). Patch triangle or sine from same VCO to Mimeophon uRate In. Set
Zone to any from 1 to 5. Mix to 12:00. Color to 3:00. Repeats around 10:00. Start with Rate at Noon. Flip and Hold
OFF. Adjust Rate, Skew and Halo to taste. Increase Repeats for more "fuzz" (octave up harmonics). If the VCO has
a sub-octave output (like the STO Sub), use it for octave down harmonics.
Echoes Made of Sand (Tony)
Set up Octaviocho patch with Zone to 4 to 5, and program melodic sequence. Patch system clock (the one
clocking sequence) to MP Tempo In. Turn Flip ON. Summon spirit of Hendrix with modular synthesizer.
Stereo Chorus (Tom)
Set Color to 3:00 and Repeats to 12:00 or greater, Mix to 1:00. Patch a bipolar triangle or sine LFO (such as from
DPO) of 10Hz or slower through an attenuator (such as a middle channel of MATHS at about 1:00), to uRate, and
engage Skew. In Zone 0 or 1, increase drama by turning up Repeats (resonance, shimmer). Variation: Zone 1 or 2
for flange effect.
Filter-Verb (Walker)
Turn Mix fully clockwise and Repeats and Rate fully counterclockwise, and enter Zone 0. These settings can be
used to access Color and Halo with no apparent Repeats. Use Color as a subtle character filter, and Halo to
generate air. Engaging FLIP will create protonic reversal to generate harmonics, subharmonics and other related
over- and undertones derived from the sounds at the input. Add trails by turning Repeats up to taste.
Flip the Script (Walker)
In Zone 4, set Repeats fully counterclockwise and Mix fully clockwise, and engage Flip (leave SKEW off). Patch a
sung or spoken-word vocal track to the Input(s). Set Rate to match the average flow of syllables into the
Mimeophon. The result should be a reversed vocal track that maintains its original cadence and rhythm (and
melody, if sung).
(nil)ZONE^∞ (Jake)
With nothing in the inputs, set Mix full CW. Start in Zone 0 with zero Halo and Color at 12:00. Turn Repeats all the
way up to create a wash of feedback. Modulate Color with Woggle CV, Zone and Rate with Stepped Random CV
(attenuate to taste; works best in the lowest Zones!). Optional: slowly modulate Repeats via LFO. Optional: Rate
out -> TEMPO in to cancel out Doppler shifts.