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15

MASTER SECTION FEATURES

CLIP

0dB=0dBu

LEFT RIGHT

ZERO

LEVEL

SET

48v

dB

30

20

10

O

O

40
50

5

5

U

60

10

POWER

STATUS

RUDE

SOLO

22

10

7

4

2

0

2

4

7

10

20

30

STEREO

MAIN MIX

STEREO

MAIN MIX

We hope you’ve understood, if not memo-

rized, the CHANNEL STRIP FEATURES you
just read. If you’re still confused, please look
them over again before you tackle this section.
Don’t worry, it’s easy to swallow as long as you
take it a bite at a time.

MAIN MIX FADER

As the name implies, this stereo fader con-

trols the levels of signals sent to the main
outputs: XLR and TRS 

MAIN OUT

 

. The

TAPE OUTPUT

 

 RCA jacks also receive the

main mix, but before the 

MAIN MIX

 Fader.

Signals feeding the 

MAIN MIX

 Fader, after

passing through the 

STEREO GRAPHIC EQ

 

,

include: 

SUB ASSIGN

 

MAIN INSERT

 

,

STEREO EFX RETURN 1

 and

 2

 

 (including

the 

EMAC EFFECTS PROCESSOR

 

), and

TAPE INPUT

 

. All assigned 

SUB

 Faders 

and 

EFX RETURN

 that are not turned

fully down will appear in the 

MAIN MIX

.

The fader, set fully up, provides 10 dB of gain.

A “

U

” unity gain point is just below that. When

set fully down, the main mix is effectively
muted. This is the fader to pull down at the end
of the song when you want The Great Fade-Out.

METERS

The CFX mixer’s peak metering system is

made up of two columns of twelve LEDs each,
with thresholds ranging from –30 dB up to
“CLIP” (+22 dBu at the TRS 

MAIN OUT

 

,

+28 dBu at the XLR 

MAIN OUT

). The meters

display the main mix, post 

MAIN MIX

 Fader

, unless a 

SOLO PFL

 

 switch is engaged.

When a 

SOLO PFL

 

 switch is engaged,

the meters will instead display the solo infor-
mation, at unity gain (pre channel fader 

).

Why, you ask? The meters, being a tool for the
engineer, must display what the engineer is lis-
tening to via the 

PHONES

 

 output.

You can get a good mix with the meter’s

peaks flashing anywhere between –20 and +10
dB. Most amplifiers clip at about +10 dB, and
some recorders aren’t so forgiving either. For
best real-world results, try to keep your peaks
between “0” and “+7.”

You may already be familiar
with “+4” (+4 dBu=1.23V)
and “–10” (–10 dBV=0.32V)
operating levels. Basically,
what determines the operat-

ing level is the relative 0 dB VU (or 0VU)
chosen for the meters.

A “+4” mixer, with a +4 dBu signal pouring

out the back, will actually display 0 dB on its
meters. A “–10” mixer, with a –10 dBV signal
trickling out, will also display 0 dB. So ... when
is 0 dB actually 0 dB? Right now!

At the risk of creating another standard,

Mackie’s compact mixers address the need of
both crowds by calling things as they are: 0 dBu
(0.775V) at the output shows as 0 dB VU on
the meters. What could be easier? (By the way,
the most wonderful thing about standards is
that there are so many to choose from.)

RUDE SOLO

This infamous flashing LED (Light Emitting

Diode) serves two purposes —- to remind you
that at least one 

SOLO PFL

 

 switch is en-

gaged, and to let you know that you’re mixing
on a Mackie.

Engaging a 

SOLO PFL

 

 switch affects

these features: 

PHONES

 

 and Meters 

.

No other outputs are affected in any way.

Although the “SET THE LEVELS” section of

“QUICK START” (page 5) will get your level-
setting tasks accomplished, using the meters

 in 

PFL SOLO

 mode lets you really tune in.

Instead of one flickering LED, you can make
use of the 12-segment VU display in the
meters. How? Just engage a 

SOLO PFL

 

switch and watch the meters.

WARNING:

 

SOLO

 is pre-

fader and taps the channel
signal before the fader 

.

If you have a channel’s
fader set well below “

U

(unity gain), 

SOLO

 won’t know that and will

send a unity gain signal to the 

PHONES

 

output. That may result in a startling level
boost in your headphones.

STEREO GRAPHIC EQ

This equalizer, used to shape the frequency

spectrum of the main mix, is the last thing in
the chain prior to the 

MAIN MIX

 Fader 

and 

MAIN OUT

 

 XLR and TRS jacks.

Although there is no actual bypass switch

for the 

STEREO GRAPHIC EQ

, by setting all

the sliders to zero (center) you’ll effectively
remove it from the signal path.

How to find and reduce feedback:

1. Set the 

GRAPHIC EQ

 sliders to zero (center).

2. Set the 

GAIN

 

 levels, using the 

ZERO

LEVEL

 

 or 

SOLO PFL

 

.

