Make Noise PHONOGENE Скачать руководство пользователя страница 22

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Advanced Patch Techniques:

 

Starting Point:

These...Are...The Breaks!

Like many other Patch Examples found at the back of our manuals, while the following techniques may be a little tricky to

master, with a little trial and error, you may soon find yourself on a quest to push the limits of what is achievable with

your Make Noise system.

These concepts are slightly more advanced in that they first require you to record-- or edit, a sample into a looping “break,”

usually 1-4 bars in length. Before moving forward with the patches, start with something simple like the patch below,

<Pressing> the Record Button to Start and Stop the recorded sample in-time with the original sample. If you mess up, just

clear the sample in the buffer and try again.

Start with the Vari-speed Panel Control set to 1 o’clock. If the Record LED Indicator turns off before the desired phrase is fully

captured, try adjusting the Vari-Speed Panel Control slightly clockwise. Recall, Vari-Speed sets the sample rate during the

recording process. This means, by reducing the sample rate with Vari-Speed, you are able to record longer, more low-fidelity

samples, allowing you to closely-emulate the sound of Classic 12-bit samplers, such as the SP-1200 or MPC-60. However, setting

Vari-speed too far clockwise may produce more low-fi of a result than you desire.  Setting it too far counter-clockwise, the

sample won’t play back immediately.  The precise setting of Vari-Speed during the recording process may be thought of as

an artform that you should practice in order to perfect.  Don’t get discouraged!

Once the sample is recorded, without touching Vari-Speed, rotate the Sound On Sound Panel Control through its entire range

from Live to Loop. For a seemless effect, try this in time with the original sample, demonstrated in the video here:

(https://youtu.be/zSPeaVAn0ds?t=15).

If performed correctly, your 1 to 4 bar loop should be playing back in time and at the same pitch as your original audio.

Содержание PHONOGENE

Страница 1: ...PHONOGENE v2 7...

Страница 2: ...6 Panel Controls 7 Getting Started 10 Recording Process 11 Splice 12 Microsound 13 Chronological Inspection of Sound DNA 14 PHONOGENE Firmware v 372 Update 15 Hidden Functions and Routines 16 Patch E...

Страница 3: ...ested and found to comply with the limits for a Class A digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference when...

Страница 4: ...esulting from wrong power supply voltages backwards or reversed eurorack bus board cable connection abuse of the product removing knobs changing face plates or any other causes determined by Make Nois...

Страница 5: ...be properly installed into a Eurorack format modular synthesizer system case Go to http www makenoisemusic com for examples of Eurorack Systems and Cases board connector cable on backside of module s...

Страница 6: ...oth CV applied to Slide moves through those pieces in a nonlinear fashion Using Slide random access of the audio buffer is possible Obviously functions such as Vari Speed and Organize are useful for M...

Страница 7: ...recorded Loop May be misused as a Voltage Controlled Crossfader between Live and Loop or VCA for Loop no Live Signal Range 0V to 10V linear response Normalized to 10V 4 Sound On Sound Panel Control wi...

Страница 8: ...gain If Low PHONOGENE does not play This Input is normalized to be High So with nothing patched to Play Pulse Input PHONOGENE plays continuously Sees only rising edge of signal Needs at least 1 5V tri...

Страница 9: ...of audio buffer dividing with respect to the buffer size as set by Record or Splice length This parameter auto splices the recorded material like a machine with no regard to source material Operates w...

Страница 10: ...the most interesting source material for the PHONOGENE is not your synthesizer but instead every other sound that surrounds you so grab a microphone or patch into the internet and find some seemingly...

Страница 11: ...the material to be spliced and use either the Splice Button or Splice Pulse Input to drop Splice markers on the recording as it plays through When playback loops around to the beginning the PHONOGENE...

Страница 12: ...Vari Speed 8 9 10 Also there are LED indicators 6 7 which show direction of playback At 12 00 Vari Speed is at 0 and playback is stopped Neither of the associated LEDs are on Turning Clockwise from 5...

Страница 13: ...ieces which is useful for Time Stretch Compress and other effects It is recommended that LP or BP filter follow the PHONOGENE when performing granulation to allow for further control of the resulting...

Страница 14: ...e Size setting further effects this process since the length of the Gene with respect to the length of the Clock Cycle results in either Time Compression or Time Expansion If the Gene Size is shorter...

Страница 15: ...ss and hold REC button until you pass End Of Splice EOS LED Flashes The effect is not unlike cutting a loop on a tape recorder and allowing it to be recorded over and over again without erasing the pr...

Страница 16: ...the REC LED begins flashing While still holding Splice button and with the REC LED still blinking the audio buffer may be erased as well by pressing REC button 16 once PLAY Pulse Input 14 this input...

Страница 17: ...put 19 Now let PHONOGENE play through the recording once by either pressing manual Pulse once or removing the dummy cable and then immediately re inserting once playback has started When PHONOGENE has...

Страница 18: ...c LED 17 starts flashing Listen to the results Sliding PHONOGENE With a sound already recorded into the PHONOGENE set Vari Speed to 50 so that playback is stopped Patch the CH 1 Pressure Output from P...

Страница 19: ...d 70 press Record and let it run to end Set up a clocked patch with a Sequenced Sound Source VCO LPG patched to PHONOGENE Signal IN Strike LPG with division of Master Clock Master Clock Clock Divider...

Страница 20: ...nal PHONOGENE IN Engage Broken Echo mode Adjust Wogglebug Chaos Balance control to taste to choose melodic range Adjust SOS to 1 00 Adjust or VC Gene Size Varispeed Slide and direction to play the pat...

Страница 21: ...of time with the previous as they stack on each other creating rhythmic and phasing effects This patch also works nicely with looped concr te audio try freezing it in the Echophon buffer Genetic Mosa...

Страница 22: ...red try adjusting the Vari Speed Panel Control slightly clockwise Recall Vari Speed sets the sample rate during the recording process This means by reducing the sample rate with Vari Speed you are abl...

Страница 23: ...range This works particularly well if you are using BRAINS and PRESSURE POINTS to sequence the playback of Slide however if you are using a sequencer with a 0 4 5V CV Output such as RENE you would nee...

Страница 24: ...of 1 and 3 of each bar in the sequence With Y Gate set as below you should hear the EP on the downbeat of 2 and 3 of each bar in the sequence Adjust X and Y Gate settings to taste If you haven t move...

Страница 25: ...ace before or after the sample use the Splice button to trim the Start and End points to create a Splice that loops nicely Next turn Gene Size and SLIDE fully clockwise Slowly rotate Slide counter clo...

Страница 26: ...26 Venturing Further 2 Hosa GRM 114 RCA to Mini TS Adapters 2 Hosa GRM 114 RCA to Mini TS Adapters...

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