MORE INFORMATION
THESE SPECIFICATIONS
ARE AVAILABLE ON 3.5”
PC & MAC FORMAT DISK
IN POPULAR WORD
PROCESSOR FORMATS
■
CALL 800/258-6883
FAX 425/487-4337
OUTSIDE THE U.S., CALL
425/487-4333
FAX 425/485-1152
®
1. GENERAL CONFIGURA-
TION. The mixer shall accom-
modate 16 line and/or 16
microphone signals, channels
1–16; and shall include 16
Send/Return channel Inserts; 8
channel Direct Outputs, chan-
nels 1–8; 4 stereo pairs of Aux
Return inputs; 2 stereo pairs of
Main Mix outputs; 1 Main Mix
Mono output, 1 stereo pair of
Control Room outputs; 4
Submaster outputs; 6 Aux Send
outputs; and 1 stereo Head-
phones output. The mixer shall
be capable of placement on a
table or installation in a stan-
dard 19-inch rack mount via
rack rail brackets (included);
shall be fitted with 1 rocker-type
Power switch; 1 3-pin power
receptacle with user-replaceable
5x20mm fuse drawer; 1 BNC
socket, providing 12VDC for
fitting an external lamp (not
included); and shall be entirely
self-contained.
2. MIXER INPUTS. CHANNELS
1–16: Each channel shall include
an electronically balanced
microphone input, using an XLR-
3-F-type connector, accepting
nominal levels from –60dBu to
+14dBu via a rotary Trim control.
Phantom power shall be
globally-controlled via a rocker-
type switch. 16 Balanced/
unbalanced (bal/unbal) line
inputs shall be wired in parallel,
using
1
/
4
" TRS phone jacks,
accepting nominal levels from
–40dBu to +22dBu. Each
channel shall include a pre-fader
Insert point, using
1
/
4
" TRS
phone jacks (tip=send,
ring=return, sleeve=ground),
delivering and accepting
nominal levels from –10dBV
to +22dBu. OTHER INPUTS:
The mixer shall include 8 bal/
unbal Aux Return inputs,
forming four stereo pairs, using
1
/
4
" TRS phone jacks, accept-
ing nominal levels from
–10dBV to +22dBu; and 1
stereo pair of Tape In jacks,
using unbalanced RCA-type
phono jacks, accepting
nominal levels from –10dBV
to +22dBu.
3. MIXER OUTPUTS. MAIN
OUTPUTS: The mixer’s Main
Mix stereo outputs shall be
fitted in two ways: Using
symmetrically balanced (also
accepting unbalanced)
1
/
4
"
TRS phone jacks, delivering
nominal levels from –10dBV
to +28dBu; and using
unbalanced RCA-type phono
jacks, delivering nominal
levels from –10dBV to
+22dBu; and the Main Mix
Mono output shall be fitted
with one symmetrically
balanced (also accepting
unbalanced)
1
/
4
" TRS phone
jack, delivering nominal levels
from –10dBV to +28dBu.
OTHER OUTPUTS: Input
channels 1–8 shall each
include a post-fader Direct
Output, using bal/unbal
1
/
4
"
TRS phone jacks, delivering
nominal levels from
–10dBV to +22dBu. The
mixer shall include 4 Submas-
ter outputs, using bal/unbal
1
/
4
" TRS phone jacks, deliver-
ing nominal levels from
–10dBV to +22dBu; 1 stereo
pair of Control Room outputs,
using bal/unbal
1
/
4
" TRS
phone jacks, delivering
nominal levels from –10dBV
to +22dBu; 6 Aux Send
outputs using bal/unbal
1
/
4
"
LIVE/RECORDING CONSOLES
TRS phone jacks, delivering
nominal levels from –10dBV
to +22dBu; and 1 stereo
Headphones output, using an
unbalanced
1
/
4
" TRS phone
jack (tip=left, ring=right,
sleeve=ground).
4. MIXER INPUT SECTION.
In addition to the controls
listed in section 2 (MIXER
INPUTS), each channel shall
include 4 rotary Aux Send
controls and 1 Shift switch,
providing up to 15dB gain,
routing signals to Aux Sends
1, 2, 3 and 4 when the Shift
switch is disengaged, and to
Aux Sends 1, 2, 5 and 6
when the Shift switch is
engaged; 4 rotary equaliza-
tion (EQ) controls:
±
15dB
fixed 12kHz shelving gain,
±
15dB midrange peaking gain,
100Hz – 8kHz midrange
frequency, and
±
15dB fixed
80Hz shelving; 1 rotary Pan
®