Содержание CFX 12

Страница 1: ...O 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 O O 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 O O 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 O O 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 O O 40 50 5 5 U 60 10 SOLO PF...

Страница 2: ...amplifiers that produce heat 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two bla...

Страница 3: ...s like this Every feature on the CFX mixer has one of these numbers assigned to it Whenever a feature is mentioned described or illustrated its number will be right next to it Thank you for choosing a...

Страница 4: ...Info 20 Warranty Service 20 Troubleshooting 20 Repair 21 APPENDIX B Technical Info 21 Specifications 21 Block Diagram 22 Contributors and Colophon 23 CFX MKII SERIES LIMITED WARRANTY 23 IMPORTANT SAFE...

Страница 5: ...trip GAIN AUX EFX and Fader down 3 STEREO GRAPHIC EQ sliders centered 4 MASTER AUX and EFX SENDS and EFX RETURNS down 5 Channel strip EQ and PAN controls centered 6 Channel strip ASSIGN 1 2 and MUTE s...

Страница 6: ...n up the MAIN MIX Fader to a comfortable listening level 5 If the overall mix has an equalization problem make adjustments to the STEREO GRAPHIC EQ If an individual channel is the problem use its EQ i...

Страница 7: ...t Reverb Digital Delay Mono Power Amplifiers Digital Multitrack Recorder Guitar Effects Direct Box 5 6 7 8 9 10 11 12 13 14 15 16 20 19 18 17 2 1 1 2 R L R L R L R L 2 1 CHANNEL INSERTS STEREO EFX RET...

Страница 8: ...3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 At the risk of stating the obvious this is where you plug everything in microphones line level instruments effects headphones and the ultimate destination for your sou...

Страница 9: ...signal enters the real world The XLR balanced outputs will add 6 dB when connected to balanced inputs thereby elevating signal from the noise floor by that amount The TRS balanced outputs offer the a...

Страница 10: ...TRS outputs is post fader only so they cannot be used as traditional stage monitor cues They re in tended to patch into effects device inputs hence the name EFX See EFX 1 EXT and EFX 2 INT for more in...

Страница 11: ...levels Walkperson type phones can also be used with an appropriate adapter Note Please see the Safety Instructions on page 2 for information on hearing protection EFX FOOT SWITCH You can connect a nor...

Страница 12: ...ges from off through unity the center detent position on up to 15 dB of extra gain fully clockwise The line level stereo channels AUX knobs control a mono sum of the channel s stereo sig nals For inst...

Страница 13: ...ou can also screw things up If you max the EQs on every channel you ll get mix mush not to mention driving your mix levels near or beyond clipping So equalize subtly use the left sides of the knobs cu...

Страница 14: ...dependently of the rest of the mix SUB Faders SUB ASSIGN and MAIN MIX Fader will explain this further FADER Although the most self explanatory item on a mixer we ll explain it anyway The fader is the...

Страница 15: ...results try to keep your peaks between 0 and 7 You may already be familiar with 4 4 dBu 1 23V and 10 10 dBV 0 32V operating levels Basically what determines the operat ing level is the relative 0 dB...

Страница 16: ...e mixer via its TRS jacks and SUB ASSIGN sends it to the MAIN MIX Fader LEFT RIGHT SUB ASSIGN As discussed in ASSIGN the only way to get channel outputs to the main mix is via the sub mixes and this s...

Страница 17: ...e EMAC EFFECTS PROCESSOR FOR THE IMPATIENT Set EFX 2 SEND and TO MAIN MIX at the center U mark As suming you have your basic mix up and run ning turn up the EFX 2 INT per channel This feeds in individ...

Страница 18: ...ng pre delay and late reflections Tails are very warm with some additional high end reflections imitating the stone walls of a cathedral A very dramatic effect that works well with wind instruments su...

Страница 19: ...a dramatic effect to vocals particularly group harmonies and choirs The channel s EFX 2 INT should be set halfway or higher Rate is adjust able from 0 5 Hz to 30 Hz Depth is adjustable from 0 to 100...

Страница 20: ...S AND CONSIDERATIONS When setting up for a show oftentimes you are plugging into an AC power distribution sys tem you know nothing about You may even be faced with 2 wire outlets that are missing the...

Страница 21: ...surance for all forms of cartage 8 We ll try to fix the mixer within five business days Once it is repaired we ll ship it back the same way in which it was received This paragraph does not neces saril...

Страница 22: ...EFX BYPASS EFX FOOT SWITCH 5 VDC GLOBAL PHANTOM POWER WOODINVILLE EXIT BOTHELL MONROE EMAC DSP EFX LEVEL SET L R SOLO CONTROL ACTIVE LOW SOLO OFF SOLO ON SUB 2 OUT LEFT ASSIGN RIGHT ASSIGN LEFT ASSIGN...

Страница 23: ...location within the boundaries of the USA G LOUD Technologies warrants all repairs performed for 90 days or for the remainer of the warranty period This warranty does not extend to damage resulting fr...

Страница 24: ...Red Road NE Woodinville WA 98072 USA US and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail sales m...

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